Nathaniel Hawthorne (1804 - 1864).

i. “My Kinsman, Major Molineaux”.

After the kings of Great Britain of Great Britain had assumed the right of appointing the colonial governors, the measures of the latter seldom met with the ready and general approbation which had been paid to those of their predecessors, under the original charters. The people looked with most jealous scrutiny to the exercise of power, which did not emanate from themselves, and they usually rewarded the rulers with slender gratitude for the compliances, by which, in softening their instructions from beyond the sea, they had incurred the reprehension of those who gave them. The annals of Massachusetts Bay will inform us, that of six governors, in the space of about forty years from the surrender of the old charter, under James II, two were imprisoned by a popular insurrection; a third, as Hutchinson inclines to believe, was driven from the province by the whizzing of a musketball; a fourth, in the opinion of the same historian, was hastened to his grave by continual bickerings with the House of Representatives; and the remaining two, as well as their successors, till the Revolution, were favored with few and brief intervals of peaceful sway. The inferior members of the court party, in times of high political excitement, led scarcely a more desirable life. These remarks may serve as a preface to the following adventures, which chanced upon a summer night, not far from a hundred years ago. The reader, in order to avoid a long and dry detail of colonial affairs, is requested to dispense with an account of the train of circumstances, that had caused much temporary inflammation of the popular mind.

It was near nine o'clock of a moonlight evening, when a boat crossed the ferry with a single passenger, who had obtained his conveyance, at that unusual hour, by the promise of an extra fare. While he stood on the landing-place, searching in either pocket for the means of fulfilling his agreement, the ferryman lifted a lantern, by the aid of which, and the newly risen moon, he took a very accurate survey of the stranger's figure. He was a youth of barely eighteen years, evidently country-bred, and now, as it should seem, upon his first visit to town. He was clad in a coarse gray coat, well worn, but in excellent repair; his under garments were durably constructed of leather, and sat tight to a pair of serviceable and well-shaped limbs; his stockings of blue yarn, were the incontrovertible handiwork of a mother or a sister; and on his head was a three-cornered hat, which in its better days had perhaps sheltered the graver brow of the lad's father. Under his left arm was a heavy cudgel, formed of an oak sapling, and retaining a part of the hardened root; and his equipment was completed by a wallet, not so abundantly stocked as to incommode the vigorous shoulders on which it hung. Brown, curly hair, well-shaped features, and bright, cheerful eyes, were nature's gifts, and worth all that art could have done for his adornment.

The youth, one of whose names was Robin, finally drew from his pocket the half of a little province-bill of five shillings, which, in the depreciation of that sort of currency, did but satisfy the ferryman's demand, with the surplus of a sexangular piece of parchment, valued at three pence. He then walked forward into the town, with as light a step, as if his day's journey had not already exceeded thirty miles, and with as eager an eye as if he were entering London city, instead of the little metropolis of a New England colony. Before Robin had proceeded far, however, it occurred to him, that he knew not whither to direct his steps; so he paused, and looked up and down the narrow street, scrutinizing the small and mean wooden buildings, that were scattered on either side.

"This low hovel cannot be my kinsman's dwelling," thought he, "nor yonder old house, where the moonlight enters at the broken casement; and truly I see none hereabouts that might be worthy of him. It would have been wise to inquire my way of the ferryman, and doubtless he would have gone with me, and earned a shilling from the major for his pains. But the next man I meet will do as well."

He resumed his walk, and was glad to perceive that the street now became wider, and the houses more respectable in their appearance. He soon discerned a figure moving on moderately in advance, and hastened his steps to overtake it. As Robin drew nigh, he saw that the passenger was a man in years, with a full periwig of gray hair, a wide-skirted coat of dark cloth, and silk stockings rolled above his knees. He carried a long and polished cane, which he struck down perpendicularly before him, at every step; and at regular intervals he uttered two successive hems, of a peculiarly solemn and sepulchral intonation. Having made these observations, Robin laid hold of the skirt of the old man's coat, just when the light from the open door and windows of a barber's shop fell upon both their figures. "Good evening to you, honored sir," said he, making a low bow, and still retaining his hold of the skirt. "I pray you tell me whereabouts is the dwelling of my kinsman, Major Molineux?"

The youth's question was uttered very loudly; and one of the barbers, whose razor was descending on a well-soaped chin, and another who was dressing a Ramillies wig, left their occupations, and came to the door. The citizen, in the meantime, turned a long-favored countenance upon Robin, and answered him in a tone of excessive anger and annoyance. His two sepulchral hems, however, broke into the very centre of his rebuke, with most singular effect, like a thought of the cold grave obtruding among wrathful passions.

"Let go my garment, fellow! I tell you, I know not the man you speak of. What! I have authority, I have--hem, hem--authority; and if this be the respect you show for your betters, your feet shall be brought acquainted with the stocks by daylight, tomorrow morning!"

Robin released the old man's skirt, and hastened away, pursued by an ill-mannered roar of laughter from the barber's shop. He was at first considerably surprised by the result of his question, but, being a shrewd youth, soon thought himself able to account for the mystery.

"This is some country representative," was his conclusion, "who has never seen the inside of my kinsman's door, and lacks the breeding to answer a stranger civilly. The man is old, or verily--I might be tempted to turn back and smite him on the nose. Ah, Robin, Robin! even the barber's boys laugh at you choosing such a guide! You will be wiser in time, friend Robin."

He now became entangled in a succession of crooked and narrow streets, which crossed each other, and meandered at no great distance from the water-side. The smell of tar was obvious to his nostrils, the masts of vessels pierced the moonlight above the tops of the buildings, and the numerous signs, which Robin paused to read, informed him that he was near the centre of business. But the streets were empty, the shops were closed, and lights were visible only in the second stories of a few dwelling-houses. At length, on the corner of a narrow lane, through which he was passing, he beheld the broad countenance of a British hero swinging before the door of an inn, whence proceeded the voices of many guests. The casement of one of the lower windows was thrown back, and a very thin curtain permitted Robin to distinguish a party at supper, round a well-furnished table. The fragrance of the good cheer steamed forth into the outer air, and the youth could not fail to recollect, that the last remnant of his travelling stock of provision had yielded to his morning appetite, and that noon had found, and left him, dinnerless.

"Oh, that a parchment three-penny might give me a right to sit down at yonder table!" said Robin, with a sigh. "But the major will make me welcome to the best of his victuals; so I will even step boldly in, and inquire my way to his dwelling."

He entered the tavern, and was guided by the murmur of voices, and the fumes of tobacco, to the public room. It was a long and low apartment, with oaken walls, grown dark in the continual smoke, and a floor, which was thickly sanded, but of no immaculate purity. A number of persons, the larger part of whom appeared to be mariners, or in some way connected with the sea, occupied the wooden benches, or leather-bottomed chairs, conversing on various matters, and occasionally lending their attention to some topic of general interest. Three or four little groups were draining as many bowls of punch, which the West India trade had long since made a familiar drink in the colony. Others, who had the appearance of men who lived by regular and laborious handicraft, preferred the insulated bliss of an unshared potation, and became more taciturn under its influence. Nearly all, in short, evinced a predilection for the Good Creature in some of its various shapes, for this is a vice to which, as Fast-day sermons of a hundred years ago will testify, we have a long hereditary claim. The only guests to whom Robin's sympathies inclined him, were two or three sheepish countrymen, who were using the inn somewhat after the fashion of a Turkish caravansary; they had gotten themselves into the darkest corner of the room, and, heedless of the Nicotian atmosphere, were supping on the bread of their own ovens, and the bacon cured in their own chimney-smoke. But though Robin felt a sort of brotherhood with these strangers, his eyes were attracted from them to a person who stood near the door, holding whispered conversation with a group of ill-dressed associates. His features were separately striking almost to grotesqueness, and the whole face left a deep impression on the memory. The forehead bulged out into a double prominence, with a vale between; the nose came boldly forth in an irregular curve, and its bridge was of more than a finger's breadth; the eyebrows were deep and shaggy, and the eyes glowed beneath them like fire in a cave.

While Robin deliberated of whom to inquire respecting his kinsman's dwelling, he was accosted by the innkeeper, a little man in a stained white apron, who had come to pay his professional welcome to the stranger. Being in the second generation from a French Protestant, he seemed to have inherited the courtesy of his parent nation; but no variety of circumstances was ever known to change his voice from the one shrill note in which he now addressed Robin.

"From the country, I presume, Sir?" said he, with a profound bow. "Beg to congratulate you on your arrival, and trust you intend a long stay with us. Fine town here, Sir, beautiful buildings, and much that may interest a stranger. May I hope for the honor of your commands in respect to supper?"

"The man sees a family likeness! the rogue has guessed that I am related to the Major!" thought Robin, who had hitherto experienced little superfluous civility.

All eyes were now turned on the country lad, standing at the door, in his worn three-cornered hat, gray coat, leather breeches, and blue yarn stockings, leaning on an oaken cudgel, and bearing a wallet on his back.

Robin replied to the courteous innkeeper, with such an assumption of confidence as befitted the major's relative.

"My honest friend," he said, "I shall make it a point to patronize your house on some occasion when--" here he could not help lowering his voice--"I may have more than a parchment three-pence in my pocket. My present business," continued he, speaking with lofty confidence, "is merely to inquire my way to the dwelling of my kinsman, Major Molineux."

There was a sudden and general movement in the room, which Robin interpreted as expressing the eagerness of each individual to become his guide. But the innkeeper turned his eyes to a written paper on the wall, which he read, or seemed to read, with occasional recurrences to the young man's figure.

"What have we here?" said he, breaking his speech into little dry fragments. "'Left the house of the subscriber, bounden servant, Hezekiah Mudge--had on, when he went away, gray coat, leather breeches, master's third best hat. One pound currency reward to whosoever shall lodge him in any jail of the province.' Better trudge, boy, better trudge!"

Robin had begun to draw his hand towards the lighter end of the oak cudgel, but a strange hostility in every countenance, induced him to relinquish his purpose of breaking the courteous innkeeper's head. As he turned to leave the room, he encountered a sneering glance from the bold-featured personage whom he had before noticed; and no sooner was he beyond the door, than he heard a general laugh, in which the innkeeper's voice might be distinguished, like the dropping of small stones into a kettle.

"Now, is it not strange," thought Robin, with his usual shrewdness, "is it not strange, that the confession of an empty pocket should outweigh the name of my kinsman, Major Molineux? Oh, if I had one of those grinning rascals in the woods, where I and my oak sapling grew up together, I would teach him that my arm is heavy, though my purse be light!"

On turning the corner of the narrow lane, Robin found himself in a spacious street, with an unbroken line of lofty houses on each side, and a steepled building at the upper end, whence the ringing of a bell announced the hour of nine. The light of the moon, and the lamps from the numerous shop windows, discovered people promenading on the pavement, and amongst them Robin hoped to recognize his hitherto inscrutable relative. The result of his former inquiries made him unwilling to hazard another, in a scene of such publicity, and he determined to walk slowly and silently up the street, thrusting his face close to that of every elderly gentleman, in search of the Major's lineaments. In his progress, Robin encountered many gay and gallant figures. Embroidered garments, of showy colors, enormous periwigs, gold-laced hats, and silver-hilted swords, glided past him, and dazzled his optics. Travelled youths, imitators of the European fine gentlemen of the period, trod jauntily along, half-dancing to the fashionable tunes which they hummed, and making poor Robin ashamed of his quiet and natural gait. At length, after many pauses to examine the gorgeous display of goods in the shop windows, and after suffering some rebukes for the impertinence of his scrutiny into people's faces, the major's kinsman found himself near the steepled building, still unsuccessful in his search. As yet, however, he had seen only one side of the thronged street, so Robin crossed, and continued the same sort of inquisition down the opposite pavement, with stronger hopes than the philosopher seeking an honest man, but with no better fortune. He had arrived about midway towards the lower end, from which his course began, when he overheard the approach of someone, who struck down a cane on the flag-stones at every step, uttering, at regular intervals, two sepulchral hems.

"Mercy on us!" quoth Robin, recognizing the sound.

Turning a corner, which chanced to be close at his right hand, he hastened to pursue his researches, in some other part of the town. His patience was now wearing low, and he seemed to feel more fatigue from his rambles since he crossed the ferry, than from his journey of several days on the other side. Hunger also pleaded loudly within him, and Robin began to balance the propriety of demanding, violently, and with lifted cudgel, the necessary guidance from the first solitary passenger, whom he should meet. While a resolution to this effect was gaining strength, he entered a street of mean appearance, on either side of which a row of ill-built houses was straggling towards the harbor. The moonlight fell upon no passenger along the whole extent, but in the third domicile which Robin passed there was a half-opened door, and his keen glance detected a woman's garment within.

"My luck may be better here," said he to himself.

Accordingly, he approached the door, and beheld it shut closer as he did so; yet an open space remained, sufficing for the fair occupant to observe the stranger, without a corresponding display on her part. All that Robin could discern was a strip of scarlet petticoat, and the occasional sparkle of an eye, as if the moonbeams were trembling on some bright thing.

"Pretty mistress,"for I may call her so with a good conscience, thought the shrewd youth, since I know nothing to the contrary--"my sweet pretty mistress, will you be kind enough to tell me whereabouts I must seek the dwelling of my kinsman, Major Molineux?"

Robin's voice was plaintive and winning, and the female, seeing nothing to be shunned in the handsome country youth, thrust open the door, and came forth into the moonlight. She was a dainty little figure, with a white neck, round arms, and a slender waist, at the extremity of which her scarlet petticoat jutted out over a hoop, as if she were standing in a balloon. Moreover, her face was oval and pretty, her hair dark beneath the little cap, and her bright eyes possessed a sly freedom, which triumphed over those of Robin.

"Major Molineux dwells here," said this fair woman.

Now her voice was the sweetest Robin had heard that night, the airy counterpart of a stream of melted silver; yet he could not help doubting whether that sweet voice spoke Gospel truth. He looked up and down the mean street, and then surveyed the house before which they stood. It was a small, dark edifice of two stories, the second of which projected over the lower floor; and the front apartment had the aspect of a shop for petty commodities.

"Now truly I am in luck," replied Robin, cunningly, "and so indeed is my kinsman, the major, in having so pretty a housekeeper. But I prithee trouble him to step to the door; I will deliver him a message from his friends in the country, and then go back to my lodgings at the inn."

"Nay, the Major has been a-bed this hour or more," said the lady of the scarlet petticoat; "and it would be to little purpose to disturb him tonight, seeing his evening draught was of the strongest. But he is a kind-hearted man, and it would be as much as my life's worth, to let a kinsman of his turn away from the door. You are the good old gentleman's very picture, and I could swear that was his rainy-weather hat. Also he has garments very much resembling those leather small-clothes. But come in, I pray, for I bid you hearty welcome in his name."

So saying, the fair and hospitable dame took our hero by the hand; and though the touch was light, and the force was gentleness, and though Robin read in her eyes what he did not hear in her words, yet the slender-waisted woman, in the scarlet petticoat, proved stronger than the athletic country youth. She had drawn his half-willing footsteps nearly to the threshold, when the opening of a door in the neighborhood, startled the Major's housekeeper, and, leaving the Major's kinsman, she vanished speedily into her own domicile. A heavy yawn preceded the appearance of a man, who, like the Moonshine of Pyramus and Thisbe, carried a lantern, needlessly aiding his sister luminary in the heavens. As he walked sleepily up the street, he turned his broad, dull face on Robin, and displayed a long staff, spiked at the end.

