Even a MonkeyÊn Draw Manga v01 p042

Even a MonkeyÊn Draw Manga v01 p042



The Truth behind the lnductive/Deductive NIethodsl

WhiJe we stated that the deductive method is for long stories, and the inductive method is for short stories, that’s just a generaÅ‚ rule. In faa, a combination of both methods is utilized in most stories.

With long stories, you might think you’re pretty much set once you have a protagonist with a lot of characters faced with a compelling situation. But with-out a elear image of the last scene, even the artist loses track of the story’s direction and ends up annihilating the rest of the world along with the protagonist. Or he might come up with some climactic siruation. but won’t know how to resolve it, and as a result the serial could be cancelled without any conclusion.

There’s also the pattern where the “haunted past†of the protagonist comes to light at the end of the story. This follows the inductive method, but the weakness of this method is that because the artist is the only who knows the resolution, the development can be predictably stiff. In order to avoid this, you must be as persistent as Magellan was when he sailed around the world, and incorporate the deductive method along with the inductive method to get to the the last scene. Of course, at the end of such superhuman efforts, you don’t want to realize you have no idea what the protagonist’s secret past is.


YOU THINK A 0\RI WOULP SIÄ„P A GUY JUST BECAUSE A MOSOUITO LANPEP ON HIS CHEEK!?

rr TAKES A LOT MORĘ TRAN THAT FOR A GIRL TO SIÄ„P A GUYH

THERE MUST HAVE BEEN SOME GRAYB CÅ‚RCUMSTANCeS

\NVOlVEV FOR SOMETHING LIK£


UKE...

THB FATB Of

HUMANKÅ‚NW!

42


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