,1. ..
Mr. Disco falls off his horse
fóDc chgage In Doiły Porton look- good reason cxccpl to bring Bud ** wa3 opposlte Uly Torallnln the
allkccoolcsls. and Stssy back together at hłs disastrous "Moment By Moment,"
Except -that Slssy (Debra — funeral. “ TravoHa bas yet to coovlnce me
Wtnger). o sraoldertng beauth that "Urban Cowboy" Is o desperotc that he la anythlna morę than a Bud (Travolta) has plcked up nt attempt to cash łn on lho success of—sullcaprelly-boy wfthmusdesand nK>vie_ bę_.attexnpts Jo transfer—GUIey.’s,-lnsists on ridtng tbe'buli " "Saturday Nlght Fcver." Llkc that an Elvls PresJcy pout. .. “Saturday Nlght Fever" from hersdf, whlch hlts Bud In his far morę vlgorous and oiiglnal
Brooklyn to Texas — and falls machlsmo. ___movIe, It Is based on o pop-
rightoff his horse. So no sooncr do they marry and soctology nrtlcle_(Aaron Lalham'6
- Or rather,-hls mechanlcal-buli,—set up house ln a traller; thanjhę__^*n>e"_Balla(l-Qf^Tbe Urban.Cow-
- By RICHARD FREEDMAN — NeurbouseNewa Servlce . John TravóUa b tbe most rooUn’ tootln’ cowboy ever to hall. from Englewood, NJ„ but ln his lalest
XXX
FILM CUP: "Urban Cowboy.” John Travolla rides a mechanlcal brooco to disaster ln a weak splnoff of “Saturday Nlght Fever.V Rated "PG."Two stara.
whlch, come to thlnk. of pcrfect dcscripUon of "Urban Cowboy” as a y-holc..
Tho buli lri ąucstkm Is ln GUlcy's, a vast. nolsy watering hole .ln Houston. For Iwo bucks a throw, the hardhats at the nearby pctrochcfnlcal plant can rldc it and fcel llkc rcal cow-punchcrs. It is cxacUy Itke thosc mechanlcal horslcs you eon stkk your klds on whllc shopplng at the. flvę-.and-dime. r. .
U, Is a—starts fltrtlng wlth the Slnlstcr Weś 'boy" InEsaulre).
• ■«i /*» __« . . * ... * ...
(Scott Glemm), an ex<on but, aceording to the smltten Stssy. "a real cowboy.'! * .
_ Thls^cts.Bud so-upset that he starts talllng for rich Pam (Madolyn Smith); who moves In wlth hlm and tri es to convcrt hlm front chlll to bcef stroganoff.
Smy fcavcs Bud a hcart-breaklng notę of reconclllotlon
Agaln, the (ocal point Is a dancc hall, mcrcly substltutlng counlry and-Wcslem for_ disco, and a rodeo for a dancc conlest. But whUe U lacks the liberał pleties of, sny, "The Electric Horsemon,” another movle It rcsemblcs, "Urban Cowboy” founders on the sheer sllllncss of Its central meta-phor, that mechanlcal buli.—?•.*•• •
‘ Unlikc
whlch Pam hldcs from hlm, Jusl
llkc the villalness In a Hardy novel. __________
And llke the bables they rcally Slmtlarly. mciódramatlc ls a sud- lt never rcally shows us TravoJla
nre^tficmoćhodcnticnsof GMcy's den llghlning storm at the plont. and company ot thclr dally Jobs by
drii^straleht Irom the bottle and whlch slzzlosBud'snlceUnde Bob way of conlrast wlth »>*'»'■
soabblc a lot. Thcre’s eycn^bdJJZIw^Jn.TtaasJias.n name of-noctumal__jul^ang
thclr
n.o
'Saturday Nlght Fcvcr,"
rnrteo-for ihdn"^Uc lfiĆAwmd>-__morc-tlun one-Bylloble—forro pclrochemlcarphmt mcrcly looms
:rooeojor-Uiem.-winir mr ■- smoklly ln the desert. conlribuUng.
• nonc of the sodologlcol rlchness_
N.ov.elization—-----------------
And whllc he's much better than
CoctuCTi
%
‘Cowboy ’ lacks
Have | ||||
h |
iterari |
igeni |
ius |
FUl |
(Urban Cowboy, Aaron Lathom,
—Bantanyg ,2S paperback)-
Reriewed byEŁAINE KENDALL-—Spodal to Tbe Los Angeles Times —
A novdizotk>n Is to a novd whal Lłon Country Safari Is to Kcnya.
Somc novcllzatlons nrc botter than others, but nonc of them are better than novels. Though the novcllza-U on has not yet bccn declarcd a —legi U ma te-art form, it is certalnly-a trend and trendsbear walchlng...