"Home, vagabond, home!" said the watchman, in accents that seemed to fall asleep as soon as they were uttered. "Home, or we'll set you in the stocks by peep of day!"

"This is the second hint of the kind," thought Robin. "I wish they would end my difficulties, by setting me there tonight."

Nevertheless, the youth felt an instinctive antipathy towards the guardian of midnight order, which at first prevented him from asking his usual question. But just when the man was about to vanish behind the corner, Robin resolved not to lose the opportunity, and shouted lustily after him--

"I say, friend! will you guide me to the house of my kinsman, Major Molineux?"

The watchman made no reply, but turned the corner and was gone; yet Robin seemed to hear the sound of drowsy laughter stealing along the solitary street. At that moment, also, a pleasant titter saluted him from the open window above his head; he looked up, and caught the sparkle of a saucy eye; a round arm beckoned to him, and next he heard light footsteps descending the staircase within. But Robin, being of the household of a New England clergyman, was a good youth, as well as a shrewd one; so he resisted temptation, and fled away.

He now roamed desperately, and at random, through the town, almost ready to believe that a spell was on him, like that by which a wizard of his country had once kept three pursuers wandering, a whole winter night, within twenty paces of the cottage which they sought. The streets lay before him, strange and desolate, and the lights were extinguished in almost every house. Twice, however, little parties of men, among whom Robin distinguished individuals in outlandish attire, came hurrying along; but though on both occasions they paused to address him, such intercourse did not at all enlighten his perplexity. They did but utter a few words in some language of which Robin knew nothing, and perceiving his inability to answer, bestowed a curse upon him in plain English, and hastened away. Finally, the lad determined to knock at the door of every mansion that might appear worthy to be occupied by his kinsman, trusting that perseverance would overcome the fatality that had hitherto thwarted him. Firm in this resolve, he was passing beneath the walls of a church, which formed the corner of two streets, when, as he turned into the shade of its steeple, he encountered a bulky stranger, muffled in a cloak. The man was proceeding with the speed of earnest business, but Robin planted himself full before him, holding the oak cudgel with both hands across his body, as a bar to further passage.

"Halt, honest man, and answer me a question," said he, very resolutely. "Tell me, this instant, whereabouts is the dwelling of my kinsman, Major Molineux?"

"Keep your tongue between your teeth, fool, and let me pass!" said a deep, gruff voice, which Robin partly remembered. "Let me pass, I say, or I'll strike you to the earth!"

"No, no, neighbor!" cried Robin, flourishing his cudgel, and then thrusting its larger end close to the man's muffled face. "No, no, I'm not the fool you take me for, nor do you pass, till I have an answer to my question. Whereabouts is the dwelling of my kinsman, Major Molineux?"

The stranger, instead of attempting to force his passage, stepped back into the moonlight, unmuffled his face, and stared full into that of Robin.

"Watch here an hour, and Major Molineux will pass by," said he.

Robin gazed with dismay, and astonishment, on the unprecedented physiognomy of the speaker. The forehead with its double prominence, the broad-hooked nose, the shaggy eyebrows, and fiery eyes, were those which he had noticed at the inn, but the man's complexion had undergone a singular, or, more properly, a two-fold change. One side of the face blazed an intense red, while the other was black as midnight, the division line being in the broad bridge of the nose; and a mouth which seemed to extend from ear to ear was black or red, in contrast to the color of the cheek. The effect was as if two individual devils, a fiend of fire and a fiend of darkness, had united themselves to form this infernal visage. The stranger grinned in Robin's face, muffled his parti-colored features, and was out of sight in a moment.

"Strange things we travellers see!" ejaculated Robin.

He seated himself, however, upon the steps of the church-door, resolving to wait the appointed time for his kinsman. A few moments were consumed in philosophical speculations upon the species of the genus homo, who had just left him; but having settled this point shrewdly, rationally, and satisfactorily, he was compelled to look elsewhere for his amusement. And first he threw his eyes along the street; it was of more respectable appearance than most of those into which he had wandered, and the moon, "creating, like the imaginative power, a beautiful strangeness in familiar objects," gave something of romance to a scene, that might not have possessed it in the light of day. The irregular and often quaint architecture of the houses, some of whose roofs were broken into numerous little peaks, while others ascended, steep and narrow, into a single point, and others again were square; the pure milk-white of some of their complexions, the aged darkness of others, and the thousand sparklings, reflected from bright substances in the walls of many; these matters engaged Robin's attention for a while, and then began to grow wearisome. Next he endeavored to define the forms of distant objects, starting away, with almost ghostly indistinctness, just as his eye appeared to grasp them; and finally he took a minute survey of an edifice which stood on the opposite side of the street, directly in front of the church-door, where he was stationed. It was a large, square mansion, distinguished from its neighbors by a balcony, which rested on tall pillars, and by an elaborate Gothic window, communicating therewith.

"Perhaps this is the very house I have been seeking," thought Robin.

Then he strove to speed away the time, by listening to a murmur which swept continually along the street, yet was scarcely audible, except to an unaccustomed ear like his; it was a low, dull, dreamy sound, compounded of many noises, each of which was at too great a distance to be separately heard. Robin marvelled at this snore of a sleeping town, and marvelled more whenever its continuity was broken by now and then a distant shout, apparently loud where it originated. But altogether it was a sleep-inspiring sound, and, to shake off its drowsy influence, Robin arose, and climbed a window-frame, that he might view the interior of the church. There the moonbeams came trembling in, and fell down upon the deserted pews, and extended along the quiet aisles. A fainter, yet more awful radiance, was hovering around the pulpit, and one solitary ray had dared to rest upon the opened page of the great Bible. Had nature, in that deep hour, become a worshipper in the house, which man had builded? Or was that heavenly light the visible sanctity of the place, visible because no earthly and impure feet were within the walls? The scene made Robin's heart shiver with a sensation of loneliness, stronger than he had ever felt in the remotest depths of his native woods; so he turned away, and sat down again before the door. There were graves around the church, and now an uneasy thought obtruded into Robin's breast. What if the object of his search, which had been so often and so strangely thwarted, were all the time mouldering in his shroud? What if his kinsman should glide through yonder gate, and nod and smile to him in dimly passing by?

"Oh, that any breathing thing were here with me!" said Robin.

Recalling his thoughts from this uncomfortable track, he sent them over forest, hill, and stream, and attempted to imagine how that evening of ambiguity and weariness, had been spent by his father's household. He pictured them assembled at the door, beneath the tree, the great old tree, which had been spared for its huge twisted trunk, and venerable shade, when a thousand leafy brethren fell. There, at the going down of the summer sun, it was his father's custom to perform domestic worship, that the neighbors might come and join with him like brothers of the family, and that the wayfaring man might pause to drink at that fountain, and keep his heart pure by freshening the memory of home. Robin distinguished the seat of every individual of the little audience; he saw the good man in the midst, holding the Scriptures in the golden light that shone from the western clouds; he beheld him close the book, and all rise up to pray. He heard the old thanksgivings for daily mercies, the old supplications for their continuance, to which he had so often listened in weariness, but which were now among his dear remembrances. He perceived the slight inequality of his father's voice when he came to speak of the Absent One; he noted how his mother turned her face to the broad and knotted trunk; how his elder brother scorned, because the beard was rough upon his upper lip, to permit his features to be moved; how the younger sister drew down a low hanging branch before her eyes; and how the little one of all, whose sports had hitherto broken the decorum of the scene, understood the prayer for her playmate, and burst into clamorous grief. Then he saw them go in at the door; and when Robin would have entered also, the latch tinkled into its place, and he was excluded from his home.

"Am I here, or there?" cried Robin, starting; for all at once, when his thoughts had become visible and audible in a dream, the long, wide, solitary street shone out before him.

He aroused himself, and endeavored to fix his attention steadily upon the large edifice which he had surveyed before. But still his mind kept vibrating between fancy and reality; by turns, the pillars of the balcony lengthened into the tall, bare stems of pines, dwindled down to human figures, settled again into their true shape and size, and then commenced a new succession of changes. For a single moment, when he deemed himself awake, he could have sworn that a visage, one which he seemed to remember, yet could not absolutely name as his kinsman's, was looking towards him from the Gothic window. A deeper sleep wrestled with and nearly overcame him, but fled at the sound of footsteps along the opposite pavement. Robin rubbed his eyes, discerned a man passing at the foot of the balcony, and addressed him in a loud, peevish, and lamentable cry.

"Hallo, friend! must I wait here all night for my kinsman, Major Molineux?"

The sleeping echoes awoke, and answered the voice; and the passenger, barely able to discern a figure sitting in the oblique shade of the steeple, traversed the street to obtain a nearer view. He was himself a gentleman in his prime, of open, intelligent, cheerful, and altogether prepossessing countenance. Perceiving a country youth, apparently homeless and without friends, he accosted him in a tone of real kindness, which had become strange to Robin's ears.

"Well, my good lad, why are you sitting here?" inquired he. "Can I be of service to you in any way?"

"I am afraid not, Sir," replied Robin, despondingly; "yet I shall take it kindly, if you'll answer me a single question. I've been searching, half the night, for one Major Molineux; now, Sir, is there really such a person in these parts, or am I dreaming?"

"Major Molineux! The name is not altogether strange to me," said the gentleman, smiling. "Have you any objection to telling me the nature of your business with him?"

Then Robin briefly related that his father was a clergyman, settled on a small salary, at a long distance back in the country, and that he and Major Molineux were brothers' children. The Major, having inherited riches, and acquired civil and military rank, had visited his cousin, in great pomp, a year or two before; had manifested much interest in Robin and an elder brother, and, being childless himself, had thrown out hints respecting the future establishment of one of them in life. The elder brother was destined to succeed to the farm, which his father cultivated, in the interval of sacred duties; it was therefore determined that Robin should profit by his kinsman's generous intentions, especially as he seemed to be rather the favorite, and was thought to possess other necessary endowments.

"For I have the name of being a shrewd youth," observed Robin, in this part of his story.

"I doubt not you deserve it," replied his new friend, good-naturedly; "but pray proceed."

"Well, sir, being nearly eighteen years old, and well-grown, as you see," continued Robin, drawing himself up to his full height, "I thought it high time to begin the world. So my mother and sister put me in handsome trim, and my father gave me half the remnant of his last year's salary, and five days ago I started for this place, to pay the Major a visit. But, would you believe it, Sir? I crossed the ferry a little after dusk, and have yet found nobody that would show me the way to his dwelling; only an hour or two since, I was told to wait here, and Major Molineux would pass by."

"Can you describe the man who told you this?" inquired the gentleman.

"Oh, he was a very ill-favored fellow, Sir," replied Robin, "with two great bumps on his forehead, a hook nose, fiery eyes, and, what struck me as the strangest, his face was of two different colors. Do you happen to know such a man, Sir?"

"Not intimately," answered the stranger, "but I chanced to meet him a little time previous to your stopping me. I believe you may trust his word, and that the Major will very shortly pass through this street. In the meantime, as I have a singular curiosity to witness your meeting, I will sit down here upon the steps, and bear you company."

He seated himself accordingly, and soon engaged his companion in animated discourse. It was but of brief continuance, however, for a noise of shouting, which had long been remotely audible, drew so much nearer, that Robin inquired its cause.

"What may be the meaning of this uproar?" asked he. "Truly, if your town be always as noisy, I shall find little sleep, while I am an inhabitant."

"Why, indeed, friend Robin, there do appear to be three or four riotous fellows abroad to-night," replied the gentleman. "You must not expect all the stillness of your native woods, here in our streets. But the watch will shortly be at the heels of these lads, and--"

"Ay, and set them in the stocks by peep of day," interrupted Robin, recollecting his own encounter with the drowsy lantern-bearer. "But, dear Sir, if I may trust my ears, an army of watchmen would never make head against such a multitude of rioters. There were at least a thousand voices went to make up that one shout."

"May not a man have several voices, Robin, as well as two complexions?" said his friend.

"Perhaps a man may; but Heaven forbid that a woman should!" responded the shrewd youth, thinking of the seductive tones of the Major's housekeeper.

The sounds of a trumpet in some neighboring street now became so evident and continual, that Robin's curiosity was strongly excited. In addition to the shouts, he heard frequent bursts from many instruments of discord, and a wild and confused laughter filled up the intervals. Robin rose from the steps, and looked wistfully towards a point, whither several people seemed to be hastening.

"Surely some prodigious merrymaking is going on," exclaimed he. "I have laughed very little since I left home, Sir, and should be sorry to lose an opportunity. Shall we just step round the corner by that darkish house, and take our share of the fun?"

"Sit down again, sit down, good Robin," replied the gentleman, laying his hand on the skirt of the gray coat. "You forget that we must wait here for your kinsman; and there is reason to believe that he will pass by, in the course of a very few moments."

The near approach of the uproar had now disturbed the neighborhood; windows flew open on all sides; and many heads, in the attire of the pillow, and confused by sleep suddenly broken, were protruded to the gaze of whoever had leisure to observe them. Eager voices hailed each other from house to house, all demanding the explanation, which not a soul could give. Half-dressed men hurried towards the unknown commotion, stumbling as they went over the stone steps, that thrust themselves into the narrow foot-walk. The shouts, the laughter, and the tuneless bray, the antipodes of music, came onward with increasing din, till scattered individuals, and then denser bodies, began to appear round a corner, at the distance of a hundred yards.

"Will you recognize your kinsman, Robin, if he passes in this crowd?" inquired the gentleman.

"Indeed, I can't warrant it, Sir; but I'll take my stand here, and keep a bright look out," answered Robin, descending to the outer edge of the pavement.

A mighty stream of people now emptied into the street, and came rolling slowly towards the church. A single horseman wheeled the corner in the midst of them, and close behind him came a band of fearful wind-instruments, sending forth a fresher discord, now that no intervening buildings kept it from the ear. Then a redder light disturbed the moonbeams, and a dense multitude of torches shone along the street, concealing, by their glare, whatever object they illuminated. The single horseman, clad in a military dress, and bearing a drawn sword, rode onward as the leader, and, by his fierce and variegated countenance, appeared like war personified: the red of one cheek was an emblem of fire and sword; the blackness of the other betokened the mourning that attends them. In his train were wild figures in the Indian dress, and many fantastic shapes without a model, giving the whole march a visionary air, as if a dream had broken forth from some feverish brain, and were sweeping visibly through the midnight streets. A mass of people, inactive, except as applauding spectators, hemmed the procession in, and several women ran along the side-walk, piercing the confusion of heavier sounds, with their shrill voices of mirth or terror.

"The double-faced fellow has his eye upon me," muttered Robin, with an indefinite but an uncomfortable idea that he was himself to bear a part in the pageantry.

