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Using the same penciled drawing once again, we go to another extreme. This time the inker didn’t get nearly enough variety in his lines, or in his black areas. As you can see, his lines are almost all the same weight, with no feeling of “thick and thin.” His solid black areas are too skimpy and too spotty; they’re scattered all over the panel in no definite pattern, and seemingly for no particular reason. The figures don’t stand apart from each other and they all seem to blend in with the background. As you can see, it’s just as bad to keep a panel too light as it is to overwork the drawing.