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C A R V I N c. A N A N I M A L IN THE ROU X L>

probably his long experience with drawing and painting. However, Figurc 11.9 shows no tracę of squareness as the carver, Eva Linnemann, did not begin by cutting prccise profiles but set straight into modclling the forms. The main difference is chat Eva has drawn many animals in all sorts of attitudes ovcr che years, so she has a thorough visual memory of them. Her carving may look a littlc ragged bur the life and frccdom of the forms are unmisrakable.

The dccr carved by Howard Spicrs, although based on drawings in a book, has bccn also the subject of much observation. Nocice how he has not slavishly followed the outline but kept it rather tubby. Even halfway through one is nor reminded of the square błock (Figs 11.10-11.16).

Fic; 11.10 Deer in walnut. Notę that the shaping is only generał.

Fic 11.11 Same stage. The front legs are still connccted.

Fig 11.12 Same stage. Right side.

Fig 11.13 Same stage. Re ar vicw.

_123_

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