The leader turned himself in the saddle, and fixed his glance full upon the country youth, as the steed went slowly by. When Robin had freed his eyes from those fiery ones, the musicians were passing before him, and the torches were close at hand; but the unsteady brightness of the latter formed a veil which he could not penetrate. The rattling of wheels over the stones sometimes found its way to his ear, and confused traces of a human form appeared at intervals, and then melted into the vivid light. A moment more, and the leader thundered a command to halt: the trumpets vomited a horrid breath, and held their peace; the shouts and laughter of the people died away, and there remained only a universal hum, allied to silence. Right before Robin's eyes was an uncovered cart. There the torches blazed the brightest, there the moon shone out like day, and there, in tar-and-feathery dignity, sat his kinsman Major Molineux!

He was an elderly man, of large and majestic person, and strong, square features, betokening a steady soul; but steady as it was, his enemies had found means to shake it. His face was pale as death, and far more ghastly; the broad forehead was contracted in his agony, so that his eyebrows formed one grizzled line; his eyes were red and wild, and the foam hung white upon his quivering lip. His whole frame was agitated by a quick and continual tremor, which his pride strove to quell, even in those circumstances of overwhelming humiliation. But perhaps the bitterest pang of all was when his eyes met those of Robin; for he evidently knew him on the instant, as the youth stood witnessing the foul disgrace of a head grown gray in honor. They stared at each other in silence, and Robin's knees shook, and his hair bristled, with a mixture of pity and terror. Soon, however, a bewildering excitement began to seize upon his mind; the preceding adventures of the night, the unexpected appearance of the crowd, the torches, the confused din and the hush that followed, the spectre of his kinsman reviled by that great multitude, all this, and, more than all, a perception of tremendous ridicule in the whole scene, affected him with a sort of mental inebriety. At that moment a voice of sluggish merriment saluted Robin's ears; he turned instinctively, and just behind the corner of the church stood the lantern-bearer, rubbing his eyes, and drowsily enjoying the lad's amazement. Then he heard a peal of laughter like the ringing of silvery bells; a woman twitched his arm, a saucy eye met his, and he saw the lady of the scarlet petticoat. A sharp, dry cachinnation appealed to his memory, and, standing on tiptoe in the crowd, with his white apron over his head, he beheld the courteous little innkeeper. And lastly, there sailed over the heads of the multitude a great, broad laugh, broken in the midst by two sepulchral hems; thus--

"Haw, haw, haw--hem, hem--haw, haw, haw, haw!"

The sound proceeded from the balcony of the opposite edifice, and thither Robin turned his eyes. In front of the Gothic window stood the old citizen, wrapped in a wide gown, his gray periwig exchanged for a night-cap, which was thrust back from his forehead, and his silk stockings hanging down about his legs. He supported himself on his polished cane in a fit of convulsive merriment, which manifested itself on his solemn old features like a funny inscription on a tomb-stone. Then Robin seemed to hear the voices of the barbers, of the guests of the inn, and of all who had made sport of him that night. The contagion was spreading among the multitude, when, all at once, it seized upon Robin, and he sent forth a shout of laughter that echoed through the street; every man shook his sides, every man emptied his lungs, but Robin's shout was the loudest there. The cloud-spirits peeped from their silvery islands, as the congregated mirth went roaring up the sky! The Man in the Moon heard the far bellow; "Oho," quoth he, "the old earth is frolicsome tonight!"

When there was a momentary calm in that tempestuous sea of sound, the leader gave the sign, the procession resumed its march. On they went, like fiends that throng in mockery around some dead potentate, mighty no more, but majestic still in his agony. On they went, in counterfeited pomp, in senseless uproar, in frenzied merriment, trampling all on an old man's heart. On swept the tumult, and left a silent street behind.

*

"Well, Robin, are you dreaming?" inquired the gentleman, laying his hand on the youth's shoulder.

Robin started, and withdrew his arm from the stone post to which he had instinctively clung, while the living stream rolled by him. His cheek was somewhat pale, and his eye not quite as lively as in the earlier part of the evening.

"Will you be kind enough to show me the way to the ferry?" said he, after a moment's pause.

"You have, then, adopted a new subject of inquiry?" observed his companion, with a smile.

"Why, yes, Sir," replied Robin, rather dryly. "Thanks to you, and to my other friends, I have at last met my kinsman, and he will scarce desire to see my face again. I begin to grow weary of a town life, Sir. Will you show me the way to the ferry?"

"No, my good friend Robin, not to-night, at least," said the gentleman. "Some few days hence, if you continue to wish it, I will speed you on your journey. Or, if you prefer to remain with us, perhaps, as you are a shrewd youth, you may rise in the world, without the help of your kinsman, Major Molineux."

ii. “Rappaccini's Daughter”.

(From the writings of Aubépine)

We do not remember to have seen any translated specimens of the productions of M. de l'Aubépine; a fact the less to be wondered at, as his very name is unknown to many of his own countrymen, as well as to the student of foreign literature. As a writer, he seems to occupy an unfortunate position between the Transcendentalists (who, under one name or another, have their share in all the current literature of the world), and the great body of pen-and-ink men who address the intellect and sympathies of the multitude. If not too refined, at all events too remote, too shadowy and unsubstantial in his modes of development, to suit the taste of the latter class, and yet too popular to satisfy the spiritual or metaphysical requisitions of the former, he must necessarily find himself without an audience; except here and there an individual, or possibly an isolated clique. His writings, to do them justice, are not altogether destitute of fancy and originality; they might have won him greater reputation but for an inveterate love of allegory, which is apt to invest his plots and characters with the aspect of scenery and people in the clouds, and to steal away the human warmth out of his conceptions. His fictions are sometimes historical, sometimes of the present day, and sometimes, so far as can be discovered, have little or no reference either to time or space. In any case, he generally contents himself with a very slight embroidery of outward manners,--the faintest possible counterfeit of real life,--and endeavors to create an interest by some less obvious peculiarity of the subject. Occasionally, a breath of nature, a rain-drop of pathos and tenderness, or a gleam of humor, will find its way into the midst of his fantastic imagery, and make us feel as if, after all, we were yet within the limits of our native earth. We will only add to this very cursory notice, that M. de l'Aubépine's productions, if the reader chance to take them in precisely the proper point of view, may amuse a leisure hour as well as those of a brighter man; if otherwise, they can hardly fail to look excessively like nonsense.

Our author is voluminous; he continues to write and publish with as much praiseworthy and indefatigable prolixity, as if his efforts were crowned with the brilliant success that so justly attends those of Eugene Sue. His first appearance was by a collection of stories, in a long series of volumes, entitled "Comes deux fois racontées." The titles of some of his more recent works (we quote from memory) are as follows:--"Le Voyage Céleste à Chemin de Fer," 3 tom. 1838. "Le nouveau Père Adam et la nouvelle Mère Eve," 2 tom. 1839. "Roderic; ou le Serpent à l'estomac," 2 tom. 1840. "Le Culte du Feu," a folio volume of ponderous research into the religion and ritual of the old Persian Ghebers, published in 1841. "La Soirée du Chateau en Espagne," 1 tom. 8vo. 1842; and "L'Artiste du Beau; ou le Papillon Mécanique," 5 tom. 4to. 1843. Our somewhat wearisome perusal of this startling catalogue of volumes has left behind it a certain personal affection and sympathy, though by no means admiration, for M. de l'Aubépine; and we would fain do the little in our power towards introducing him favorably to the American public. The ensuing tale is a translation of his "Beatrice; ou la Belle Empoisonneuse," recently published in "La Revue Anti-Aristocratique." This journal, edited by the Comte de Bearhaven, has, for some years past, led the defence of liberal principles and popular rights, with a faithfulness and ability worthy of all praise.

*

A young man, named Giovanni Guasconti, came, very long ago, from the more southern region of Italy, to pursue his studies at the University of Padua. Giovanni, who had but a scanty supply of gold ducats in his pocket, took lodgings in a high and gloomy chamber of an old edifice, which looked not unworthy to have been the palace of a Paduan noble, and which, in fact, exhibited over its entrance the armorial bearings of a family long since extinct. The young stranger, who was not unstudied in the great poem of his country, recollected that one of the ancestors of this family, and perhaps an occupant of this very mansion, had been pictured by Dante as a partaker of the immortal agonies of his Inferno. These reminiscences and associations, together with the tendency to heart-break natural to a young man for the first time out of his native sphere, caused Giovanni to sigh heavily, as he looked around the desolate and ill-furnished apartment.

"Holy Virgin, signor," cried old dame Lisabetta, who, won by the youth's remarkable beauty of person, was kindly endeavoring to give the chamber a habitable air, "what a sigh was that to come out of a young man's heart! Do you find this old mansion gloomy? For the love of heaven, then, put your head out of the window, and you will see as bright sunshine as you have left in Naples."

Guasconti mechanically did as the old woman advised, but could not quite agree with her that the Lombard sunshine was as cheerful as that of southern Italy. Such as it was, however, it fell upon a garden beneath the window, and expended its fostering influences on a variety of plants, which seemed to have been cultivated with exceeding care.

"Does this garden belong to the house?" asked Giovanni.

"Heaven forbid, signor!--unless it were fruitful of better pot-herbs than any that grow there now," answered old Lisabetta. "No; that garden is cultivated by the own hands of Signor Giacomo Rappaccini, the famous Doctor, who, I warrant him, has been heard of as far as Naples. It is said he distils these plants into medicines that are as potent as a charm. Oftentimes you may see the Signor Doctor at work, and perchance the Signora his daughter, too, gathering the strange flowers that grow in the garden."

The old woman had now done what she could for the aspect of the chamber, and, commending the young man to the protection of the saints, took her departure.

Giovanni still found no better occupation than to look down into the garden beneath his window. From its appearance, he judged it to be one of those botanic gardens, which were of earlier date in Padua than elsewhere in Italy, or in the world. Or, not improbably, it might once have been the pleasure-place of an opulent family; for there was the ruin of a marble fountain in the centre, sculptured with rare art, but so wofully shattered that it was impossible to trace the original design from the chaos of remaining fragments. The water, however, continued to gush and sparkle into the sunbeams as cheerfully as ever. A little gurgling sound ascended to the young man's window, and made him feel as if a fountain were an immortal spirit, that sung its song unceasingly, and without heeding the vicissitudes around it; while one century embodied it in marble, and another scattered the perishable garniture on the soil. All about the pool into which the water subsided, grew various plants, that seemed to require a plentiful supply of moisture for the nourishment of gigantic leaves, and, in some instances, flowers gorgeously magnificent. There was one shrub in particular, set in a marble vase in the midst of the pool, that bore a profusion of purple blossoms, each of which had the lustre and richness of a gem; and the whole together made a show so resplendent that it seemed enough to illuminate the garden, even had there been no sunshine. Every portion of the soil was peopled with plants and herbs, which, if less beautiful, still bore tokens of assiduous care; as if all had their individual virtues, known to the scientific mind that fostered them. Some were placed in urns, rich with old carving, and others in common garden-pots; some crept serpent-like along the ground, or climbed on high, using whatever means of ascent was offered them. One plant had wreathed itself round a statue of Vertumnus, which was thus quite veiled and shrouded in a drapery of hanging foliage, so happily arranged that it might have served a sculptor for a study.

While Giovanni stood at the window, he heard a rustling behind a screen of leaves, and became aware that a person was at work in the garden. His figure soon emerged into view, and showed itself to be that of no common laborer, but a tall, emaciated, sallow, and sickly looking man, dressed in a scholar's garb of black. He was beyond the middle term of life, with gray hair, a thin gray beard, and a face singularly marked with intellect and cultivation, but which could never, even in his more youthful days, have expressed much warmth of heart.

Nothing could exceed the intentness with which this scientific gardener examined every shrub which grew in his path; it seemed as if he was looking into their inmost nature, making observations in regard to their creative essence, and discovering why one leaf grew in this shape, and another in that, and wherefore such and such flowers differed among themselves in hue and perfume. Nevertheless, in spite of the deep intelligence on his part, there was no approach to intimacy between himself and these vegetable existences. On the contrary, he avoided their actual touch, or the direct inhaling of their odors, with a caution that impressed Giovanni most disagreeably; for the man's demeanor was that of one walking among malignant influences, such as savage beasts, or deadly snakes, or evil spirits, which, should he allow them one moment of license, would wreak upon him some terrible fatality. It was strangely frightful to the young man's imagination, to see this air of insecurity in a person cultivating a garden, that most simple and innocent of human toils, and which had been alike the joy and labor of the unfallen parents of the race. Was this garden, then, the Eden of the present world?--and this man, with such a perception of harm in what his own hands caused to grow, was he the Adam?

The distrustful gardener, while plucking away the dead leaves or pruning the too luxuriant growth of the shrubs, defended his hands with a pair of thick gloves. Nor were these his only armor. When, in his walk through the garden, he came to the magnificent plant that hung its purple gems beside the marble fountain, he placed a kind of mask over his mouth and nostrils, as if all this beauty did but conceal a deadlier malice. But finding his task still too dangerous, he drew back, removed the mask, and called loudly, but in the infirm voice of a person affected with inward disease:

"Beatrice!--Beatrice!"

"Here am I, my father! What would you?" cried a rich and youthful voice from the window of the opposite house; a voice as rich as a tropical sunset, and which made Giovanni, though he knew not why, think of deep hues of purple or crimson, and of perfumes heavily delectable.--"Are you in the garden?"

"Yes, Beatrice," answered the gardener, "and I need your help."

Soon there emerged from under a sculptured portal the figure of a young girl, arrayed with as much richness of taste as the most splendid of the flowers, beautiful as the day, and with a bloom so deep and vivid that one shade more would have been too much. She looked redundant with life, health, and energy; all of which attributes were bound down and compressed, as it were, and girdled tensely, in their luxuriance, by her virgin zone. Yet Giovanni's fancy must have grown morbid, while he looked down into the garden; for the impression which the fair stranger made upon him was as if here were another flower, the human sister of those vegetable ones, as beautiful as they--more beautiful than the richest of them--but still to be touched only with a glove, nor to be approached without a mask. As Beatrice came down the garden-path, it was observable that she handled and inhaled the odor of several of the plants, which her father had most sedulously avoided.

"Here, Beatrice," said the latter,--"see how many needful offices require to be done to our chief treasure. Yet, shattered as I am, my life might pay the penalty of approaching it so closely as circumstances demand. Henceforth, I fear, this plant must be consigned to your sole charge."

"And gladly will I undertake it," cried again the rich tones of the young lady, as she bent towards the magnificent plant, and opened her arms as if to embrace it. "Yes, my sister, my splendor, it shall be Beatrice's task to nurse and serve thee; and thou shalt reward her with thy kisses and perfume breath, which to her is as the breath of life!"

Then, with all the tenderness in her manner that was so strikingly expressed in her words, she busied herself with such attentions as the plant seemed to require; and Giovanni, at his lofty window, rubbed his eyes, and almost doubted whether it were a girl tending her favorite flower, or one sister performing the duties of affection to another. The scene soon terminated. Whether Doctor Rappaccini had finished his labors in the garden, or that his watchful eye had caught the stranger's face, he now took his daughter's arm and retired. Night was already closing in; oppressive exhalations seemed to proceed from the plants, and steal upward past the open window; and Giovanni, closing the lattice, went to his couch, and dreamed of a rich flower and beautiful girl. Flower and maiden were different and yet the same, and fraught with some strange peril in either shape.

