9818246802

Janina Falkowska, M.A, PhD 2012

“History as Spectacle in Andrzej Wajda Films.” Rediscovering Polish Cinema: History-Ideology-Politics. Lodź, Poland. October 2006.

“Feelings and Faith in Krzysztof Kieślowski’s Decalogue (1988) in the Context of Recent Theories of Empathy in Cinema.” In the Circle of Krzysztof Kielowski. Katowice, Poland. 2005.

“The Cold Europę in Michael Heneke’s Films from Austria, Locution, Dlocution and Perlocution in the Interpretation of Hakeke’s Works.” The Cinema of Central Europę. Edmonton, Canada. 2005.

“The Road to New European Identities in Austrian Cinema.” Meeting of the Society for the Interdisciplinary Study of Social Imagery. Colorado Springs, Colorado. 2005.

Participant, The World According to Lem: Science Fiction and Futurology. Edmonton, Canada. 2003.

“Exasperating Miscommunications: The Cold Europę in Michael Haneke’s Films from Austria—

Funny Games (1997), Codę Inconnu (2000), and The Piano Teacher (2001).” Meeting of the Film Studies Association of Canada. Halifax, Canada. 2003.

“History in the Making: New Europę and Cinema in the Post-Wall Germany.” East(ern) Germany Between Tradition and (Post) Modernity. Montreal, Canada. 2002.

“New Europę and Cinema in German-speaking Countries.” Meeting of the Society for Cinema Studies. Denver, Colorado. 2002.

“Polish Baroąue in the Thick of Europę: The Reception of Andrzej Wajda’s Films.” Cinema and Theatre of Andrzej Wajda. Lodź, Poland. 2001.

Section chair, “Sacrum in Andrzej Wajda’s Films.” Cinema and Theatre of Andrzej Wajda.

Lodź, Poland. 2001.

“Agnieszka Holland, Barbara Sass and Dorota Kedzierzawska in the World of Małe

Filmmakers” and “Washington Square by Agnieszka Holland.” Women Filmmakers: Refocusing. Vancouver, Canada. 1999.

“Eisenstein and Eastem European Film: The Case of Andrzej Wajda.” The Eisenstein Symposium and Celebration. Toronto, Canada. 1998.

“The Conceptual Theories of Identification in Cinema.” Histories of Theory. London, Canada. 1998.

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