Tytuł oryginału: Yoga for Body, Breath, and Mind: A Guide to Personal Reintegration
Tłumaczenie: Krzysztof Krzyżanowski
Konsultacja i korekta merytoryczna: dr Nina Budziszewska
ISBN: 978-83-283-1624-9
© 1993 by A. G. Mohan
All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or
mechanical, including photocopying, recording, or by any information storage and retrieval system, without
permission in writing from the publisher.
Polish edition copyright © 2016 by Helion SA
All rights reserved.
Wszelkie prawa zastrzeżone. Nieautoryzowane rozpowszechnianie całości lub fragmentu niniejszej
publikacji w jakiejkolwiek postaci jest zabronione. Wykonywanie kopii metodą kserograficzną,
fotograficzną, a także kopiowanie książki na nośniku filmowym, magnetycznym lub innym powoduje
naruszenie praw autorskich niniejszej publikacji.
Wszystkie znaki występujące w tekście są zastrzeżonymi znakami firmowymi bądź towarowymi ich
właścicieli.
Autor oraz Wydawnictwo HELION dołożyli wszelkich starań, by zawarte w tej książce informacje były
kompletne i rzetelne. Nie biorą jednak żadnej odpowiedzialności ani za ich wykorzystanie, ani za związane
z tym ewentualne naruszenie praw patentowych lub autorskich. Autor oraz Wydawnictwo HELION nie
ponoszą również żadnej odpowiedzialności za ewentualne szkody wynikłe z wykorzystania informacji
zawartych w książce.
Drogi Czytelniku!
Jeżeli chcesz ocenić tę książkę, zajrzyj pod adres
http://sensus.pl/user/opinie/jociao
Możesz tam wpisać swoje uwagi, spostrzeżenia, recenzję.
Wydawnictwo HELION
ul. Kościuszki 1c, 44-100 GLIWICE
tel. 32 231 22 19, 32 230 98 63
e-mail:
sensus@sensus.pl
WWW:
http://sensus.pl (księgarnia internetowa, katalog książek)
Printed in Poland.
c
SÏowo wst¸pne zespoÏu redakcyjnego ___________________________________________9
Przedmowa autorstwa cri T. Krishnamacharyi ______________________________ 13
Przedmowa (przeÏoĂona z sanskrytu) _________________________________________ 15
SÏowo wst¸pne od autora ________________________________________________________ 17
1 Joga i reintegracja osobista _________________________________________________ 19
¦
ǡ©¸ǫ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͳͻ
¸¦ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ʹͲ
ǣÏǡ
Ā×Ïϸ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ʹͳ