But there is an influence in the light of morning that tends to rectify whatever errors of fancy, or even of judgment, we may have incurred during the sun's decline, or among the shadows of the night, or in the less wholesome glow of moonshine. Giovanni's first movement on starting from sleep, was to throw open the window, and gaze down into the garden which his dreams had made so fertile of mysteries. He was surprised, and a little ashamed, to find how real and matter-of-fact an affair it proved to be, in the first rays of the sun, which gilded the dew-drops that hung upon leaf and blossom, and, while giving a brighter beauty to each rare flower, brought everything within the limits of ordinary experience. The young man rejoiced, that, in the heart of the barren city, he had the privilege of overlooking this spot of lovely and luxuriant vegetation. It would serve, he said to himself, as a symbolic language, to keep him in communion with Nature. Neither the sickly and thought-worn Doctor Giacomo Rappaccini, it is true, nor his brilliant daughter, were now visible; so that Giovanni could not determine how much of the singularity which he attributed to both, was due to their own qualities, and how much to his wonder-working fancy. But he was inclined to take a most rational view of the whole matter.

In the course of the day, he paid his respects to Signor Pietro Baglioni, Professor of Medicine in the University, a physician of eminent repute, to whom Giovanni had brought a letter of introduction. The Professor was an elderly personage, apparently of genial nature, and habits that might almost be called jovial; he kept the young man to dinner, and made himself very agreeable by the freedom and liveliness of his conversation, especially when warmed by a flask or two of Tuscan wine. Giovanni, conceiving that men of science, inhabitants of the same city, must needs be on familiar terms with one another, took an opportunity to mention the name of Doctor Rappaccini. But the Professor did not respond with so much cordiality as he had anticipated.

"Ill would it become a teacher of the divine art of medicine," said Professor Pietro Baglioni, in answer to a question of Giovanni, "to withhold due and well-considered praise of a physician so eminently skilled as Rappaccini. But, on the other hand, I should answer it but scantily to my conscience, were I to permit a worthy youth like yourself, Signor Giovanni, the son of an ancient friend, to imbibe erroneous ideas respecting a man who might hereafter chance to hold your life and death in his hands. The truth is, our worshipful Doctor Rappaccini has as much science as any member of the faculty--with perhaps one single exception--in Padua, or all Italy. But there are certain grave objections to his professional character."

"And what are they?" asked the young man.

"Has my friend Giovanni any disease of body or heart, that he is so inquisitive about physicians?" said the Professor, with a smile. "But as for Rappaccini, it is said of him--and I, who know the man well, can answer for its truth--that he cares infinitely more for science than for mankind. His patients are interesting to him only as subjects for some new experiment. He would sacrifice human life, his own among the rest, or whatever else was dearest to him, for the sake of adding so much as a grain of mustard-seed to the great heap of his accumulated knowledge."

"Methinks he is an awful man, indeed," remarked Guasconti, mentally recalling the cold and purely intellectual aspect of Rappaccini. "And yet, worshipful Professor, is it not a noble spirit? Are there many men capable of so spiritual a love of science?"

"God forbid," answered the Professor, somewhat testily--"at least, unless they take sounder views of the healing art than those adopted by Rappaccini. It is his theory, that all medicinal virtues are comprised within those substances which we term vegetable poisons. These he cultivates with his own hands, and is said even to have produced new varieties of poison, more horribly deleterious than Nature, without the assistance of this learned person, would ever have plagued the world withal. That the Signor Doctor does less mischief than might be expected, with such dangerous substances, is undeniable. Now and then, it must be owned, he has effected--or seemed to effect--a marvellous cure. But, to tell you my private mind, Signor Giovanni, he should receive little credit for such instances of success--they being probably the work of chance--but should be held strictly accountable for his failures, which may justly be considered his own work."

The youth might have taken Baglioni's opinions with many grains of allowance, had he known that there was a professional warfare of long continuance between him and Doctor Rappaccini, in which the latter was generally thought to have gained the advantage. If the reader be inclined to judge for himself, we refer him to certain black-letter tracts on both sides, preserved in the medical department of the University of Padua.

"I know not, most learned Professor," returned Giovanni, after musing on what had been said of Rappaccini's exclusive zeal for science--"I know not how dearly this physician may love his art; but surely there is one object more dear to him. He has a daughter."

"Aha!" cried the Professor with a laugh. "So now our friend Giovanni's secret is out. You have heard of this daughter, whom all the young men in Padua are wild about, though not half a dozen have ever had the good hap to see her face. I know little of the Signora Beatrice, save that Rappaccini is said to have instructed her deeply in his science, and that, young and beautiful as fame reports her, she is already qualified to fill a professor's chair. Perchance her father destines her for mine! Other absurd rumors there be, not worth talking about, or listening to. So now, Signor Giovanni, drink off your glass of Lacryma."

Guasconti returned to his lodgings somewhat heated with the wine he had quaffed, and which caused his brain to swim with strange fantasies in reference to Doctor Rappaccini and the beautiful Beatrice. On his way, happening to pass by a florist's, he bought a fresh bouquet of flowers.

Ascending to his chamber, he seated himself near the window, but within the shadow thrown by the depth of the wall, so that he could look down into the garden with little risk of being discovered. All beneath his eye was a solitude. The strange plants were basking in the sunshine, and now and then nodding gently to one another, as if in acknowledgment of sympathy and kindred. In the midst, by the shattered fountain, grew the magnificent shrub, with its purple gems clustering all over it; they glowed in the air, and gleamed back again out of the depths of the pool, which thus seemed to overflow with colored radiance from the rich reflection that was steeped in it. At first, as we have said, the garden was a solitude. Soon, however,--as Giovanni had half hoped, half feared, would be the case,--a figure appeared beneath the antique sculptured portal, and came down between the rows of plants, inhaling their various perfumes, as if she were one of those beings of old classic fable, that lived upon sweet odors. On again beholding Beatrice, the young man was even startled to perceive how much her beauty exceeded his recollection of it; so brilliant, so vivid in its character, that she glowed amid the sunlight, and, as Giovanni whispered to himself, positively illuminated the more shadowy intervals of the garden path. Her face being now more revealed than on the former occasion, he was struck by its expression of simplicity and sweetness; qualities that had not entered into his idea of her character, and which made him ask anew, what manner of mortal she might be. Nor did he fail again to observe, or imagine, an analogy between the beautiful girl and the gorgeous shrub that hung its gem-like flowers over the fountain; a resemblance which Beatrice seemed to have indulged a fantastic humor in heightening, both by the arrangement of her dress and the selection of its hues.

Approaching the shrub, she threw open her arms, as with a passionate ardor, and drew its branches into an intimate embrace; so intimate, that her features were hidden in its leafy bosom, and her glistening ringlets all intermingled with the flowers.

"Give me thy breath, my sister," exclaimed Beatrice; "for I am faint with common air! And give me this flower of thine, which I separate with gentlest fingers from the stem, and place it close beside my heart."

With these words, the beautiful daughter of Rappaccini plucked one of the richest blossoms of the shrub, and was about to fasten it in her bosom. But now, unless Giovanni's draughts of wine had bewildered his senses, a singular incident occurred. A small orange colored reptile, of the lizard or chameleon species, chanced to be creeping along the path, just at the feet of Beatrice. It appeared to Giovanni--but, at the distance from which he gazed, he could scarcely have seen anything so minute--it appeared to him, however, that a drop or two of moisture from the broken stem of the flower descended upon the lizard's head. For an instant, the reptile contorted itself violently, and then lay motionless in the sunshine. Beatrice observed this remarkable phenomenon, and crossed herself, sadly, but without surprise; nor did she therefore hesitate to arrange the fatal flower in her bosom. There it blushed, and almost glimmered with the dazzling effect of a precious stone, adding to her dress and aspect the one appropriate charm, which nothing else in the world could have supplied. But Giovanni, out of the shadow of his window, bent forward and shrank back, and murmured and trembled.

"Am I awake? Have I my senses?" said he to himself. "What is this being?--beautiful, shall I call her?--or inexpressibly terrible?"

Beatrice now strayed carelessly through the garden, approaching closer beneath Giovanni's window, so that he was compelled to thrust his head quite out of its concealment, in order to gratify the intense and painful curiosity which she excited. At this moment, there came a beautiful insect over the garden wall; it had perhaps wandered through the city and found no flowers nor verdure among those antique haunts of men, until the heavy perfumes of Doctor Rappaccini's shrubs had lured it from afar. Without alighting on the flowers, this winged brightness seemed to be attracted by Beatrice, and lingered in the air and fluttered about her head. Now here it could not be but that Giovanni Guasconti's eyes deceived him. Be that as it might, he fancied that while Beatrice was gazing at the insect with childish delight, it grew faint and fell at her feet;--its bright wings shivered; it was dead--from no cause that he could discern, unless it were the atmosphere of her breath. Again Beatrice crossed herself and sighed heavily, as she bent over the dead insect.

An impulsive movement of Giovanni drew her eyes to the window. There she beheld the beautiful head of the young man--rather a Grecian than an Italian head, with fair, regular features, and a glistening of gold among his ringlets--gazing down upon her like a being that hovered in mid-air. Scarcely knowing what he did, Giovanni threw down the bouquet which he had hitherto held in his hand.

"Signora," said he, "there are pure and healthful flowers. Wear them for the sake of Giovanni Guasconti!"

"Thanks, Signor," replied Beatrice, with her rich voice that came forth as it were like a gush of music; and with a mirthful expression half childish and half woman-like. "I accept your gift, and would fain recompense it with this precious purple flower; but if I toss it into the air, it will not reach you. So Signor Guasconti must even content himself with my thanks."

She lifted the bouquet from the ground, and then as if inwardly ashamed at having stepped aside from her maidenly reserve to respond to a stranger's greeting, passed swiftly homeward through the garden. But, few as the moments were, it seemed to Giovanni when she was on the point of vanishing beneath the sculptured portal, that his beautiful bouquet was already beginning to wither in her grasp. It was an idle thought; there could be no possibility of distinguishing a faded flower from a fresh one, at so great a distance.

For many days after this incident, the young man avoided the window that looked into Doctor Rappaccini's garden, as if something ugly and monstrous would have blasted his eye-sight, had he been betrayed into a glance. He felt conscious of having put himself, to a certain extent, within the influence of an unintelligible power, by the communication which he had opened with Beatrice. The wisest course would have been, if his heart were in any real danger, to quit his lodgings and Padua itself, at once; the next wiser, to have accustomed himself, as far as possible, to the familiar and day-light view of Beatrice; thus bringing her rigidly and systematically within the limits of ordinary experience. Least of all, while avoiding her sight, should Giovanni have remained so near this extraordinary being, that the proximity and possibility even of intercourse, should give a kind of substance and reality to the wild vagaries which his imagination ran riot continually in producing. Guasconti had not a deep heart--or at all events, its depths were not sounded now--but he had a quick fancy, and an ardent southern temperament, which rose every instant to a higher fever-pitch. Whether or no Beatrice possessed those terrible attributes--that fatal breath--the affinity with those so beautiful and deadly flowers--which were indicated by what Giovanni had witnessed, she had at least instilled a fierce and subtle poison into his system. It was not love, although her rich beauty was a madness to him; nor horror, even while he fancied her spirit to be imbued with the same baneful essence that seemed to pervade her physical frame; but a wild offspring of both love and horror that had each parent in it, and burned like one and shivered like the other. Giovanni knew not what to dread; still less did he know what to hope; yet hope and dread kept a continual warfare in his breast, alternately vanquishing one another and starting up afresh to renew the contest. Blessed are all simple emotions, be they dark or bright! It is the lurid intermixture of the two that produces the illuminating blaze of the infernal regions.

Sometimes he endeavored to assuage the fever of his spirit by a rapid walk through the streets of Padua, or beyond its gates; his footsteps kept time with the throbbings of his brain, so that the walk was apt to accelerate itself to a race. One day, he found himself arrested; his arm was seized by a portly personage who had turned back on recognizing the young man, and expended much breath in overtaking him.

"Signor Giovanni!--stay, my young friend!" --cried he. "Have you forgotten me? That might well be the case, if I were as much altered as yourself."

It was Baglioni, whom Giovanni had avoided, ever since their first meeting, from a doubt that the Professor's sagacity would look too deeply into his secrets. Endeavoring to recover himself, he stared forth wildly from his inner world into the outer one, and spoke like a man in a dream.

"Yes; I am Giovanni Guasconti. You are Professor Pietro Baglioni. Now let me pass!"

"Not yet--not yet, Signor Giovanni Guasconti," said the Professor, smiling, but at the same time scrutinizing the youth with an earnest glance. "What, did I grow up side by side with your father, and shall his son pass me like a stranger, in these old streets of Padua? Stand still, Signor Giovanni; for we must have a word or two before we part."

"Speedily, then, most worshipful Professor, speedily!" said Giovanni, with feverish impatience. "Does not your worship see that I am in haste?"

Now, while he was speaking, there came a man in black along the street, stooping and moving feebly, like a person in inferior health. His face was all overspread with a most sickly and sallow hue, but yet so pervaded with an expression of piercing and active intellect, that an observer might easily have overlooked the merely physical attributes, and have seen only this wonderful energy. As he passed, this person exchanged a cold and distant salutation with Baglioni, but fixed his eyes upon Giovanni with an intentness that seemed to bring out whatever was within him worthy of notice. Nevertheless, there was a peculiar quietness in the look, as if taking merely a speculative, not a human interest, in the young man.

"It is Doctor Rappaccini!" whispered the Professor, when the stranger had passed.--"Has he ever seen your face before?"

"Not that I know," answered Giovanni, starting at the name.

"He has seen you!--he must have seen you!" said Baglioni, hastily. "For some purpose or other, this man of science is making a study of you. I know that look of his! It is the same that coldly illuminates his face, as he bends over a bird, a mouse, or a butterfly, which, in pursuance of some experiment, he has killed by the perfume of a flower;--a look as deep as Nature itself, but without Nature's warmth of love. Signor Giovanni, I will stake my life upon it, you are the subject of one of Rappaccini's experiments!"

"Will you make a fool of me?" cried Giovanni, passionately. "That, Signor Professor, were an untoward experiment."

"Patience, patience!" replied the imperturbable Professor. "I tell thee, my poor Giovanni, that Rappaccini has a scientific interest in thee. Thou hast fallen into fearful hands! And the Signora Beatrice? What part does she act in this mystery?"

But Guasconti, finding Baglioni's pertinacity intolerable, here broke away, and was gone before the Professor could again seize his arm. He looked after the young man intently, and shook his head.

"This must not be," said Baglioni to himself. "The youth is the son of my old friend, and shall not come to any harm from which the arcana of medical science can preserve him. Besides, it is too insufferable an impertinence in Rappaccini thus to snatch the lad out of my own hands, as I may say, and make use of him for his infernal experiments. This daughter of his! It shall be looked to. Perchance, most learned Rappaccini, I may foil you where you little dream of it!"

Meanwhile, Giovanni had pursued a circuitous route, and at length found himself at the door of his lodgings. As he crossed the threshold, he was met by old Lisabetta, who smirked and smiled, and was evidently desirous to attract his attention; vainly, however, as the ebullition of his feelings had momentarily subsided into a cold and dull vacuity. He turned his eyes full upon the withered face that was puckering itself into a smile, but seemed to behold it not. The old dame, therefore, laid her grasp upon his cloak.

