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A BIBLIOGRAPHIC KEY TO U KRA IN IAN STUDIES

Berdnyk⁵³ and her aniele on Ukrainian writers in Argentina;⁵⁴ and Maxim Tamawsky’s 1986 Harvard dissertation on Valeriian Pidmohyrnyi,⁵⁵ to name but a few. The omission of the last-named Harvard dissertation also raises a methodologi-cal question: was it overlooked because it was presented in the Department of Com-parative Literaturę rather than the Slavic Department? If so, how many other com-parative dissertations on Ukrainian topics fell through Wynar’s bibliographic net?

Wynar’s guide is an extremely important publication; these detailed and exten-sive comments are offered in the hope that they will help in the revision of the second edition. And that second edition—because of the need for a proper index— should be published as soon as possible.

University of Pennsylvania

⁵³    Olcna H. Saciuk, “The Forbidden Vision of Berdnyk.” in The Scope of the Faruastic— Culture, Biography. Themes. Childreris Literaturę. Selected Essays from the First International Conference on the Fantastic in Literaturę and Film, ed. Robert A. Collins and Howard D. Pearce (Wesrport, Conn., 1985), pp. 43-49; idem. “Oleś Berdnyk: A Biographical Sketch," Studia Ucrainica 2 (1984): 249 - 50; idem. “The Sky Blue Blacksmith: Genre and Motif in Berdnyk." Studia Ucrainica 2 (1984): 13-23.

⁵⁴    Olena H. Saciuk. “Ukrainian and Spanish Exilc Writers in Argentina.” in Latin America and the Literaturę of Exile: A Comparative View of the 20th Century European Refugee Writers in the New World, ed. Hans-Bemhard Moeller (Heidelberg, 1983), pp. 277 - 302.

⁵⁵    Maxim David Tamawsky. “Valerijan Pidmohyrnyj, Guy de Maupassant, and the Magie of the Night” (Ph.D. diss.. Harvard University, 1986).