¦ǣ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ʹͺ
×Ă
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴͵
2 Asana — rola ciaÏa w reintegracji osobistej ______________________________ 39
Ïæ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͶͲ
צ¦̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴Ͷ͵
Ă
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴Ͷ
3 Asany ___________________________________________________________________________ 63
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴Ͷ
ͳǤȋ
¦
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͺ
ʹǤäȋ
Ï×Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͳ
͵ǤȋÏצ
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͷ
ͶǤȋ×ÏÏ×Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͺͲ
ͷǤȋ
ÏȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͺ͵
Ǥȋ
צȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͺͷ
Ǥȋ
Ȍ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͺͻ
ͺǤäȋ
Ϧ×ÏȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͻʹ
ͻǤȋ
ĂȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͻͶ
ͳͲǤĂȋ
Ȍ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͻ
ͳͳǤä
ȋÏצ
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ͻ
ͳʹǤ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͲͲ
ͳ͵Ǥȋ
ÏȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͲʹ
ͳͶǤȋ×Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͲ͵
6
JOGA DLA CIABA, ODDECHU I UMYSBU
ͳͷǤȋ¸Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͲͷ
ͳǤĂȋ
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͲ
ͳǤcȋ
ä
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͲͻ
ͳͺǤĂȋ¸Ă¦
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͳͳ
ͳͻǤȋ
¦¸Ȍ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͳͶ
ʹͲǤcȋ
ÏȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͳͷ
4 Wiparita karani — inwersja ______________________________________________ 117
¦¦̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͳ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͳͺ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͳͻ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳʹͲ
ͳǤ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳʹͳ
ʹǤȋ
ä
Ȍ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳʹͶ
͵ǤäȋÏȌ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳʹͷ
5 Winjasa krama — ukÏadanie ci¦gów asan i dopasowywanie