"Signor!--Signor!" whispered she, still with a smile over the whole breadth of her visage, so that it looked not unlike a grotesque carving in wood, darkened by centuries--"Listen, Signor! There is a private entrance into the garden!"

"What do you say?" exclaimed Giovanni, turning quickly about, as if an inanimate thing should start into feverish life.--"A private entrance into Doctor Rappaccini's garden!"

"Hush! hush!--not so loud!" whispered Lisabetta, putting her hand over his mouth. "Yes; into the worshipful Doctor's garden, where you may see all his fine shrubbery. Many a young man in Padua would give gold to be admitted among those flowers."

Giovanni put a piece of gold into her hand.

"Show me the way," said he.

A surmise, probably excited by his conversation with Baglioni, crossed his mind, that this interposition of old Lisabetta might perchance be connected with the intrigue, whatever were its nature, in which the Professor seemed to suppose that Doctor Rappaccini was involving him. But such a suspicion, though it disturbed Giovanni, was inadequate to restrain him. The instant he was aware of the possibility of approaching Beatrice, it seemed an absolute necessity of his existence to do so. It mattered not whether she were angel or demon; he was irrevocably within her sphere, and must obey the law that whirled him onward, in ever lessening circles, towards a result which he did not attempt to foreshadow. And yet, strange to say, there came across him a sudden doubt, whether this intense interest on his part were not delusory--whether it were really of so deep and positive a nature as to justify him in now thrusting himself into an incalculable position--whether it were not merely the fantasy of a young man's brain, only slightly, or not at all, connected with his heart!

He paused--hesitated--turned half about--but again went on. His withered guide led him along several obscure passages, and finally undid a door, through which, as it was opened, there came the sight and sound of rustling leaves, with the broken sunshine glimmering among them. Giovanni stepped forth, and forcing himself through the entanglement of a shrub that wreathed its tendrils over the hidden entrance, he stood beneath his own window, in the open area of Doctor Rappaccini's garden.

How often is it the case, that, when impossibilities have come to pass, and dreams have condensed their misty substance into tangible realities, we find ourselves calm, and even coldly self-possessed, amid circumstances which it would have been a delirium of joy or agony to anticipate! Fate delights to thwart us thus. Passion will choose his own time to rush upon the scene, and lingers sluggishly behind, when an appropriate adjustment of events would seem to summon his appearance. So was it now with Giovanni. Day after day, his pulses had throbbed with feverish blood, at the improbable idea of an interview with Beatrice, and of standing with her, face to face, in this very garden, basking in the oriental sunshine of her beauty, and snatching from her full gaze the mystery which he deemed the riddle of his own existence. But now there was a singular and untimely equanimity within his breast. He threw a glance around the garden to discover if Beatrice or her father were present, and perceiving that he was alone, began a critical observation of the plants.

The aspect of one and all of them dissatisfied him; their gorgeousness seemed fierce, passionate, and even unnatural. There was hardly an individual shrub which a wanderer, straying by himself through a forest, would not have been startled to find growing wild, as if an unearthly face had glared at him out of the thicket. Several, also, would have shocked a delicate instinct by an appearance of artificialness, indicating that there had been such commixture, and, as it were, adultery of various vegetable species, that the production was no longer of God's making, but the monstrous offspring of man's depraved fancy, glowing with only an evil mockery of beauty. They were probably the result of experiment, which, in one or two cases, had succeeded in mingling plants individually lovely into a compound possessing the questionable and ominous character that distinguished the whole growth of the garden. In fine, Giovanni recognized but two or three plants in the collection, and those of a kind that he well knew to be poisonous. While busy with these contemplations, he heard the rustling of a silken garment, and turning, beheld Beatrice emerging from beneath the sculptured portal.

Giovanni had not considered with himself what should be his deportment; whether he should apologize for his intrusion into the garden, or assume that he was there with the privity, at least, if not by the desire, of Doctor Rappaccini or his daughter. But Beatrice's manner placed him at his ease, though leaving him still in doubt by what agency he had gained admittance. She came lightly along the path, and met him near the broken fountain. There was surprise in her face, but brightened by a simple and kind expression of pleasure.

"You are a connoisseur in flowers, Signor," said Beatrice with a smile, alluding to the bouquet which he had flung her from the window. "It is no marvel, therefore, if the sight of my father's rare collection has tempted you to take a nearer view. If he were here, he could tell you many strange and interesting facts as to the nature and habits of these shrubs, for he has spent a life-time in such studies, and this garden is his world."

"And yourself, lady"--observed Giovanni--"if fame says true--you, likewise, are deeply skilled in the virtues indicated by these rich blossoms, and these spicy perfumes. Would you deign to be my instructress, I should prove an apter scholar than under Signor Rappaccini himself."

"Are there such idle rumors?" asked Beatrice, with the music of a pleasant laugh. "Do people say that I am skilled in my father's science of plants? What a jest is there! No; though I have grown up among these flowers, I know no more of them than their hues and perfume; and sometimes, methinks I would fain rid myself of even that small knowledge. There are many flowers here, and those not the least brilliant, that shock and offend me, when they meet my eye. But, pray, Signor, do not believe these stories about my science. Believe nothing of me save what you see with your own eyes."

"And must I believe all that I have seen with my own eyes?" asked Giovanni pointedly, while the recollection of former scenes made him shrink. "No, Signora, you demand too little of me. Bid me believe nothing, save what comes from your own lips."

It would appear that Beatrice understood him. There came a deep flush to her cheek; but she looked full into Giovanni's eyes, and responded to his gaze of uneasy suspicion with a queen-like haughtiness.

"I do so bid you, Signor!" she replied. "Forget whatever you may have fancied in regard to me. If true to the outward senses, still it may be false in its essence. But the words of Beatrice Rappaccini's lips are true from the heart outward. Those you may believe!"

A fervor glowed in her whole aspect, and beamed upon Giovanni's consciousness like the light of truth itself. But while she spoke, there was a fragrance in the atmosphere around her rich and delightful, though evanescent, yet which the young man, from an indefinable reluctance, scarcely dared to draw into his lungs. It might be the odor of the flowers. Could it be Beatrice's breath, which thus embalmed her words with a strange richness, as if by steeping them in her heart? A faintness passed like a shadow over Giovanni, and flitted away; he seemed to gaze through the beautiful girl's eyes into her transparent soul, and felt no more doubt or fear.

The tinge of passion that had colored Beatrice's manner vanished; she became gay, and appeared to derive a pure delight from her communion with the youth, not unlike what the maiden of a lonely island might have felt, conversing with a voyager from the civilized world. Evidently her experience of life had been confined within the limits of that garden. She talked now about matters as simple as the day-light or summer-clouds, and now asked questions in reference to the city, or Giovanni's distant home, his friends, his mother, and his sisters; questions indicating such seclusion, and such lack of familiarity with modes and forms, that Giovanni responded as if to an infant. Her spirit gushed out before him like a fresh rill, that was just catching its first glimpse of the sunlight, and wondering, at the reflections of earth and sky which were flung into its bosom. There came thoughts, too, from a deep source, and fantasies of a gem-like brilliancy, as if diamonds and rubies sparkled upward among the bubbles of the fountain. Ever and anon, there gleamed across the young man's mind a sense of wonder, that he should be walking side by side with the being who had so wrought upon his imagination--whom he had idealized in such hues of terror--in whom he had positively witnessed such manifestations of dreadful attributes--that he should be conversing with Beatrice like a brother, and should find her so human and so maiden-like. But such reflections were only momentary; the effect of her character was too real, not to make itself familiar at once.

In this free intercourse, they had strayed through the garden, and now, after many turns among its avenues, were come to the shattered fountain, beside which grew the magnificent shrub with its treasury of glowing blossoms. A fragrance was diffused from it, which Giovanni recognized as identical with that which he had attributed to Beatrice's breath, but incomparably more powerful. As her eyes fell upon it, Giovanni beheld her press her hand to her bosom, as if her heart were throbbing suddenly and painfully.

"For the first time in my life," murmured she, addressing the shrub, "I had forgotten thee!"

"I remember, Signora," said Giovanni, "that you once promised to reward me with one of these living gems for the bouquet, which I had the happy boldness to fling to your feet. Permit me now to pluck it as a memorial of this interview."

He made a step towards the shrub, with extended hand. But Beatrice darted forward, uttering a shriek that went through his heart like a dagger. She caught his hand, and drew it back with the whole force of her slender figure. Giovanni felt her touch thrilling through his fibres.

"Touch it not!" exclaimed she, in a voice of agony. "Not for thy life! It is fatal!"

Then, hiding her face, she fled from him, and vanished beneath the sculptured portal. As Giovanni followed her with his eyes, he beheld the emaciated figure and pale intelligence of Doctor Rappaccini, who had been watching the scene, he knew not how long, within the shadow of the entrance.

No sooner was Guasconti alone in his chamber, than the image of Beatrice came back to his passionate musings, invested with all the witchery that had been gathering around it ever since his first glimpse of her, and now likewise imbued with a tender warmth of girlish womanhood. She was human: her nature was endowed with all gentle and feminine qualities; she was worthiest to be worshipped; she was capable, surely, on her part, of the height and heroism of love. Those tokens, which he had hitherto considered as proofs of a frightful peculiarity in her physical and moral system, were now either forgotten, or, by the subtle sophistry of passion, transmuted into a golden crown of enchantment, rendering Beatrice the more admirable, by so much as she was the more unique. Whatever had looked ugly, was now beautiful; or, if incapable of such a change, it stole away and hid itself among those shapeless half-ideas, which throng the dim region beyond the daylight of our perfect consciousness. Thus did Giovanni spend the night, nor fell asleep, until the dawn had begun to awake the slumbering flowers in Doctor Rappaccini's garden, whither his dreams doubtless led him. Up rose the sun in his due season, and flinging his beams upon the young man's eyelids, awoke him to a sense of pain. When thoroughly aroused, he became sensible of a burning and tingling agony in his hand--in his right hand--the very hand which Beatrice had grasped in her own, when he was on the point of plucking one of the gem-like flowers. On the back of that hand there was now a purple print, like that of four small fingers, and the likeness of a slender thumb upon his wrist.

Oh, how stubbornly does love--or even that cunning semblance of love which flourishes in the imagination, but strikes no depth of root into the heart--how stubbornly does it hold its faith, until the moment come, when it is doomed to vanish into thin mist! Giovanni wrapt a handkerchief about his hand, and wondered what evil thing had stung him, and soon forgot his pain in a reverie of Beatrice.

After the first interview, a second was in the inevitable course of what we call fate. A third; a fourth; and a meeting with Beatrice in the garden was no longer an incident in Giovanni's daily life, but the whole space in which he might be said to live; for the anticipation and memory of that ecstatic hour made up the remainder. Nor was it otherwise with the daughter of Rappaccini. She watched for the youth's appearance, and flew to his side with confidence as unreserved as if they had been playmates from early infancy--as if they were such playmates still. If, by any unwonted chance, he failed to come at the appointed moment, she stood beneath the window, and sent up the rich sweetness of her tones to float around him in his chamber, and echo and reverberate throughout his heart--"Giovanni! Giovanni! Why tarriest thou? Come down!" And down he hastened into that Eden of poisonous flowers.

But, with all this intimate familiarity, there was still a reserve in Beatrice's demeanor, so rigidly and invariably sustained, that the idea of infringing it scarcely occurred to his imagination. By all appreciable signs, they loved; they had looked love, with eyes that conveyed the holy secret from the depths of one soul into the depths of the other, as if it were too sacred to be whispered by the way; they had even spoken love, in those gushes of passion when their spirits darted forth in articulated breath, like tongues of long-hidden flame; and yet there had been no seal of lips, no clasp of hands, nor any slightest caress, such as love claims and hallows. He had never touched one of the gleaming ringlets of her hair; her garment--so marked was the physical barrier between them--had never been waved against him by a breeze. On the few occasions when Giovanni had seemed tempted to overstep the limit, Beatrice grew so sad, so stern, and withal wore such a look of desolate separation, shuddering at itself, that not a spoken word was requisite to repel him. At such times, he was startled at the horrible suspicions that rose, monster-like, out of the caverns of his heart, and stared him in the face; his love grew thin and faint as the morning-mist; his doubts alone had substance. But when Beatrice's face brightened again, after the momentary shadow, she was transformed at once from the mysterious, questionable being, whom he had watched with so much awe and horror; she was now the beautiful and unsophisticated girl, whom he felt that his spirit knew with a certainty beyond all other knowledge.

A considerable time had now passed since Giovanni's last meeting with Baglioni. One morning, however, he was disagreeably surprised by a visit from the Professor, whom he had scarcely thought of for whole weeks, and would willingly have forgotten still longer. Given up, as he had long been, to a pervading excitement, he could tolerate no companions, except upon condition of their perfect sympathy with his present state of feeling. Such sympathy was not to be expected from Professor Baglioni.

The visitor chatted carelessly, for a few moments, about the gossip of the city and the University, and then took up another topic.

"I have been reading an old classic author lately," said he, "and met with a story that strangely interested me. Possibly you may remember it. It is of an Indian prince, who sent a beautiful woman as a present to Alexander the Great. She was as lovely as the dawn, and gorgeous as the sunset; but what especially distinguished her was a certain rich perfume in her breath--richer than a garden of Persian roses. Alexander, as was natural to a youthful conqueror, fell in love at first sight with this magnificent stranger. But a certain sage physician, happening to be present, discovered a terrible secret in regard to her."

"And what was that?" asked Giovanni, turning his eyes downward to avoid those of the Professor.

"That this lovely woman," continued Baglioni, with emphasis, "had been nourished with poisons from her birth upward, until her whole nature was so imbued with them, that she herself had become the deadliest poison in existence. Poison was her element of life. With that rich perfume of her breath, she blasted the very air. Her love would have been poison!--her embrace death! Is not this a marvellous tale?"

"A childish fable," answered Giovanni, nervously starting from his chair. "I marvel how your worship finds time to read such nonsense, among your graver studies."

"By the bye," said the Professor, looking uneasily about him, "what singular fragrance is this in your apartment? Is it the perfume of your gloves? It is faint, but delicious, and yet, after all, by no means agreeable. Were I to breathe it long, methinks it would make me ill. It is like the breath of a flower--but I see no flowers in the chamber."

"Nor are there any," replied Giovanni, who had turned pale as the Professor spoke; "nor, I think, is there any fragrance, except in your worship's imagination. Odors, being a sort of element combined of the sensual and the spiritual, are apt to deceive us in this manner. The recollection of a perfume--the bare idea of it--may easily be mistaken for a present reality."

"Aye; but my sober imagination does not often play such tricks," said Baglioni; "and were I to fancy any kind of odor, it would be that of some vile apothecary drug, wherewith my fingers are likely enough to be imbued. Our worshipful friend Rappaccini, as I have heard, tinctures his medicaments with odors richer than those of Araby. Doubtless, likewise, the fair and learned Signora Beatrice would minister to her patients with draughts as sweet as a maiden's breath. But wo to him that sips them!"

