tmta6

tmta6



6. Two-stage seams

These give a fiat, fully-enclosed finish for linens and lightweight wools. They are worked in two stages.

6a

a.    Run-and-fell seam, worked on the wrong side of the garment. Work machinę stitching or running stitch along the fitting linę. Trim one seam allowance as shown, fold the other one over it and hem it down.

b.    & c. Seam-and-fell seam, worked on the right and the wrong side. This classic linen seam is slower to work, but stronger than run-and-fell.

For b, fold the seam allowances as shown and oversew the folded edges on the right side. For c, open out the fabric and flatten the oversewing. Turn over the fabric and hem down the other folded seam allowance on the wrong side.


Making up, Figs 7-15

Details about making up will be found in the text and captions for many individual garments, in particular for those earlier ones planned without a Błock.

For fitted garments madę from a personal Błock, you will normally follow this assembly seąuence:

•    Identify the cut pieces, marking them on the wrong side with chalk

•    Attach any interlining to the parts

•    Make up the body by sewing the shoulder, side, centre front and back seams (leaving an opening for putting the garment on where necessary)

•    Make up and attach the collar (if any)

•    Make up and set in the sleeves

•    Finish with lining, hem and fastenings

Waist seams - The hip sections of doublets are sewn onto the body sections before the body is madę up, whereas the skirts of kirtles with waist seams are madę up and sewn to the completed body.

Setting in sleeves - Figs 7 & 8 show the setting in of simple sleeves with the seam at the underarm.

Most set in sleeves in this book are madę from the sleeve Błock and have the seam at the back. First pin the seam to the Back Point on the armhole, and to any other balance point (Shoulder Point). Starting from the Back Point pin the lower armhole curves, then up over the shoulder, easing in the sleeve. Remember to match fitting lines, not edges. Adjust if necessary before tacking and stitching.

46


Wyszukiwarka

Podobne podstrony:
79838 tmta6 Ma king up Make up any piecings on the outer fabric and lining. Lay the two layers with
79721 tmta6 r 21. Sleeve for Fig 18 A tapered sleeve with pleats at the shoulder, drafted in two st
tmta6 21    sp - 21. Finished sleeve draft Tracę the draft (Fig 20), turn it over al
20253 tmta6 Materials Outer fabric - use medium or lightweight woollen materiał or worsted; in a go
21878 tmta6 Fashionable gown12. Fashionable gown, end 14th/early 15th century This was the last com
74989 tmta6 Main garments This second layer is worn over the linens. Both men and women wore a co t
41891 tmta 6 Basic doublet 4a    _ 4. Basic doublet, mid 14th century onwards a. The
75192 tmta6 Platę 16. Woman in overkirtle, c.1440, Flemish Background figurę from the painting, wea
bild167 The AZA Rangę These engines are manufactured in the J.A.P. Factory and are of łhe Two Strok
tmta6 5 6. Front On each side in turn, as for the Back, smooth the materiał horizontally across the
tmta9 Slits for fitchets, slasbes for sleeves, These slits (Surcotes, Fig 5; Gowns, Fig 18) are wor
tmta6 Threads The thread used by a medieval tailor depended on the task. Plain woollen cloths could
tmta6 Surcotes Surcote is used here to describe a rangę of early outer garments worn over a main
tmta6 75cm SELYEDGES 11. Fuli pattern and layout for Fig 9 Front - Rule a CF linę. Lay the Front bo
tmta6 rGowns The gown, or houppelande as it was also called through much of the period, first appea

więcej podobnych podstron