charakteru takich sekwencji do indywidualnych potrzeb adeptów ___ 131
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳ͵ͳ
ͳǤ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳ͵ʹ
ʹǤ×Ă
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͶͲ
͵Ǥ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͶ
ͶǤÑ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͶ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͶͺ
¦
Ï
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͷ
6 Pranajama — rola oddechu w reintegracji osobistej _________________ 163
ä
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͶ
c
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳ
Ï̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͶ
¦¦ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳ
××
¦
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͻ
Ă ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͺͲ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͺͳ
O¦
Ā¸̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͺ͵
7 Medytacja ____________________________________________________________________ 185
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͺͷ
¸ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͺ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͺͻ
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͻͲ
SPIS
TRE_CI
7
8 Terapia jog¦ _________________________________________________________________ 193
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͻ͵
¦ǣ
×
Ă ¸ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͻ
¦ǣä
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͻͺ
ä
×̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ͳͻͻ
¦¦¦̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ʹͲʹ
×צ¦ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ʹͲͶ
¦
̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ʹͲͶ
×
¦¦ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ʹͲ
Ϧ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ʹͳͲ
Ñ
ǣϸÏ
¦ ̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴̴ ʹͳ͵
PosÏowie __________________________________________________________________________ 215
O autorze _________________________________________________________________________ 217
Ͷ
Ȅ
Filozofia zwi¦zana z inwersj¦
Ăwiparita karaniǷdzǡÏÏ
×
Ï×Ȅ
Ƿ×
dzȄǡĂ
Ǧ
¦ ¸ ÏĂ
Ï × Ǥ