Giovanni's face evinced many contending emotions. The tone in which the Professor alluded to the pure and lovely daughter of Rappaccini was a torture to his soul; and yet, the intimation of a view of her character, opposite to his own, gave instantaneous distinctness to a thousand dim suspicions, which now grinned at him like so many demons. But he strove hard to quell them, and to respond to Baglioni with a true lover's perfect faith.

"Signor Professor," said he, "you were my father's friend--perchance, too, it is your purpose to act a friendly part towards his son. I would fain feel nothing towards you save respect and deference. But I pray you to observe, Signor, that there is one subject on which we must not speak. You know not the Signora Beatrice. You cannot, therefore, estimate the wrong--the blasphemy, I may even say--that is offered to her character by a light or injurious word."

"Giovanni!--my poor Giovanni!" answered the Professor, with a calm expression of pity, "I know this wretched girl far better than yourself. You shall hear the truth in respect to the poisoner Rappaccini, and his poisonous daughter. Yes; poisonous as she is beautiful! Listen; for even should you do violence to my gray hairs, it shall not silence me. That old fable of the Indian woman has become a truth, by the deep and deadly science of Rappaccini, and in the person of the lovely Beatrice!"

Giovanni groaned and hid his face.

"Her father," continued Baglioni, "was not restrained by natural affection from offering up his child, in this horrible manner, as the victim of his insane zeal for science. For--let us do him justice--he is as true a man of science as ever distilled his own heart in an alembic. What, then, will be your fate? Beyond a doubt, you are selected as the material of some new experiment. Perhaps the result is to be death--perhaps a fate more awful still! Rappaccini, with what he calls the interest of science before his eyes, will hesitate at nothing."

"It is a dream!" muttered Giovanni to himself, "surely it is a dream!"

"But," resumed the Professor, "be of good cheer, son of my friend! It is not yet too late for the rescue. Possibly, we may even succeed in bringing back this miserable child within the limits of ordinary nature, from which her father's madness has estranged her. Behold this little silver vase! It was wrought by the hands of the renowned Benvenuto Cellini, and is well worthy to be a love-gift to the fairest dame in Italy. But its contents are invaluable. One little sip of this antidote would have rendered the most virulent poisons of the Borgias innocuous. Doubt not that it will be as efficacious against those of Rappaccini. Bestow the vase, and the precious liquid within it, on your Beatrice, and hopefully await the result."

Baglioni laid a small, exquisitely wrought silver phial on the table, and withdrew, leaving what he had said to produce its effect upon the young man's mind.

"We will thwart Rappaccini yet!" thought he, chuckling to himself, as he descended the stairs. "But, let us confess the truth of him, he is a wonderful man!--a wonderful man indeed! A vile empiric, however, in his practice, and therefore not to be tolerated by those who respect the good old rules of the medical profession!"

Throughout Giovanni's whole acquaintance with Beatrice, he had occasionally, as we have said, been haunted by dark surmises as to her character. Yet, so thoroughly had she made herself felt by him as a simple, natural, most affectionate and guileless creature, that the image now held up by Professor Baglioni, looked as strange and incredible, as if it were not in accordance with his own original conception. True, there were ugly recollections connected with his first glimpses of the beautiful girl; he could not quite forget the bouquet that withered in her grasp, and the insect that perished amid the sunny air, by no ostensible agency save the fragrance of her breath. These incidents, however, dissolving in the pure light of her character, had no longer the efficacy of facts, but were acknowledged as mistaken fantasies, by whatever testimony of the senses they might appear to be substantiated. There is something truer and more real, than what we can see with the eyes, and touch with the finger. On such better evidence, had Giovanni founded his confidence in Beatrice, though rather by the necessary force of her high attributes, than by any deep and generous faith on his part. But, now, his spirit was incapable of sustaining itself at the height to which the early enthusiasm of passion had exalted it; he fell down, grovelling among earthly doubts, and defiled therewith the pure whiteness of Beatrice's image. Not that he gave her up; he did but distrust. He resolved to institute some decisive test that should satisfy him, once for all, whether there were those dreadful peculiarities in her physical nature, which could not be supposed to exist without some corresponding monstrosity of soul. His eyes, gazing down afar, might have deceived him as to the lizard, the insect, and the flowers. But if he could witness, at the distance of a few paces, the sudden blight of one fresh and healthful flower in Beatrice's hand, there would be room for no further question. With this idea, he hastened to the florist's, and purchased a bouquet that was still gemmed with the morning dew-drops.

It was now the customary hour of his daily interview with Beatrice. Before descending into the garden, Giovanni failed not to look at his figure in the mirror; a vanity to be expected in a beautiful young man, yet, as displaying itself at that troubled and feverish moment, the token of a certain shallowness of feeling and insincerity of character. He did gaze, however, and said to himself, that his features had never before possessed so rich a grace, nor his eyes such vivacity, nor his cheeks so warm a hue of superabundant life.

"At least," thought he, "her poison has not yet insinuated itself into my system. I am no flower to perish in her grasp!"

With that thought, he turned his eyes on the bouquet, which he had never once laid aside from his hand. A thrill of indefinable horror shot through his frame, on perceiving that those dewy flowers were already beginning to droop; they wore the aspect of things that had been fresh and lovely, yesterday. Giovanni grew white as marble, and stood motionless before the mirror, staring at his own reflection there, as at the likeness of something frightful. He remembered Baglioni's remark about the fragrance that seemed to pervade the chamber. It must have been the poison in his breath! Then he shuddered--shuddered at himself! Recovering from his stupor, he began to watch, with curious eye, a spider that was busily at work, hanging its web from the antique cornice of the apartment, crossing and re-crossing the artful system of interwoven lines, as vigorous and active a spider as ever dangled from an old ceiling. Giovanni bent towards the insect, and emitted a deep, long breath. The spider suddenly ceased its toil; the web vibrated with a tremor originating in the body of the small artizan. Again Giovanni sent forth a breath, deeper, longer, and imbued with a venomous feeling out of his heart; he knew not whether he were wicked or only desperate. The spider made a convulsive gripe with his limbs, and hung dead across the window.

"Accursed! Accursed!" muttered Giovanni, addressing himself. "Hast thou grown so poisonous, that this deadly insect perishes by thy breath?"

At that moment, a rich, sweet voice came floating up from the garden: "Giovanni! Giovanni! It is past the hour! Why tarriest thou! Come down!"

"Yes," muttered Giovanni again. "She is the only being whom my breath may not slay! Would that it might!"

He rushed down, and in an instant, was standing before the bright and loving eyes of Beatrice. A moment ago, his wrath and despair had been so fierce that he could have desired nothing so much as to wither her by a glance. But, with her actual presence, there came influences which had too real an existence to be at once shaken off; recollections of the delicate and benign power of her feminine nature, which had so often enveloped him in a religious calm; recollections of many a holy and passionate outgush of her heart, when the pure fountain had been unsealed from its depths, and made visible in its transparency to his mental eye; recollections which, had Giovanni known how to estimate them, would have assured him that all this ugly mystery was but an earthly illusion, and that, whatever mist of evil might seem to have gathered over her, the real Beatrice was a heavenly angel. Incapable as he was of such high faith, still her presence had not utterly lost its magic. Giovanni's rage was quelled into an aspect of sullen insensibility. Beatrice, with a quick spiritual sense, immediately felt that there was a gulf of blackness between them, which neither he nor she could pass. They walked on together, sad and silent, and came thus to the marble fountain, and to its pool of water on the ground, in the midst of which grew the shrub that bore gem-like blossoms. Giovanni was affrighted at the eager enjoyment--the appetite, as it were--with which he found himself inhaling the fragrance of the flowers.

"Beatrice," asked he abruptly, "whence came this shrub!"

"My father created it," answered she, with simplicity.

"Created it! created it!" repeated Giovanni. "What mean you, Beatrice?"

"He is a man fearfully acquainted with the secrets of nature," replied Beatrice; "and, at the hour when I first drew breath, this plant sprang from the soil, the offspring of his science, of his intellect, while I was but his earthly child. Approach it not!" continued she, observing with terror that Giovanni was drawing nearer to the shrub. "It has qualities that you little dream of. But I, dearest Giovanni--I grew up and blossomed with the plant, and was nourished with its breath. It was my sister, and I loved it with a human affection: for--alas! hast thou not suspected it? there was an awful doom."

Here Giovanni frowned so darkly upon her that Beatrice paused and trembled. But her faith in his tenderness reassured her, and made her blush that she had doubted for an instant.

"There was an awful doom," she continued,--"the effect of my father's fatal love of science--which estranged me from all society of my kind. Until Heaven sent thee, dearest Giovanni, Oh! how lonely was thy poor Beatrice!"

"Was it a hard doom?" asked Giovanni, fixing his eyes upon her.

"Only of late have I known how hard it was," answered she tenderly. "Oh, yes; but my heart was torpid, and therefore quiet."

Giovanni's rage broke forth from his sullen gloom like a lightning-flash out of a dark cloud.

"Accursed one!" cried he, with venomous scorn and anger. "And finding thy solitude wearisome, thou hast severed me, likewise, from all the warmth of life, and enticed me into thy region of unspeakable horror!"

"Giovanni!" exclaimed Beatrice, turning her large bright eyes upon his face. The force of his words had not found its way into her mind; she was merely thunder-struck.

"Yes, poisonous thing!" repeated Giovanni, beside himself with passion. "Thou hast done it! Thou hast blasted me! Thou hast filled my veins with poison! Thou hast made me as hateful, as ugly, as loathsome and deadly a creature as thyself--a world's wonder of hideous monstrosity! Now--if our breath be happily as fatal to ourselves as to all others--let us join our lips in one kiss of unutterable hatred, and so die!"

"What has befallen me?" murmured Beatrice, with a low moan out of her heart. "Holy Virgin pity me, a poor heartbroken child!"

"Thou! Dost thou pray?" cried Giovanni, still with the same fiendish scorn. "Thy very prayers, as they come from thy lips, taint the atmosphere with death. Yes, yes; let us pray! Let us to church, and dip our fingers in the holy water at the portal! They that come after us will perish as by a pestilence. Let us sign crosses in the air! It will be scattering curses abroad in the likeness of holy symbols!"

"Giovanni," said Beatrice calmly, for her grief was beyond passion, "Why dost thou join thyself with me thus in those terrible words? I, it is true, am the horrible thing thou namest me. But thou!--what hast thou to do, save with one other shudder at my hideous misery, to go forth out of the garden and mingle with thy race, and forget that there ever crawled on earth such a monster as poor Beatrice?"

"Dost thou pretend ignorance?" asked Giovanni, scowling upon her. "Behold! This power have I gained from the pure daughter of Rappaccini!"

There was a swarm of summer-insects flitting through the air, in search of the food promised by the flower-odors of the fatal garden. They circled round Giovanni's head, and were evidently attracted towards him by the same influence which had drawn them, for an instant, within the sphere of several of the shrubs. He sent forth a breath among them, and smiled bitterly at Beatrice, as at least a score of the insects fell dead upon the ground.

"I see it! I see it!" shrieked Beatrice. "It is my father's fatal science? No, no, Giovanni; it was not I! Never, never! I dreamed only to love thee, and be with thee a little time, and so to let thee pass away, leaving but thine image in mine heart. For, Giovanni--believe it--though my body be nourished with poison, my spirit is God's creature, and craves love as its daily food. But my father!--he has united us in this fearful sympathy. Yes; spurn me!--tread upon me!--kill me! Oh, what is death, after such words as thine? But it was not I! Not for a world of bliss would I have done it!"

Giovanni's passion had exhausted itself in its outburst from his lips. There now came across him a sense, mournful, and not without tenderness, of the intimate and peculiar relationship between Beatrice and himself. They stood, as it were, in an utter solitude, which would be made none the less solitary by the densest throng of human life. Ought not, then, the desert of humanity around them to press this insulated pair closer together? If they should be cruel to one another, who was there to be kind to them? Besides, thought Giovanni, might there not still be a hope of his returning within the limits of ordinary nature, and leading Beatrice--the redeemed Beatrice--by the hand? Oh, weak, and selfish, and unworthy spirit, that could dream of an earthly union and earthly happiness as possible, after such deep love had been so bitterly wronged as was Beatrice's love by Giovanni's blighting words! No, no; there could be no such hope. She must pass heavily, with that broken heart, across the borders of Time--she must bathe her hurts in some fount of Paradise, and forget her grief in the light of immortality--and there be well!

But Giovanni did not know it.

"Dear Beatrice," said he, approaching her, while she shrank away, as always at his approach, but now with a different impulse--"dearest Beatrice, our fate is not yet so desperate. Behold! There is a medicine, potent, as a wise physician has assured me, and almost divine in its efficacy. It is composed of ingredients the most opposite to those by which thy awful father has brought this calamity upon thee and me. It is distilled of blessed herbs. Shall we not quaff it together, and thus be purified from evil?"

"Give it me!" said Beatrice, extending her hand to receive the little silver phial which Giovanni took from his bosom. She added, with a peculiar emphasis: "I will drink--but do thou await the result."

She put Baglioni's antidote to her lips; and, at the same moment, the figure of Rappaccini emerged from the portal, and came slowly towards the marble fountain. As he drew near, the pale man of science seemed to gaze with a triumphant expression at the beautiful youth and maiden, as might an artist who should spend his life in achieving a picture or a group of statuary, and finally be satisfied with his success. He paused--his bent form grew erect with conscious power, he spread out his hand over them, in the attitude of a father imploring a blessing upon his children. But those were the same hands that had thrown poison into the stream of their lives! Giovanni trembled. Beatrice shuddered very nervously, and pressed her hand upon her heart.

"My daughter," said Rappaccini, "thou art no longer lonely in the world! Pluck one of those precious gems from thy sister shrub, and bid thy bridegroom wear it in his bosom. It will not harm him now! My science, and the sympathy between thee and him, have so wrought within his system, that he now stands apart from common men, as thou dost, daughter of my pride and triumph, from ordinary women. Pass on, then, through the world, most dear to one another, and dreadful to all besides!"

"My father," said Beatrice, feebly--and still, as she spoke, she kept her hand upon her heart--"wherefore didst thou inflict this miserable doom upon thy child?"

"Miserable!" exclaimed Rappaccini. "What mean you, foolish girl? Dost thou deem it misery to be endowed with marvellous gifts, against which no power nor strength could avail an enemy? Misery, to be able to quell the mightiest with a breath? Misery, to be as terrible as thou art beautiful? Wouldst thou, then, have preferred the condition of a weak woman, exposed to all evil, and capable of none?"

"I would fain have been loved, not feared," murmured Beatrice, sinking down upon the ground.--"But now it matters not; I am going, father, where the evil, which thou hast striven to mingle with my being, will pass away like a dream--like the fragrance of these poisonous flowers, which will no longer taint my breath among the flowers of Eden. Farewell, Giovanni! Thy words of hatred are like lead within my heart--but they, too, will fall away as I ascend. Oh, was there not, from the first, more poison in thy nature than in mine?"

