Paradiddle Power 6

Part 5: Jazz Fills With Triple Paradiddles In Triplets

Here again, notę that only two bars of the jazz time beat are needed prior to the two-measure fili to equal a four-bar phrase. These fills utilize three drums (snare drum, smali tom, and large tom). Again, remember to omit the third partial of the fourth triplet on the second repeat of the jazz cymbał beat (*). This will allow the right hand sufficient time to move to the appropriate drum for the fili.

3    3 *

^1 J .	n	J .	n	2	E i	3	3 3 __ mrr ^T	_ 3 rn ,
				. i i l_ ...j__r~nr......._ .. . m .				__L J
lir r*				•/ & # s # .® # ® ,» <§ ® ® s &&&»&■ .
IT" ty				X-	m _ 4		• i
r	F—		F—

RLRLRLRRLRLR LRLLRLRLRLRL

* ' ‘l * -«. ■ 04	o	2	3	3 rn	3 lTT_	3	^3 r	3 TL	n~, h-
i-i 7*—]-nr.			J „ _
"TT O		•/	d d	® #			® ® «		0 9 & ® #
ty^_		x-	d				■ |
0 0 #	1
r f r	RLRLRLRRLRLR LRLLRLRLRLRL

3		.Tl	J .	•i J	2	"H T	m	3	3 3 m ~~	3 i rr	3
				7 ^x		• * . ..
					•Z < d f <		@ «? 0		m m mm	m a m	IL* 9 ■ 1
tl \T					/i	a			i	_m	_ -.1
i	“=P	F=				_u

RLRLRLRRLRLR LRLLRLRLRLRL

4	- 3 .77	J ’	- 3	2	3 m	3 3 - m m	3 T	3 3	. 3 —	3 rr
									_ ] J 1
ii /a				■/	a	d # 0 0 0 0	m	I^1 0__dL_	za_*r dr^il
btr--				X b	i #				• 0	* i
f *	5=		1 -LI

RLRLRLRRLRLR LRLLRLRLRLRL

5 ---X->		-X-^5/-	1 2 -k 9	7^"			0 :4 j
±«E=EEj	* *	f 0		m • t i j		4 0 0 4 j	a lybri ^

RLRLRLRRLRLR LRLLRLRLRLRL