Camus's The Stranger is a grim profession that choice and individual freedom are
integral components of human nature, and the commitment and responsibility that accompany
these elements are ultimately the deciding factors of the morality of one's existence.  Meursault
is placed in an indifferent world, a world that embraces absurdity and persecutes reason; such is
the nature of existentialist belief, that rationalization and logic are ultimately the essence of
humanity, and that societal premonitions and an irrelevant status quo serve only to perpetuate a
false sense of truth.
	Meursault's virtue, as well as his undoing, lies in his unique tendency to choose, and
thereby exist, without computing objective standards or universal sentiment.  His  stoic, de facto
existentialism is a catalyst for endless conflict between his rationalization- and logic-based
existence and that of others, which focuses on an objective subscription to "the norm" ; such is
evident in heated discussions with the magistrate and prison minister, who are seen as paragons
of invalid logic and the quixotic, quasi-passionate pursuit of hackneyed conformity.
	No windmills are slain1 in this simulated existence; absurdity of a different ilk dominates
the popular mentality, one which would alienate a man based on his perceived indifference
towards the mundane, and try, convict, and execute a man based on his lack of purported
empathy towards the irrelevant.  Attention to the trial sequence will reveal that the key elements
of the conviction had little to do with the actual crime Meursault had committed, but rather  the
"unspeakable atrocities" he had committed while in mourning of his mother's death, which
consisted of smoking a cigarette, drinking a cup of coffee, and failing to cry or appear sufficiently
distraught.  Indeed, the deformed misconception of moral truth which the jury [society] seeks is
based on a detached, objective observation of right or wrong, thereby misrepresenting the ideals
of justice by failing to recognize that personal freedom and choice are "...the essence of
individual existence and the deciding factor of one's morality.2"
	The execution of Meursault at the close of the novel symbolically brings forth
outpourings of emotion, as Meursault confronts his nothingness and the impossibility of justifying
the [immoral] choices he has made; he realizes the pure contingency of his life, and that he has
voided, in essence, his own existence by failing to accept the risk and responsibility that the
personal freedom of an existentialist reality entails.
1  From Don  Quixote (1605, trans. 1612), a satirical Spanish novel by Miguel de Cervantes
Saavedra.
2  Soren Kierkegaard, Nineteenth-century Danish philosopher, on "Moral Individualism and
Truth."