To Beatrice--so radically had her earthly part been wrought upon by Rappaccini's skill--as poison had been life, so the powerful antidote was death. And thus the poor victim of man's ingenuity and of thwarted nature, and of the fatality that attends all such efforts of perverted wisdom, perished there, at the feet of her father and Giovanni. Just at that moment, Professor Pietro Baglioni looked forth from the window, and called loudly, in a tone of triumph mixed with horror, to the thunder-stricken man of science: "Rappaccini! Rappaccini! And is this the upshot of your experiment?"

iii. “The Birth-Mark”.

In the latter part of the last century, there lived a man of science--an eminent proficient in every branch of natural philosophy--who, not long before our story opens, had made experience of a spiritual affinity, more attractive than any chemical one. He had left his laboratory to the care of an assistant, cleared his fine countenance from the furnace-smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days, when the comparatively recent discovery of electricity, and other kindred mysteries of nature, seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman, in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart, might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force, and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man's ultimate control over nature. He had devoted himself, however, too unreservedly to scientific studies, ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to its own.

Such an union accordingly took place, and was attended with truly remarkable consequences, and a deeply impressive moral. One day, very soon after their marriage, Aylmer sat gazing at his wife, with a trouble in his countenance that grew stronger, until he spoke.

"Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?"

"No, indeed," said she, smiling; but perceiving the seriousness of his manner, she blushed deeply. "To tell you the truth, it has been so often called a charm, that I was simple enough to imagine it might be so."

"Ah, upon another face, perhaps it might," replied her husband. "But never on yours! No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect--which we hesitate whether to term a defect or a beauty--shocks me, as being the visible mark of earthly imperfection."

"Shocks you, my husband!" cried Georgiana, deeply hurt; at first reddening with momentary anger, but then bursting into tears. "Then why did you take me from my mother's side? You cannot love what shocks you!"

To explain this conversation, it must be mentioned, that, in the centre of Georgiana's left cheek, there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face. In the usual state of her complexion,--a healthy, though delicate bloom,--the mark wore a tint of deeper crimson, which imperfectly defined its shape amid the surrounding rosiness. When she blushed, it gradually became more indistinct, and finally vanished amid the triumphant rush of blood, that bathed the whole cheek with its brilliant glow. But, if any shifting emotion caused her to turn pale, there was the mark again, a crimson stain upon the snow, in what Aylmer sometimes deemed an almost fearful distinctness. Its shape bore not a little similarity to the human hand, though of the smallest pigmy size. Georgiana's lovers were wont to say, that some fairy, at her birth-hour, had laid her tiny hand upon the infant's cheek, and left this impress there, in token of the magic endowments that were to give her such sway over all hearts. Many a desperate swain would have risked life for the privilege of pressing his lips to the mysterious hand. It must not be concealed, however, that the impression wrought by this fairy sign-manual varied exceedingly, according to the difference of temperament in the beholders. Some fastidious persons--but they were exclusively of her own sex--affirmed that the Bloody Hand, as they chose to call it, quite destroyed the effect of Georgiana's beauty, and rendered her countenance even hideous. But it would be as reasonable to say, that one of those small blue stains, which sometimes occur in the purest statuary marble, would convert the Eve of Powers to a monster. Masculine observers, if the birth-mark did not heighten their admiration, contented themselves with wishing it away, that the world might possess one living specimen of ideal loveliness, without the semblance of a flaw. After his marriage--for he thought little or nothing of the matter before--Aylmer discovered that this was the case with himself.

Had she been less beautiful--if Envy's self could have found aught else to sneer at--he might have felt his affection heightened by the prettiness of this mimic hand, now vaguely portrayed, now lost, now stealing forth again, and glimmering to-and-fro with every pulse of emotion that throbbed within her heart. But, seeing her otherwise so perfect, he found this one defect grow more and more intolerable, with every moment of their united lives. It was the fatal flaw of humanity, which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain. The Crimson Hand expressed the ineludible gripe, in which mortality clutches the highest and purest of earthly mould, degrading them into kindred with the lowest, and even with the very brutes, like whom their visible frames return to dust. In this manner, selecting it as the symbol of his wife's liability to sin, sorrow, decay, and death, Aylmer's sombre imagination was not long in rendering the birth-mark a frightful object, causing him more trouble and horror than ever Georgiana's beauty, whether of soul or sense, had given him delight.

At all the seasons which should have been their happiest, he invariably, and without intending it--nay, in spite of a purpose to the contrary--reverted to this one disastrous topic. Trifling as it at first appeared, it so connected itself with innumerable trains of thought, and modes of feeling, that it became the central point of all. With the morning twilight, Aylmer opened his eyes upon his wife's face, and recognized the symbol of imperfection; and when they sat together at the evening hearth, his eyes wandered stealthily to her cheek, and beheld, flickering with the blaze of the wood fire, the spectral Hand that wrote mortality, where he would fain have worshipped. Georgiana soon learned to shudder at his gaze. It needed but a glance, with the peculiar expression that his face often wore, to change the roses of her cheek into a deathlike paleness, amid which the Crimson Hand was brought strongly out, like a bas-relief of ruby on the whitest marble.

Late, one night, when the lights were growing dim, so as hardly to betray the stain on the poor wife's cheek, she herself, for the first time, voluntarily took up the subject.

"Do you remember, my dear Aylmer," said she, with a feeble attempt at a smile--"have you any recollection of a dream, last night, about this odious Hand?"

"None! none whatever!" replied Aylmer, starting; but then he added in a dry, cold tone, affected for the sake of concealing the real depth of his emotion:--"I might well dream of it; for, before I fell asleep, it had taken a pretty firm hold of my fancy."

"And you did dream of it," continued Georgiana, hastily; for she dreaded lest a gush of tears should interrupt what she had to say--"A terrible dream! I wonder that you can forget it. Is it possible to forget this one expression? 'It is in her heart now--we must have it out!'--Reflect, my husband; for by all means I would have you recall that dream."

The mind is in a sad state, when Sleep, the all-involving, cannot confine her spectres within the dim region of her sway, but suffers them to break forth, affrighting this actual life with secrets that perchance belong to a deeper one. Aylmer now remembered his dream. He had fancied himself, with his servant Aminadab, attempting an operation for the removal of the birth-mark. But the deeper went the knife, the deeper sank the Hand, until at length its tiny grasp appeared to have caught hold of Georgiana's heart; whence, however, her husband was inexorably resolved to cut or wrench it away.

When the dream had shaped itself perfectly in his memory, Aylmer sat in his wife's presence with a guilty feeling. Truth often finds its way to the mind close-muffled in robes of sleep, and then speaks with uncompromising directness of matters in regard to which we practise an unconscious self-deception, during our waking moments. Until now, he had not been aware of the tyrannizing influence acquired by one idea over his mind, and of the lengths which he might find in his heart to go, for the sake of giving himself peace.

"Aylmer," resumed Georgiana, solemnly, "I know not what may be the cost to both of us, to rid me of this fatal birth-mark. Perhaps its removal may cause cureless deformity. Or, it may be, the stain goes as deep as life itself. Again, do we know that there is a possibility, on any terms, of unclasping the firm gripe of this little Hand, which was laid upon me before I came into the world?"

"Dearest Georgiana, I have spent much thought upon the subject," hastily interrupted Aylmer--"I am convinced of the perfect practicability of its removal."

"If there be the remotest possibility of it," continued Georgiana, "let the attempt be made, at whatever risk. Danger is nothing to me; for life--while this hateful mark makes me the object of your horror and disgust--life is a burthen which I would fling down with joy. Either remove this dreadful Hand, or take my wretched life! You have deep science! All the world bears witness of it. You have achieved great wonders! Cannot you remove this little, little mark, which I cover with the tips of two small fingers! Is this beyond your power, for the sake of your own peace, and to save your poor wife from madness?"

"Noblest--dearest--tenderest wife!" cried Aylmer, rapturously. "Doubt not my power. I have already given this matter the deepest thought--thought which might almost have enlightened me to create a being less perfect than yourself. Georgiana, you have led me deeper than ever into the heart of science. I feel myself fully competent to render this dear cheek as faultless as its fellow; and then, most beloved, what will be my triumph, when I shall have corrected what Nature left imperfect, in her fairest work! Even Pygmalion, when his sculptured woman assumed life, felt not greater ecstasy than mine will be."

"It is resolved, then," said Georgiana, faintly smiling--"And, Aylmer, spare me not, though you should find the birth-mark take refuge in my heart at last."

Her husband tenderly kissed her cheek--her right cheek--not that which bore the impress of the Crimson Hand.

The next day, Aylmer apprised his wife of a plan that he had formed, whereby he might have opportunity for the intense thought and constant watchfulness which the proposed operation would require; while Georgiana, likewise, would enjoy the perfect repose essential to its success. They were to seclude themselves in the extensive apartments occupied by Aylmer as a laboratory, and where, during his toilsome youth, he had made discoveries in the elemental powers of Nature, that had roused the admiration of all the learned societies in Europe. Seated calmly in this laboratory, the pale philosopher had investigated the secrets of the highest cloud-region, and of the profoundest mines; he had satisfied himself of the causes that kindled and kept alive the fires of the volcano; and had explained the mystery of fountains, and how it is that they gush forth, some so bright and pure, and others with such rich medicinal virtues, from the dark bosom of the earth. Here, too, at an earlier period, he had studied the wonders of the human frame, and attempted to fathom the very process by which Nature assimilates all her precious influences from earth and air, and from the spiritual world, to create and foster Man, her masterpiece. The latter pursuit, however, Aylmer had long laid aside, in unwilling recognition of the truth, against which all seekers sooner or later stumble, that our great creative Mother, while she amuses us with apparently working in the broadest sunshine, is yet severely careful to keep her own secrets, and, in spite of her pretended openness, shows us nothing but results. She permits us indeed to mar, but seldom to mend, and, like a jealous patentee, on no account to make. Now, however, Aylmer resumed these half-forgotten investigations; not, of course, with such hopes or wishes as first suggested them; but because they involved much physiological truth, and lay in the path of his proposed scheme for the treatment of Georgiana.

As he led her over the threshold of the laboratory, Georgiana was cold and tremulous. Aylmer looked cheerfully into her face, with intent to reassure her, but was so startled with the intense glow of the birth-mark upon the whiteness of her cheek, that he could not restrain a strong convulsive shudder. His wife fainted.

"Aminadab! Aminadab!" shouted Aylmer, stamping violently on the floor.

Forthwith, there issued from an inner apartment a man of low stature, but bulky frame, with shaggy hair hanging about his visage, which was grimed with the vapors of the furnace. This personage had been Aylmer's under-worker during his whole scientific career, and was admirably fitted for that office by his great mechanical readiness, and the skill with which, while incapable of comprehending a single principle, he executed all the practical details of his master's experiments. With his vast strength, his shaggy hair, his smoky aspect, and the indescribable earthiness that encrusted him, he seemed to represent man's physical nature; while Aylmer's slender figure, and pale, intellectual face, were no less apt a type of the spiritual element.

"Throw open the door of the boudoir, Aminadab," said Aylmer, "and burn a pastille."

"Yes, master," answered Aminadab, looking intently at the lifeless form of Georgiana; and then he muttered to himself:--"If she were my wife, I'd never part with that birth-mark."

When Georgiana recovered consciousness, she found herself breathing an atmosphere of penetrating fragrance, the gentle potency of which had recalled her from her deathlike faintness. The scene around her looked like enchantment. Aylmer had converted those smoky, dingy, sombre rooms, where he had spent his brightest years in recondite pursuits, into a series of beautiful apartments, not unfit to be the secluded abode of a lovely woman. The walls were hung with gorgeous curtains, which imparted the combination of grandeur and grace, that no other species of adornment can achieve; and as they fell from the ceiling to the floor, their rich and ponderous folds, concealing all angles and straight lines, appeared to shut in the scene from infinite space. For aught Georgiana knew, it might be a pavilion among the clouds. And Aylmer, excluding the sunshine, which would have interfered with his chemical processes, had supplied its place with perfumed lamps, emitting flames of various hue, but all uniting in a soft, empurpled radiance. He now knelt by his wife's side, watching her earnestly, but without alarm; for he was confident in his science, and felt that he could draw a magic circle round her, within which no evil might intrude.

"Where am I?--Ah, I remember!" said Georgiana, faintly; and she placed her hand over her cheek, to hide the terrible mark from her husband's eyes.

"Fear not, dearest!" exclaimed he. "Do not shrink from me! Believe me, Georgiana, I even rejoice in this single imperfection, since it will be such a rapture to remove it."

"Oh, spare me!" sadly replied his wife--"Pray do not look at it again. I never can forget that convulsive shudder."

In order to soothe Georgiana, and, as it were, to release her mind from the burthen of actual things, Aylmer now put in practice some of the light and playful secrets which science had taught him among its profounder lore. Airy figures, absolutely bodiless ideas, and forms of unsubstantial beauty, came and danced before her, imprinting their momentary footsteps on beams of light. Though she had some indistinct idea of the method of these optical phenomena, still the illusion was almost perfect enough to warrant the belief that her husband possessed sway over the spiritual world. Then again, when she felt a wish to look forth from her seclusion, immediately, as if her thoughts were answered, the procession of external existence flitted across a screen. The scenery and the figures of actual life were perfectly represented, but with that bewitching, yet indescribable difference, which always makes a picture, an image, or a shadow, so much more attractive than the original. When wearied of this, Aylmer bade her cast her eyes upon a vessel, containing a quantity of earth. She did so, with little interest at first, but was soon startled, to perceive the germ of a plant, shooting upward from the soil. Then came the slender stalk--the leaves gradually unfolded themselves--and amid them was a perfect and lovely flower.

"It is magical!" cried Georgiana, "I dare not touch it."

"Nay, pluck it," answered Aylmer, "pluck it, and inhale its brief perfume while you may. The flower will wither in a few moments, and leave nothing save its brown seed-vessels--but thence may be perpetuated a race as ephemeral as itself."

But Georgiana had no sooner touched the flower than the whole plant suffered a blight, its leaves turning coal-black, as if by the agency of fire.

"There was too powerful a stimulus," said Aylmer thoughtfully.

To make up for this abortive experiment, he proposed to take her portrait by a scientific process of his own invention. It was to be effected by rays of light striking upon a polished plate of metal. Georgiana assented--but, on looking at the result, was affrighted to find the features of the portrait blurred and indefinable; while the minute figure of a hand appeared where the cheek should have been. Aylmer snatched the metallic plate, and threw it into a jar of corrosive acid.

Soon, however, he forgot these mortifying failures. In the intervals of study and chemical experiment, he came to her, flushed and exhausted, but seemed invigorated by her presence, and spoke in glowing language of the resources of his art. He gave a history of the long dynasty of the Alchemists, who spent so many ages in quest of the universal solvent, by which the Golden Principle might be elicited from all things vile and base. Aylmer appeared to believe, that, by the plainest scientific logic, it was altogether within the limits of possibility to discover this long-sought medium; but, he added, a philosopher who should go deep enough to acquire the power, would attain too lofty a wisdom to stoop to the exercise of it. Not less singular were his opinions in regard to the Elixir Vitae. He more than intimated, that it was at his option to concoct a liquid that should prolong life for years--perhaps interminably--but that it would produce a discord in nature, which all the world, and chiefly the quaffer of the immortal nostrum, would find cause to curse.