¦×Ă×ǡ
ǡĂÏ
¦©ĂǤ
wiparita karani
Ǧ
¸Ïä¦ä
¦©¦
Ǧ
×
ÏǡÏǤ
ä¦Ïä©ǤÏ Ñ Ǧ
ǡ¦
×
Ñ
Ï
äǦ
ä
ÑǤ ¸ä
¦ ϸ
¦
äǡ
¸
Ï
ǡ
©
¦
¸×Ï
Ă
¸Ǥ
ǡ Ă ©Jogasutrachǡǡ×
¦
Ă
ǡ ¦ Ϧ
¦
Ăä©Ǥ
¦ Ă© ©ǡ Ă ¸
ǡä©ĂĂ
¦ÑĂǦ
©
ǤÏ
ǡ¸×¸©¸×¦¦©ä©Ǥ
¸ä©
ÏǤ
¦ǡ¸×Ă©¦ ¸ǡwiparita karaniǤ
Ƿ×
dzϸ
Ǥ
Ï×ǡ
©ä
×Ȅ
ÏÏǤĂ
ÏϦ¦
¦Ǧ
ǡ
¦
×äÏĂÏǤ
ÏϸǤ
118
JOGA DLA CIABA, ODDECHU I UMYSBU
Wiparita karaniĂ©© Ă ǡĂ
Ă ¦ä¸Ǥ
Psychologia inwersji
Wiparita karaniÏ
ÏÏǤ
ǡĂ
¦¦
ǡ¸Ǥ¸ǡĂ
Ï Ï
ǡ ¦ ǡ
¦ Ȅ × ¦
Ǧ
×
Ǥ
ǡ Ă ä
ä
ǣ
ǡ
ǡ
¸
ĂäasanyǤ
¦©
ǡ×ϸ©Ǥ
Ă ¦©ǡ Ă ä ä asanyǡ ¸
¸
ä
ǡ¦ä©Ǧ
Ă
Ǥ¸ä©¦Ă¦Ǧ
×
×
Ăä
©ǡĂÏǦ
ä
¦
Ǥ
asanĂ©ǡ
Ïä©ǡĂ
¦Ā×Ǥ
¦
¸ä
¸¦ä
©ä
×Ï
©
ǡ
ĂǡǤ
© ¸¸ǡĂwiparita karani
ǡ × ä ¦
WIPARITA KARANI — INWERSJA
119
asanǤĂÏ©
¦ä
¦
¦ǡ©Ă
×Ă©¸
Ă
Ǥ
¸ǡ©
Ïǡǡ
ĂĂ
Ǥ
¸ ȋÏ Ă
¸
Ȍ
¦
×ǡ¸×׸
×Ï
¦©©¦asan¸Ǥ×
¦Ǧ
Ă©¦ä
ÏÏǤ
×ĂÏǡ¸
Ï
¦
¸
ǡ
¸
¦©äǤ
Koncepcja inwersji
ǡ
Ă
© Ă ä
Ï
Hatha Joga Pradipikaǡwiparita karani¦¸
mudrǤÏmudra
Ï
¸Ƿ
¸©dzȄä
¸ä
Ǧ
×
Ïǡ
Ϧ
©
ä
Ǥ× ǡ
ajurwedaǡ
Ă
ǡ¦ÏĂǡÏ×
ä
¦ ¸
Ǥ ¸ agni Ȅ
Ñǡ×
ä
ǡ¦¸
¦
ÏǤ
¦ ¸¦ǡÏ ¦×Ï×
ä
ǡ
ǡ׸
ä©
Ñ
×Ǥ¦¸ĂÏǡ
×
ǡǦ
¦
ä
¦¸Ǥ
¦
¦¸
Ïä
ǡ×Ă
ä
Ǧ
Ǥ
ǡĂ
¦¦
×
ä
Ïϸ
ȋ×
×Ǧ
Ïä¸
pranajamyȌǤ
¦¦Ă¦¸Ăä ǣ×ĂÏĂ ©Ǧ
¸¸
Ï©¦ĂǤä
©
ä ǡ
¸ ÏĂ© Ïǡ ¸ ä©
©äǤ
Ï ä Ȅ
×æǡø
¸©Ă
Ă ǡ ×
¸
© Ǥ ¦
ǡ
©ǡĂÏasany
×
×Ă©Ǧ
×ĂǤĂä¦
¸
©Ǧ
ǡϸ
ǡ©
ä
¦ä
Ȅ
×ǡ×Ϧ©Ǥǡש
×
ǡ
¦¸Ï
¦Ăǡ
äǡĂ
¦
¸×
¦Ǧ
Ǣ Ă ©
Ǧ
¸Ǥ Ă
ä
ǡ Ï © Ϧ
Ǥ
120
JOGA DLA CIABA, ODDECHU I UMYSBU
Praktyczne aspekty inwersji
Ïȋsalamba äirszasanaȌ
ȋsalamba sarwangasanaǡ
ä
Ȍ¦Āwiparita karani¦
¸Ï¦
¦
¸×Ă©ǤĂ×
Ϧ
¦
¦Ăä©Ǥ
ø¦
Ïǡ¸¸¸
¸
Ǥ
× ¸¦ǣ
ͳǤ ǡ
ʹǤ ¸ Ñ ä ÏÑǡ
͵Ǥ Ïä Ǥ
Ă Ï©××Ă ×Ǥ
1. Wiedza nauczyciela na temat dyspozycji psychicznej i fizycznej adepta.Ǧ
ǡ¦Ï¸¦ä
¦×
¦ǡ
© ¸ ǡ
Ñǡ
ä
¦
×Ǥ
¦©ǡ
Ǧ
×
asanǤ
¸ ×Ă Ā×Ï ×
¦
ǡ ĂÏ ©
¸Ǥ
¸ǡ ¦ Ǧ
ǡ ×
Ă ¸ ¸
Ï
¦Ǥø©ǡĂ
¦ȄÏ
ǡĂ
¸Ă
Ïǡ
¸
×
ĂǤ
¸ä©×Ϧ
¸
ϸÏ
©×Ǥ
2. Podj¸cie odpowiednich przygotowaÑ i zachowanie kolejnoäci dziaÏaÑ.¦
¸¸
¦
¦
ǡ
ǡ
¸Ï䩦ä©ÏÑ
×æ
ǤĂä
ǡ ¦©¸asany
Ǧ
ä Ǥ ¦ Ï
ϸ
¸©
Ïǡ
¦
ǡĂ
Ǥ
×
©Ȅǡ
Ï×
Ǥ
¸ × × ©ǣ
x ¦¦¦ǡ
x ¸ä
¦
×
ǡ
x ¸Ï¸äȋ
Ï
×ȌǤ
ä ¸ Ï Ǧ
äǡ Ăø©¦Ǥ
WIPARITA KARANI — INWERSJA
121
ǡäÏצ
ǡĂ©×
Ï
ä
Ï
Ïȋ
×Ϧ
ȌǤasana×Ǧ
Ă
¦Ï¦ĂǡǦ
Ǥ¸¦
©ȋ
¸ä
ϸ¸
×Ï×Ï
¦
Ǧ
¦ä
ǡwiparita karaniÏȌǤ
× ¸Ă Ï©ÏĂ
ǡ
¦
Ȅwinjasa
kram¦
Ïǡ
¦ä
wiparita karani
Ï
ÏǤ
ǡ×
¦¸ĂÏǡǦ
¸ÏÑǤ
3. WÏaäciwa adaptacja. Ă Ï ǡ
Ă © ¦
¸Ǥ Ă ¸ Ï
ȋ
¸
¸ÏȌǡøǡĂ
Ǧ
××ǡ¸
asana¸¦
¦¸¦Ïä
¦
©
ǤÏÏĂ
Ǧ
Ϧ
ǡĂÏĂ©¸
¸ä©
Ïǡ©Ǧ
ȋ¸
×Ï׸
¸ä
ÏȌǤÑ
¸
¸ä ¸
¸ ÏÏ ǡ Ă ©
Ï
Ǥ
©×Ïǡ¸ × ǡ¦ Ă
¦©asanyǡ¦¸¦winjasa kram¸Ǥ
1. Wiparita karani
wiparitaȄ× ǡkaraniȄ
Klasyczna posta© pozycji
Ï ¦ÏǤÏ× ¦×ǡ ¸ä©
׸ÏĂǤ
Ï×Ϧ¦¸
Ͳ͑Ǥ
Ï
¦¸Ï¦ÏĂ×Ǥ
ϦÏ×ÏǤ
122
JOGA DLA CIABA, ODDECHU I UMYSBU