_By-ncxt-ycar-thcre may be o new— category ‘for the book awards. right up there wlth bisiory, blogro-
■’ phy and poctry.------.——
__Whal's..wrong.wlth that?. Not. .standsonItsown.?___
-muchrproYided'the truc-nnd thc-As^a-i^eJ.-lhCTrstaRdlngwi
fal sc can cocxlst, but the falsc has 0Wł1- "Urban Cowboy" sccms o bil -an imfortunotc tcndcncy tó drtve .unsteady on Its fect, ococUy llkc a tho truć out of clrculaUon. Synthct- fwllhout his horse. The les are casy to producc, pleasc a hcr0- Pay^1 mects a girl
—grcat.many-poople-ond-moke-trlot—named-Slssy ln QUlcy‘s~SalOOn - , gf pory-y fnr-lhwMr^jnnfartiTmT^^rigbtafterhit>«rri7&KrfHou3loUTJ
How^ongrwlll^-*nstbłrT*n»n-
slssy: She "docsn'l fllnch" ands$c
"Urban Cowboy" was o llvdy and_
-orlglnal -storynlcan;? tronie unii
sympathetlc to a subculture un-____
known to-thosc-outstde ItrTara-.mount boughl It as o vchldc for John Travolta and Bantom ac-ąulrcd the paperback rights.
Bantom Is high on '"Urban Cowboy? and malntalns that "U Is * -
a book we would have publlshcd_
even“ If “thcre^adToćcn"
Learning!
Ot
no
mov!e...no Esqulre artlde...and no rccord-from :the"50Und_lra'pk."' Bantam wants "Urban Cowboy" to be "Judgcd separatly from the film
Vm C«" Mi^ fyn t> Om • twtlf
. , - , ... tt uaiuI .. »••• ew§r tov*
and the scrccnploy stncc.lt rcally_____k*v**e^«—
icuila aut?
Oti I
. , wotkmg
jicctOm/A.
Ł
jockpot ncrocicki
Idoho Stoto Univorsity's
VACATION _COLLEGE-
July-14-18,-1980--
MOI king a»*lh Idahe np«l , , fH»pr\l *|NW*łrYrv%ihfcii<VT3r ih« «OA«iMer< .. . co&*q w*th . .
lotliy «*iit*Ag . . . »*ow io . . •
Utatg •».<* twMdt . ■
contlnue to wrllc noVds — a long, londy and often poorly rewarded occupatlon, when he or she can
has "wldc coyotc cyes", that scem
_______ yeliow at nlght and ólajnold bliy ln
7W01IĆ tnp-fórm that ls less demon-' "the daytlme. Rcadcrs' wfio łiave
dlng, toster and Infinltdy morę lucrallve? Pcoplc.ocpcct so much. from a hbvellsl — plots, character, scttlngs, style and ori^nallty, and they are dlsappolntcd when they don’t get fuli volup. Novel writlng ls hard, risky work, and when ll'S flnally done, the crttlcs can lgnore _QŁsavago-your—-
"Urban Cowboy" ls a spectal casc In point. Aaron Latham actu-
rcccntly stared down a coyotc will know cxoctly. what .that mcans. Slssy docsn’t fllnch flvc Umes ln ber flrst scvcn pa ges and she conllnues not to fllnch throughout the book. Shc's a to taiły unflln-chlng person, but thofs about all we cvcr leam about hcr. Bud doesn* HHnch-modrcl thCrTWlhej marry, o match madę ln cowboy
ton
r+m 10 0*<0 . a*CX»Q -Mlh
fułAH^t . . . atmwl
. ha^ui.og) I1I9M vow
Ni«tOfY 19It
--Howr TO Wii;-' vou«
•gotlt
Montezuma’s Revenqe
—JUNE 23 thru JUNE 29
hcaven. Gllley's Saloon then ać-qulres the mechanlcal buli, and Ihc ŁS?of unfljnchlng picks up^----
m1JSi5n,C b„^ln g€tf 111 moblie-homc pąrks and In_
Mesifc_
ally novcllicd hlmself. He wrotc a strikln#. non-ficllon
Yacation
College—
SUI** rvl|
1980
t4 WOMKIMO^S IN ĄUI
hom 1'Jftw to 4pm Oflm«t *«t»hoo too<» list cs* SIin*i rwo
s lisr s*d l*S o •of*o**> W •<•■»»¥ ^ iMŁOdtr c^o* Pboao ISUCo^^g c<yw©4SIS ósSf
CACTUS PETPSSHÓW.TIMES:
---Monday thru Thursday 0:00 and 11:00 P.M..----
_FridayjmdSalurday 8c00,.10:00 &’12 P.M.-
.. Sunday. 6:30,8:30 & 10:00 P.M. .
FOR RESERVATJONS CA11; 208;733-516Ł.702-75S-2321
2 FOR 1 SPECIAL EVERV.SUNDĄY^_)
Plor orx» hin?el'ol'®5tK»ni>« Golo toom <x tho Mono-lho dining room ood gol lho Olhor butlo! Iroo, Tho pricoi good Irom 12:00 noon oi lho Honothu and 1:00 p.m. In^lho Goto Room. ihru<loilng limo 5wndoyonly.. .
I.:
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