"Aylmer, are you in earnest?" asked Georgiana, looking at him with amazement and fear; "it is terrible to possess such power, or even to dream of possessing it!"

"Oh, do not tremble, my love!" said her husband, "I would not wrong either you or myself, by working such inharmonious effects upon our lives. But I would have you consider how trifling, in comparison, is the skill requisite to remove this little Hand."

At the mention of the birth-mark, Georgiana, as usual, shrank, as if a red-hot iron had touched her cheek.

Again Aylmer applied himself to his labors. She could hear his voice in the distant furnace-room, giving directions to Aminadab, whose harsh, uncouth, misshapen tones were audible in response, more like the grunt or growl of a brute than human speech. After hours of absence, Aylmer reappeared, and proposed that she should now examine his cabinet of chemical products, and natural treasures of the earth. Among the former he showed her a small vial, in which, he remarked, was contained a gentle yet most powerful fragrance, capable of impregnating all the breezes that blow across a kingdom. They were of inestimable value, the contents of that little vial; and, as he said so, he threw some of the perfume into the air, and filled the room with piercing and invigorating delight.

"And what is this?" asked Georgiana, pointing to a small crystal globe, containing a gold-colored liquid. "It is so beautiful to the eye, that I could imagine it the Elixir of Life."

"In one sense it is," replied Aylmer, "or rather the Elixir of Immortality. It is the most precious poison that ever was concocted in this world. By its aid, I could apportion the lifetime of any mortal at whom you might point your finger. The strength of the dose would determine whether he were to linger out years, or drop dead in the midst of a breath. No king, on his guarded throne, could keep his life, if I, in my private station, should deem that the welfare of millions justified me in depriving him of it."

"Why do you keep such a terrific drug?" inquired Georgiana in horror.

"Do not mistrust me, dearest!" said her husband, smiling; "its virtuous potency is yet greater than its harmful one. But, see! here is a powerful cosmetic. With a few drops of this, in a vase of water, freckles may be washed away as easily as the hands are cleansed. A stronger infusion would take the blood out of the cheek, and leave the rosiest beauty a pale ghost."

"Is it with this lotion that you intend to bathe my cheek?" asked Georgiana, anxiously.

"Oh, no!" hastily replied her husband--"this is merely superficial. Your case demands a remedy that shall go deeper."

In his interviews with Georgiana, Aylmer generally made minute inquiries as to her sensations, and whether the confinement of the rooms, and the temperature of the atmosphere, agreed with her. These questions had such a particular drift, that Georgiana began to conjecture that she was already subjected to certain physical influences, either breathed in with the fragrant air, or taken with her food. She fancied, likewise--but it might be altogether fancy--that there was a stirring up of her system,--a strange, indefinite sensation creeping through her veins, and tingling, half-painfully, half-pleasurably, at her heart. Still, whenever she dared to look into the mirror, there she beheld herself, pale as a white rose, and with the crimson birth-mark stamped upon her cheek. Not even Aylmer now hated it so much as she.

To dispel the tedium of the hours which her husband found it necessary to devote to the processes of combination and analysis, Georgiana turned over the volumes of his scientific library. In many dark old tomes, she met with chapters full of romance and poetry. They were the works of the philosophers of the middle ages, such as Albertus Magnus, Cornelius Agrippa, Paracelsus, and the famous friar who created the prophetic Brazen Head. All these antique naturalists stood in advance of their centuries, yet were imbued with some of their credulity, and therefore were believed, and perhaps imagined themselves, to have acquired from the investigation of nature a power above nature, and from physics a sway over the spiritual world. Hardly less curious and imaginative were the early volumes of the Transactions of the Royal Society, in which the members, knowing little of the limits of natural possibility, were continually recording wonders, or proposing methods whereby wonders might be wrought.

But, to Georgiana, the most engrossing volume was a large folio from her husband's own hand, in which he had recorded every experiment of his scientific career, with its original aim, the methods adopted for its development, and its final success or failure, with the circumstances to which either event was attributable. The book, in truth, was both the history and emblem of his ardent, ambitious, imaginative, yet practical and laborious, life. He handled physical details, as if there were nothing beyond them; yet spiritualized them all, and redeemed himself from materialism, by his strong and eager aspiration towards the infinite. In his grasp, the veriest clod of earth assumed a soul. Georgiana, as she read, reverenced Aylmer, and loved him more profoundly than ever, but with a less entire dependence on his judgment than heretofore. Much as he had accomplished, she could not but observe that his most splendid successes were almost invariably failures, if compared with the ideal at which he aimed. His brightest diamonds were the merest pebbles, and felt to be so by himself, in comparison with the inestimable gems which lay hidden beyond his reach. The volume, rich with achievements that had won renown for its author, was yet as melancholy a record as ever mortal hand had penned. It was the sad confession, and continual exemplification, of the short-comings of the composite man--the spirit burthened with clay and working in matter--and of the despair that assails the higher nature, at finding itself so miserably thwarted by the earthly part. Perhaps every man of genius, in whatever sphere, might recognize the image of his own experience in Aylmer's journal.

So deeply did these reflections affect Georgiana, that she laid her face upon the open volume, and burst into tears. In this situation she was found by her husband.

"It is dangerous to read in a sorcerer's books," said he, with a smile, though his countenance was uneasy and displeased. "Georgiana, there are pages in that volume, which I can scarcely glance over and keep my senses. Take heed lest it prove as detrimental to you!"

"It has made me worship you more than ever," said she.

"Ah! wait for this one success," rejoined he, "then worship me if you will. I shall deem myself hardly unworthy of it. But, come! I have sought you for the luxury of your voice. Sing to me, dearest!"

So she poured out the liquid music of her voice to quench the thirst of his spirit. He then took his leave, with a boyish exuberance of gaiety, assuring her that her seclusion would endure but a little longer, and that the result was already certain. Scarcely had he departed, when Georgiana felt irresistibly impelled to follow him. She had forgotten to inform Aylmer of a symptom, which, for two or three hours past, had begun to excite her attention. It was a sensation in the fatal birth-mark, not painful, but which induced a restlessness throughout her system. Hastening after her husband, she intruded, for the first time, into the laboratory.

The first thing that struck her eye was the furnace, that hot and feverish worker, with the intense glow of its fire, which, by the quantities of soot clustered above it, seemed to have been burning for ages. There was a distilling apparatus in full operation. Around the room were retorts, tubes, cylinders, crucibles, and other apparatus of chemical research. An electrical machine stood ready for immediate use. The atmosphere felt oppressively close, and was tainted with gaseous odors, which had been tormented forth by the processes of science. The severe and homely simplicity of the apartment, with its naked walls and brick pavement, looked strange, accustomed as Georgiana had become to the fantastic elegance of her boudoir. But what chiefly, indeed almost solely, drew her attention, was the aspect of Aylmer himself.

He was pale as death, anxious, and absorbed, and hung over the furnace as if it depended upon his utmost watchfulness whether the liquid, which it was distilling, should be the draught of immortal happiness or misery. How different from the sanguine and joyous mien that he had assumed for Georgiana's encouragement!

"Carefully now, Aminadab! Carefully, thou human machine! Carefully, thou man of clay!" muttered Aylmer, more to himself than his assistant. "Now, if there be a thought too much or too little, it is all over!"

"Hoh! hoh!" mumbled Aminadab--"look, master, look!"

Aylmer raised his eyes hastily, and at first reddened, then grew paler than ever, on beholding Georgiana. He rushed towards her, and seized her arm with a gripe that left the print of his fingers upon it.

"Why do you come hither? Have you no trust in your husband?" cried he impetuously. "Would you throw the blight of that fatal birth-mark over my labors? It is not well done. Go, prying woman, go!"

"Nay, Aylmer," said Georgiana, with the firmness of which she possessed no stinted endowment, "it is not you that have a right to complain. You mistrust your wife! You have concealed the anxiety with which you watch the development of this experiment. Think not so unworthily of me, my husband! Tell me all the risk we run; and fear not that I shall shrink, for my share in it is far less than your own!"

"No, no, Georgiana!" said Aylmer impatiently, "it must not be."

"I submit," replied she calmly. "And, Aylmer, I shall quaff whatever draught you bring me; but it will be on the same principle that would induce me to take a dose of poison, if offered by your hand."

"My noble wife," said Aylmer, deeply moved, "I knew not the height and depth of your nature, until now. Nothing shall be concealed. Know, then, that this Crimson Hand, superficial as it seems, has clutched its grasp into your being, with a strength of which I had no previous conception. I have already administered agents powerful enough to do aught except to change your entire physical system. Only one thing remains to be tried. If that fail us, we are ruined!"

"Why did you hesitate to tell me this?" asked she.

"Because, Georgiana," said Aylmer, in a low voice, "there is danger!"

"Danger? There is but one danger--that this horrible stigma shall be left upon my cheek!" cried Georgiana. "Remove it! remove it!--whatever be the cost--or we shall both go mad!"

"Heaven knows, your words are too true," said Aylmer, sadly. "And now, dearest, return to your boudoir. In a little while, all will be tested."

He conducted her back, and took leave of her with a solemn tenderness, which spoke far more than his words how much was now at stake. After his departure, Georgiana became rapt in musings. She considered the character of Aylmer, and did it completer justice than at any previous moment. Her heart exulted, while it trembled, at his honorable love, so pure and lofty that it would accept nothing less than perfection, nor miserably make itself contented with an earthlier nature than he had dreamed of. She felt how much more precious was such a sentiment, than that meaner kind which would have borne with the imperfection for her sake, and have been guilty of treason to holy love, by degrading its perfect idea to the level of the actual. And, with her whole spirit, she prayed, that, for a single moment, she might satisfy his highest and deepest conception. Longer than one moment, she well knew, it could not be; for his spirit was ever on the march--ever ascending--and each instant required something that was beyond the scope of the instant before.

The sound of her husband's footsteps aroused her. He bore a crystal goblet, containing a liquor colorless as water, but bright enough to be the draught of immortality. Aylmer was pale; but it seemed rather the consequence of a highly wrought state of mind, and tension of spirit, than of fear or doubt.

"The concoction of the draught has been perfect," said he, in answer to Georgiana's look. "Unless all my science have deceived me, it cannot fail."

"Save on your account, my dearest Aylmer," observed his wife, "I might wish to put off this birth-mark of mortality by relinquishing mortality itself, in preference to any other mode. Life is but a sad possession to those who have attained precisely the degree of moral advancement at which I stand. Were I weaker and blinder, it might be happiness. Were I stronger, it might be endured hopefully. But, being what I find myself, methinks I am of all mortals the most fit to die."

"You are fit for heaven without tasting death!" replied her husband. "But why do we speak of dying? The draught cannot fail. Behold its effect upon this plant!"

On the window-seat there stood a geranium, diseased with yellow blotches, which had overspread all its leaves. Aylmer poured a small quantity of the liquid upon the soil in which it grew. In a little time, when the roots of the plant had taken up the moisture, the unsightly blotches began to be extinguished in a living verdure.

"There needed no proof," said Georgiana, quietly. "Give me the goblet. I joyfully stake all upon your word."

"Drink, then, thou lofty creature!" exclaimed Aylmer, with fervid admiration. "There is no taint of imperfection on thy spirit. Thy sensible frame, too, shall soon be all perfect!"

She quaffed the liquid, and returned the goblet to his hand.

"It is grateful," said she, with a placid smile. "Methinks it is like water from a heavenly fountain; for it contains I know not what of unobtrusive fragrance and deliciousness. It allays a feverish thirst, that had parched me for many days. Now, dearest, let me sleep. My earthly senses are closing over my spirit, like the leaves around the heart of a rose, at sunset."

She spoke the last words with a gentle reluctance, as if it required almost more energy than she could command to pronounce the faint and lingering syllables. Scarcely had they loitered through her lips, ere she was lost in slumber. Aylmer sat by her side, watching her aspect with the emotions proper to a man, the whole value of whose existence was involved in the process now to be tested. Mingled with this mood, however, was the philosophic investigation, characteristic of the man of science. Not the minutest symptom escaped him. A heightened flush of the cheek--a slight irregularity of breath--a quiver of the eyelid--a hardly perceptible tremor through the frame--such were the details which, as the moments passed, he wrote down in his folio volume. Intense thought had set its stamp upon every previous page of that volume; but the thoughts of years were all concentrated upon the last.

While thus employed, he failed not to gaze often at the fatal Hand, and not without a shudder. Yet once, by a strange and unaccountable impulse, he pressed it with his lips. His spirit recoiled, however, in the very act, and Georgiana, out of the midst of her deep sleep, moved uneasily and murmured, as if in remonstrance. Again, Aylmer resumed his watch. Nor was it without avail. The Crimson Hand, which at first had been strongly visible upon the marble paleness of Georgiana's cheek now grew more faintly outlined. She remained not less pale than ever; but the birth-mark, with every breath that came and went, lost somewhat of its former distinctness. Its presence had been awful; its departure was more awful still. Watch the stain of the rainbow fading out of the sky; and you will know how that mysterious symbol passed away.

"By Heaven, it is well nigh gone!" said Aylmer to himself, in almost irrepressible ecstasy. "I can scarcely trace it now. Success! Success! And now it is like the faintest rose-color. The slightest flush of blood across her cheek would overcome it. But she is so pale!"

He drew aside the window-curtain, and suffered the light of natural day to fall into the room, and rest upon her cheek. At the same time, he heard a gross, hoarse chuckle, which he had long known as his servant Aminadab's expression of delight.

"Ah, clod! Ah, earthly mass!" cried Aylmer, laughing in a sort of frenzy. "You have served me well! Master and Spirit--Earth and Heaven--have both done their part in this! Laugh, thing of the senses! You have earned the right to laugh."

These exclamations broke Georgiana's sleep. She slowly unclosed her eyes, and gazed into the mirror, which her husband had arranged for that purpose. A faint smile flitted over her lips, when she recognized how barely perceptible was now that Crimson Hand, which had once blazed forth with such disastrous brilliancy as to scare away all their happiness. But then her eyes sought Aylmer's face, with a trouble and anxiety that he could by no means account for.

"My poor Aylmer!" murmured she.

"Poor? Nay, richest! Happiest! Most favored!" exclaimed he. "My peerless bride, it is successful! You are perfect!"

"My poor Aylmer!" she repeated, with a more than human tenderness. "You have aimed loftily!--you have done nobly! Do not repent, that, with so high and pure a feeling, you have rejected the best the earth could offer. Aylmer--dearest Aylmer--I am dying!"

Alas, it was too true! The fatal Hand had grappled with the mystery of life, and was the bond by which an angelic spirit kept itself in union with a mortal frame. As the last crimson tint of the birth-mark--that sole token of human imperfection--faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight. Then a hoarse, chuckling laugh was heard again! Thus ever does the gross Fatality of Earth exult in its invariable triumph over the immortal essence, which, in this dim sphere of half-development, demands the completeness of a higher state. Yet, had Aylmer reached a profounder wisdom, he need not thus have flung away the happiness, which would have woven his mortal life of the self-same texture with the celestial. The momentary circumstance was too strong for him; he failed to look beyond the shadowy scope of Time, and living once for all in Eternity, to find the perfect Future in the present.

1

---