¦ǡϦ
¦¸Ï¦Ǥ
¸Ā©ÏĂǡ
ϸ¸
Ǥ
Ă
©Ïǡ¸
×ǡæ
ϸ
Ǥ
© Ǥ
Zmodyfikowana wersja pozycji
¦©¸Ǥ
¦©Ï¦
ǡ¸
¸¸
¸ä
×Ǥ
¦©
¸Ǥ
צ©Āǡ
Ï©
Ǥ
Winjasa krama
Ï×øÏÏĂÏϦ Ǥ ¦
ä
ϸǡ ©ǡ
Ï
¸ ¦ǡ
ä©Ï¸Ï¸Ǥ
äÏ×ǡÏ×Ï
¸ÏĂä
Ñ
Ǥ
ǡ×Ǧ
Ă©ǡ¦
ǡ¸Ï×ĂÏ
Ă
ä×ǡ©Ï×Ǥ
¸ © ä ǡ Ǧ
Ï×ǡ¦ ÏÏǤ
WIPARITA KARANI — INWERSJA
123
Uwagi
wiparita karaniĂä©ǡϸǦ
Ǥ¸×
Ă×ǡ
Ï©¦¸
ǡ
©¦Ïä©
Ǥ¸
¸ÏĂ©
ǡ¸Ă
Ǥ¸ǡĂ×Ǧ
¸
×
Ǥ
asany ¸Ă ϸ Ï Ï ǡ× ¦Ǧ
æ¸Ǥ¸
ÏĂ
Ï
ȋצ
©Ï¦
¸ä
Ȍǡ¸
¸Ă
Ï
¸Ǥ
Pozycje równowaæce
¸
calabhasana bhudĂangasana ȋ Ă © ¸
ÏȌ
Czakrawakasana
124
JOGA DLA CIABA, ODDECHU I UMYSBU
2. Salamba sarwangasana (pozycja äwiecy)
salambaȄǡsarwangaȄ ¸ä
Klasyczna posta© pozycji
Ï ¦ÏǤÏ× ¦×ǡ ¸ä©
׸ÏĂǤ
Ïצ¦¸¦×Ǥ
¦ǡ¦Ï¦
Ǥ
Ï
¦Ïǡ¦ÏĂ×ǡÏǦ
¦Ï×ÏǤ
Zmodyfikowana wersja pozycji
ÏĂĂ
Ǥ
¦©
¸ǡä
Ă©
¸Ǥ
Winjasa krama
Ï×øÏÏĂÏϦ
Ǥä
ϸǡ ©ǡ
Ï
¸ ¦ǡ
ä© Ï¸
ϸǤ
WIPARITA KARANI — INWERSJA
125
äÏ×ǡÏ×Ï
¸ÏĂä
Ñ
ǤÏ×ĂÏ
Ăä×ǡ
©Ï×Ǥ
¸ © ä ǡ
Ï×ǡ¦ ÏÏǤ
Uwagi
צ
¸
©×ÏÏĂǡĂĂÏ©
¸
Ǥ
Pozycje równowaæce
×æ ¦wiparita karaniǤ
3. Salamba äirszasana (stanie na gÏowie)
salambaȄǡäirszaȄÏ
Klasyczna posta© pozycji
Ï ǡ Ï ÏĂ
¸ÏǤ
126
JOGA DLA CIABA, ODDECHU I UMYSBU
O
¦Ïǡ
¦
Ϧ
¦ÏĂ×Ǥ
¦ǡ¦Ï¦
Ǥ
Zmodyfikowana wersja pozycji
¦©¸ǡ© ¦Ă¸ä ×Ă©Ā
Ǥ
¦©ǡ ©ä©¦ ¦ĀǦ
Ǥ
Ā© Ă ×Ă Ȅ Ï © ¸
¦ Ï Ǥ
æ©ǡ© ¦Ă
×Ǥ
Ă ¸© ¦ Ï ǡ ÏĂ ¸ ¸
ä
Ǥ Ï䩸Ï
¸ ĂÏ Ï ¸ä ×
¸ä
×Ǥ
Uwaga: ¸ǡnigdy© podczasÏǤ
ä
©äǡש
ä
ǡ
asan¸
Ȅ¦
×
Ǥ
Winjasa krama
ǡ׸¸
Ǥ©
ǡ¦
×ǡϩϸǤ×ϸ
Āǡ
¦
Ï
Ǥ
äǤǡ ¦ ×ϦǤ
¦ĂÏǤ
¸
ä
×Ă
Ǥ
ä© ǡ ä© Ï ¦Ǥ
WIPARITA KARANI — INWERSJA
127
Uwaga: æsalamby äirszasany
asanǡ × ¸¦Ï Ïǡ
×Ā¦¦¦©×¸
Ǥ©¸Ï
ÏÑǡ¸Ï
¦
¦×asanǤ
Etapy uczenia si¸ tej asany
¦ ä ǡ ¸ ȋ× Ǧ
× ×Ă Ï ǡ ¦ ȌǤ
ǡ׸¸ ǡ © ǡǦ
¦
×ǡϩϸǤä©Ï¸
¸¸ǡ¸
¸ä
×ä
Ǥ
128
JOGA DLA CIABA, ODDECHU I UMYSBU
Uwaga: ä¸ä ǡ Ï× ¸ĂǤĂÏĂ
×
¸ä
Ï ¸ Ïǡ
¸ ¦
¸Ă©¸
×Ǥ
Ï ǡÏĂǤ
ǡ
ÏøǤ
Ñ
ĂÏǤ
¸ × ¸ ÏĂ
ä
ǡ
¦
¸ Ǥ ä
ǡ
ǡ
¸ǡ
Ā×ä
Ǥ
ä×Ï
ÏĂǤ×ǡ
¸ÏǤ
× © ä ǡ ä© Ï ¦Ǧ
ÏĂǤ
Uwagi
asanyϸĂÏÏ
ǤĂ
ϸÏä
ǡ¸×ÏĂ©
¸Ă
Ïǡ
ÏĂ
¸
¸
¸Ï
ǡ¦
©
×Ǥ
©
Ï
ȄϦ
¦
Ï
¸
¸ä
ϸ
×ÏĂ
Ǧ
Ǥ
¸Ă Ϧ Ïϸ¸Ï¸Ï ǤÏÏ
ǡ×Ă
×Ï
¦ĂÏ
Ï× ×¦ ×
Ǥ Ă ä
¸Ăä
ä
¸
¸
¸ä
Ïǡ
¸¸Ǥ¸
¸©
¸Ă
¦
Ï
ǡĂ©¸ǡ×
ĂǦ
Ǥ
¦ä©¦
¦
Ï
¸Ǧ
Ă
ÏÏ
Ǥ
¦ ¦ǡ צ ǡ Ï ×
æ
ÏǤ¸Ă
Ϧ
¸äǤ
Ïϸ ÏÏ
ÏǤ¸
asany×
©¸
ǡ×
¸Ǥ
ǡĂÏ
Ă
Ă
Ǥ
׸¸Ï¦Ă
äǣ¸ǡĂnigdy
©ÏĂ
ÏǡĂasan¸ǤשÏ
¦Ǧ
ǡÑÏĂ
ÏĀǡ¦
¸
¦Ǥ
Pozycje równowaæce
¦asan¸×æ
¦Ï¸
¸ä
ǡĂ
¸
Ï
Ǥä©ǡĂ
Ǧ
¦ǡ×ĂĂ©
ä
ǡwiparita karaniǤ
WIPARITA KARANI — INWERSJA
129
¦ ×æ © Ǧ
Ǥä
ÏÏ×ø
Ā¸¦
¸ä©
¸ÏǡĀ
Ǥ
Winjasa krama dotycz¦ca równowaĂenia stania na gÏowie
ͳǤ
ʹǤ
͵Ǥ Czakrawakasana
ͶǤ Dwipada pithamĂ Ǥ
ͷǤ calabhasana
Ï©winjasa kramyǡ×
asany×Ă×Ǥ¸Ǧ
ǡĂ©¸
ä
ǡ
׸¦Ï¸
Ï
Ǥ
¸ ǡ Ă ¦© ä ¦ Ǧ
×
ä
Ǣ¸Ă
©ĂǦ
×
asan
ǤϦǡĂĂ
¸Ï
ǡ¸©×
Ǥ