2949775523

2949775523



Bijsterveld, K. & Krebs, S. (2013). Listening to the Sounding Objects of the Past: The Case of the Car. In K. Franinović & S. Serafin (Eds.), Sonic Interaction Design (pp. 3-38). Cambridge, MA: MIT Press.

Bijsterveld, K. (2013). Introduction. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 11-24). Bieiefeld: Transcript Verlag, Sound Studies Series No. 5.

Bijsterveld, K., Jacobs, A., Aalbers, J. & Fickers, A. (2013). Shifting Sounds: Textualization and Dramatization of Urban Soundscapes. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 31-66). Bieiefeld: Transcript Verlag, Sound Studies Series No. 5.

Fickers, A., Aalbers, J., Jacobs, A. & Bijsterveld, K. (2013). Sounds Familiar: Sonic Icons and Transmediality of Modemization in Recorded Cities. In K. Bijsterveld (Ed.), Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage (pp. 77-115). Bieiefeld: Transcript Verlag, Sound Studies Series No. 5.

Bijsterveld, K. (2013). Eavesdropping on Europę: The tape recorder and East-West relations among European recording amateurs in the Cold War era. In A. Badenoch, A. Fickers & C. Henrich-Franke (Eds.), Airy Curtains in the European Ether: Broadcasting and the Cold War (pp. 101-121). Baden-Baden: Nomos.

Bijsterveld, K. (2012). Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. In J. Sterne (Ed.), The Sound Studies Reader (pp. 152-167). New York [etc.]: Routledge—also published in Interdisciplinary Science Reviews (2006).

Pinch, T. & Bijsterveld, K. (2012). New Keys to the World of Sound. In T. Pinch, & K. Bijsterveld (Eds.), The Oxford Handbook of Sound Studies (pp. 3-35). Oxford: Oxford University Press.

Cleophas, E. & Bijsterveld, K. (2012). Selling Sound: Testing, Designing and Marketing Sound in the European Car Industry. In T. Pinch & K. Bijsterveld (Eds.), The Oxford Handbook of Sound Studies (pp. 102-124). Oxford: Oxford University Press.

Pinch, T. & Bijsterveld, K. (2011). Sound Studies: New Technologies and Musie. In Chris Rojek (Ed.), Popular Musie, Volume 2 (Technology and Copyright: Formations of Technology), pp. 3-16. London [etc.]: Sagę—also published in Social Studies of Science (2004), and in Fouche, Technology Studies (Sagę, 2007).

Bijsterveld, K. & Peters, P.F. (2010). Composing Claims about Musical Instrument Development: A Science and Technology Studies’ Contribution, Interdisciplinary Science Reviews, 35, 2, June, 106-122.

Bijsterveld, K. (2010). Acoustic Cocooning: How the Car became a Place to Unwind, The Senses & Society, 5,2, 189-211.

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