PRESENTATIONS
Sebald, Brigita. 2012. "Social NetWork Sites and the Formation of Musical Taste,” a paper presented at the UCLA ECHO Conference on Musical Networks in Los Angeles, Califomia.
_. 2012. “Musie Circulation and the Informal Economy in Tbilisi, Georgia,” a paper
presented at the Society for Ethnomusicology / American Musicological Society / Society for Musie Theory joint annual meeting in New Orleans, Louisiana.
_. 2012. “Eurovision / Eurasian Popular Musie,” an invited lecture given in the course
“Global Pop” in the UCLA Department of Ethnomusicology.
_. 2011. “Modes of Musie Circulation in Tbilisi, Georgia,” a paper presented at the
Central Eurasian Studies Society annual meeting in Columbus, Ohio.
_. 2011. “Copyright, Circulation, and Censorship in the Republic of Georgia,” a paper
presented atthe Society of Ethnomusicology annual meeting in Philadelphia, Pennsylvania.
_. 2011. “Politics and Patronage in the Georgian Musie Industry,” a paper presented at the
American Anthropological Association annual meeting in Montreal, Canada.
_. 2011. “Georgian Popular Musie,” an invited lecture given in the course “Global Pop” in
the UCLA Department of Ethnomusicology.
_. 2010. “Chicano Punk,” an invited lecture in given in the “Youth Subcultures” graduate
seminar in the Tbilisi State University department of anthropology.
_. 2010. “Modes of Dissemination of Georgian Popular Musie,” an invited lecture given
at the Caucasus Research Resource Center in Tbilisi, Georgia.
_. 2010. “Politics of Georgian Popular Musie,” a paper given for the Workshop on Art
and Politics in the UCLA Department of Sociology.
_. 2009. “Manipulating the Public Sphere: Discourse and Debate on Georgła’s 2009
Eurovision Entry,” a paper presented at the Society for Ethnomusicology annual meeting in Mexico City, Mexico.
_. 2009. “Instrumentation and Auditory Symbolism: The Panduri in Georgian Pop
Musie,” a paper presented at the Central Eurasian Studies Society annual meeting in Toronto, Canada.
_. 2009. “Georgian Popular Musie,” an invited lecture given in the course “Musie of
Europę” in the UCLA Department of Ethnomusicology.