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verbs showing gender marking on all three persons, the hijras’ attempts at altemating constructions of female and małe selves become apparent in quite basie choices of feminine and masculine verbal, adjectival and postpositional forms. Critically aware of the cultural meaning attributed to their own use of feminine as opposed to masculine markers, the hijras ‘code-switch’ between morphological genders in their daily interactions in order to express relations of solidarity and power.
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