7412533030

SUITS NEED PRESSING— MERIT DEFLECTION YOKES DO NOT I

Merit deflection yokes aro cosine wound TO FORM, not pressed. Pressing can lead to distortlon and poor locusing. Pressing after winding irequently causes breakdown.

MERIT COILS AND TRANSFORMERS HAVE ''BUELI-IN" ADYANTAGES.

Each Merit yoko is 100% LIVE TESTED

C    •

That’s right. Net, $7.50 per unit and $15 for UV combinations, including ALL replacement parts. 90-day warranty against defective workmanship and parts failure. Tuners repaired on ap-proved, open accounts. Replacements oflered at these prices* on tuners not repairable:

VHF 12 position tuner . . $22.00

VHF 13 or 16 position

tuner..........23.00

VHF/UHF combination .    25.00

UHFonly........15.50

"Subject to change

Tarzian-made tuners are easily identifled by this stamping on the unit. When inquiring about replacements for other than Tarzian-made tuners, always give tubę complement ... shaft length ... filament voltage ... series or shunt heater... IF frequency and chassis identificatlon. Use this address for fast, 48-hour service:

SARKES TARZIAN, Inc.

AU.: Service Mgr., Tuner Diwision East Hillside Drive Bloomington, Indiana    •

122

popular cvcr writtcn and macstro Paulik is an acknowlctlgcd exemplar in thc field. The Yicnna Philharmonic in its rccording guise as thc Staatsopcr Orkcstcr plays thc musie loeingly and with great elan.

The record is supposed to demonstratc VanguanVx prowess in stereo rccording and this it docs most cffcctivcly. This company l cssays a linę ‘blcnded*’ typc uf stereo, in other words. they havc cnnugh dircctivity, but not c.\aggcratcd “ping-pong” clfccts and they concentratc on thc realism begetting proircrtics of cleverly handlcd acoustics and judicious place mc nt of instruments. Aild the Rood wide freguency and dynamie rance they achicvc and the ovcr-all sound is most natural and easy to listen to for c.Mcndcd |H-riods.

IIELOYED CIIORI SES Mormon Tabrrnaclc C.lioir willi Philadel* pliia OrelioMtra rondurtcrl by Kiifcrne Ormandr. Columbia Mono ML53f>4. Prirv $1.98.

I leci cheated on this disc heca use this macnificent choir should ccrtainly l»e heard in stereo! I musi admil, ho\vcvcr. that c'*cn on this mono disc, their artistry is a thrilling cxpericncc. The program is vcry well choscn, with tried and true Bach like . . . “Shecp May Safcly Grazc,” “Jcsu, Joy of Man*s I)c-sirinc,” ‘*A Michty Fortress.” and for goud measure items like the “Mallclujah Chorus,” and Haydns “The Hcavcns Are Tclling.”

Throuchout the disc chorał articulntion is eood with a vcry minimal amount of “biur and fusion" to mar things. The accompani-mcnl of the Philadelphians is ercat an<l adds an cxtra lillip of interes!. The sound is wicie rance and clean with nice dynamies. Init as with any chora) work the need for stereo is obvious. (This disc is aeailablc in the stereo format ... I just happen to havc becn sent thc mono.)

MOZART

SYMPHONY IN C MAJOR (“LINZ**) EINE KLEINE NACHTMUS1K

London Syniphony Orchestra conducted by Antnl Dorati. Mercury Stereo SR-90121. Price $5.95.

Dorati may not have sufticicnl “gemutlich-kcit" in his “Einc Klcinc” to suit somc tastes, but ncither does hc ovcr-scntimcntalize as do so many conductors. His is a good, straight-forward readinc mainly notable for thc finc playing of the Londoncrs, who play much morc Mozart than many {>cople think. Much thc same can bc said for the “Linz" sym-phony and both works havc thc beneftt of first ratę stereo rccordinc. The cncincers are to hc commendcd for usinc an acoustic per-spectiec suited to thc “chamber-scale" of these works.

R ACH MANI ISO FF

CONCERTO #2 FOR PIANO AND

ORCHESTRA

liALAKIRRy

ISI.AMEY (Solo Piuno)

Julius katclien, piunist, with London Sympliony Orchestra conducted by Ceorfcc Solti. London Stereo CS60M. Price $5.95.

Katchcn has always had a particular affin-ity for this conccrto and his old recordinc in mono (now aeailable on London’s incx|)cn-sive subsidiary Richmond lahcl) was highly regarded. His approach to the work is an intcrcstinc combination of faster pace than most, solidly foundcd rhythmic security, and an apprccialion of thc lyric qualitics without ovcr-romanticizing them. Hc is aidcd by thc pcrccptiec and sympathetic accompanimcnt of Solti, who also dcscrvcs a kudo for the finc playinc hc clicits from the London Sym-phony.

Somc may prefer thc manner and aulhority of Kubenstein’s yersion, but this rcading can

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