essentÊrving°16

essentÊrving°16



Essen.tial Woodcarvmng Techsiques

A clamp should be strong and have its heads in linÄ™. It should havc adequate reach and ideally should be able to be adjusted quickly. If it has a fine thread it will take longer to adjust and is morc suirable for metalwork. Whcn buying second-hand G clamps make surÄ™ that thc buttons are not going to fali off.

The traditional \voodcarvers vice or chops (Fig 1.22) is expensive unless you make it yourself. Kits are available. It can be held in a vice or clamped to a bench but is most effcctive when held on the bench by a special screw which aliows the vice to be swivelled. You therefore need a hole in the bench top. The jaws are lined with cork and felt so that they grip well.



FlG 1.23 Standard bench vice with quick release. NotÄ™ the cheeks lined with thick felt or carpet tile to save space.


FlG 1.22 Carver‘s chops holding workpiece which has been sÄ…uared at the bottom for a good grip. NotÄ™ the bench screw that anchors it to the bench, shown here with wing nut undone.


Fig 1.25 A bench screw.


FlG 1.24 Bench vice with wooden dog in the moving head and thin metal bar holding a bench hook on the bench.

- 16_


Wyszukiwarka

Podobne podstrony:
essent?rving?20 Essen tial Woodcarving T e c h n i q u e sChoosing the BestDlRECTION OF THE GRAIN Th
essent?rving?34 Essen tial Woodcarying Techniques softwoods are evergreen and hardwoods are dcciduou
essent?rving?40 Essen tial Woodcarying Techniques FlG 2.20 Arrow Crosstree (Dick Onians), carued in
essent?rving?48 Essen tiał Woodcarving Techxiques Fig 3.5 From the bot tom: two correct chip cuts; t
essent?rving?58 Essen-tial Woodcarvig Techxiques Fig 4.10 Cu tti fig the cup. The gouge en ten the w
essent?rving?72 Essen tial Woodcarving Techniques although the temptarion ro use a router co set clo
essent?rving?62 Essen tial Woodcary ing T e c h n i q u e s Top arm comes just    Hal
essent?rving?68 Essen tial Woodcarving Techniques FlG 15.16 The fint cut into the serif on an M. Fig
essent?rving?18 Essen tul Woodcarning Techniques Fig 1.29 A bench holdfast in use. Fig 1.28 A univer
essent?rving?50 Essen tial W o o d c a r vin g Techniques Fig 3.11 Making the stab aa at too shallow
essent?rving?52 Essen’ tial W o o d c a r v i n g Techniques Fig 3.18 A No. 3 fishtail being used to
essent?rving?86 Essen tial W o o d c a r vin g Tech kiqu es fold. If these arc forgotten irrcversibl
essent?rving?72 Essen tial W o o d c a r vin g Techniques Alder {Alnus glutinosa) Pale yellow or pin
crankshaft Crankshaft Be surÄ™ to have extra coathanger wire, as it will probably take multiple 
essent?rving?30 Essen ti al Woodcarving Techniques Fig 2.4 A piece of Southern yeUow pine. The dark
essent?rving?66 Essen ti al Woodcarvixg Techniques Fig 5.1 Oak leafstudies by a student (Howard Spie
sprintinst 8 Iever to slowly speed up engine . The pick-up from idle should be smooth and even. List
htdctmw 124 Inking can tend to be tiresome, and it requires relentless concentration. Therefore, you

więcej podobnych podstron