ii
Table of Contents
Key......................................................................................................................ii
About the Authors..............................................................................................iii
Introduction.......................................................................................................vi
“Why The Weaker Side?”..................................................................................vii
Systems for Practicing The Weaker Side...........................................................viii
Section 1: Straight Triplets..................................................................................1
Section 2: Straight Sixteenths...........................................................................11
Section 3: Broken Triplets.................................................................................20
Section 4: Broken Sixteenths.............................................................................33
Section 5: Flam Triplets.....................................................................................40
Section 6: Flam Sixteenths.................................................................................46
Key
S=Strong Side
W=Weaker Side
Note: In order to keep the pages uncluttered, the letters S and W appear only in the first measure of each sec-
tion. The notes on the top line are always played by the weaker side, while notes on the bottom are played by
the stronger side. All notes should be played on one sound source.
***
Other forthcoming books from Wizdom Media Publications that work in conjunction with this book include:
Open-Handed Playing by Claus Hessler and Dom Famularo
Pedal Control by Dom Famularo and Joe Bergamini
8th-Note Rock and Beyond by Glenn Ceglia
Please check our website, wizdom-media.com, for information about current and future releases.
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The Weaker Side
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