Sumeria: EN.KID = EN.LIL [Indo European Deus Pater- father god] Jupiter

Akkadian scribes used several ideograms to represent a single story, a myth that had many variants, the myth of creation. In order to explain the meaning of any Sumerian ideogram a scribe had to refer to several variants of the myth itself. Consequently, any ideogram is used in tandem with another, it can't function on its own.

Akkadian scribes wrote in Akkadian and Sumerian simultaneously. While Akkadian as a living language created a several cognates from the same source, Sumerian as the tabu language recorded arbitrary phonetic values which functioned as chopped derivatives from related ideograms. The rebus system did not function on a phonetic level but semantic as well. There were no clear rules of Sumerian phonetic versus semantic equivalents because Sumerian was not a language but several suggestions bundled together. Sumerian functioned as an organ donor system to a living language. Sometimes Sumerian organs were considered valuable to life, sometimes they were rejected as dead parts that they were from the start.

Akkadian:

ebar

[Humanities → Geography]

 : beyond , the other side of ;

Cf. ebēru (1), Eber nāri, ebertu (1), ebertu (2), eberta, ebertān, ebbiru, abartu, nēberu, mušēbiru, mušēbirtu, šutēburu

See also : ebāru, alla

mušēbirtu

[Transport]

 : 1) a ferry-man / a ferryman ; 2) a ferry-boat , a wherry ;

Cf. mušēbiru

See also : nēburu, elep nēberi, mušēbirtu

mušēbiru  (ebēru (1) Š)

[Transport]

1) 
 : that brings (someone) across ; 2) 
 : an aqueduct () ;

Cf. ebēru

ebēru (1)   [BALA : 
 ]  (
 : epēru , 
 : ebāru ;)

G : 1) (river, sea, sky ...) : to cross over , to go over to the other side , to go through () ; 2) (by extension) : to stretch over , to lie acros ; Š : to make to cross , to get someone / something across , to bring ;

See also : ebāru, ebar, Eber nāri, ebertu (1), ebertu (2), eberta, ebertān, ebbiru, abartu, nēberu, mušēbiru, mušēbirtu, šutēburu

nēburu

[Humanities → Geography → Rivers]

1) a crossing , a ford ; 2) personal name ; 3) 
 : ferrying rights () ; 4) [GIŠ.MÁ.DIRI.GA : 
 ] : a ferry-boat , a wherry ; ša nēburu : a ferryman ; 5) planet Jupiter , [SAG.ME.GAR : 
 ] ; 6) also : the name of the North star / Polaris  ;

See also : nēbertu *, ebāru

nēbertu * , nēburu

[Humanities → Geography → Rivers]

a ford , a ford crossing , a crossing place ;

See also : nēbertu *, nēburu, ebāru

In Akkadian [the other side] meaning [the world of the dead] had two cognates:

See also : ebāru, alla

alla

[Humanities → Geography]

prep. : beyond ; apart from ; alla ana, alla ina beyond, past
adv. : instead, rather

See also : elat, aḫullâ

elat

[Humanities → Geography]

1) beyond , over and above 2) 
 : in addition to , apart from , except () [ša elat] : (adverb) additionnally , moreover , what is more

See also : ela, elaman, elat

The god Jupiter was the mythological ferryman. He helped the sun cross to the other side before the sun disk was reborn the next day.

EN.KID

Also: ellil, en-lil₂, illil, nibri, nibru.

The names: ellil/ nibru were written in Akkadian and Sumerian simultaneously. It meant crossing to the other side of the ford.

Jupiter was called En-Kid meaning the god who spoke behind the mat of reeds. A mat of reeds was used to cover the windows of mud huts, consequently, the windows of the first primitive temple. It was basically the voice of the priest or priestess speaking to the crowd. The name of the cognate kid [mat of reeds] referred to the Akkadian/Sumerian word for reed.

gi [REED] (4900x: ED IIIa, ED IIIb, Old Akkadian, Lagash II, Ur III, Early Old Babylonian, Old Babylonian, unknown) wr. gi "reed, cane; a unit of length" Akk. qanű

The name of En-lil as EN.KID was created by a scribe who created words based on the myth of Gilgamesh.

Enkidu (������ EN.KI.DU₃, "Enki's creation") is a central figure in the Ancient Mesopotamian Epic of Gilgamesh. Enkidu was formed from clay and water by Aruru, the goddess of creation, to rid Gilgamesh of his arrogance. In the story he is a wild man, raised by animals and ignorant of human society until he is bedded by Shamhat. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natural world. Though equal to Gilgamesh in strength and bearing, he acts in some ways as an antithesis to the cultured, urban-bred warrior-king. Enkidu then becomes the king's constant companion and deeply beloved friend, accompanying him on adventures until he is stricken with illness and dies. The deep, tragic loss of Enkidu profoundly inspires in Gilgamesh a quest to escape death by obtaining godly immortality. Older sources sometimes transliterate his name as Eabani, or Enkita. Enkidu is a modern variant.

We can see that the name of the mat reed KID derived specifically from EN.KI.DU₃, "Enki's creation > EN.KID > KID [mat of reeds] a god who spoke to man behind the mat of reeds.

KID

buru₆

buru [BIRD] (buru₆^mušen).

gi₂

(see full listing)

kid (gid git kit)

kid [MAT] (^gikid).

lil₂ (lila₂ lel₂)

lil [FOOL] (^lu₂lil₂).

lil [GHOST].

lil [ILL].

sah (šah₃)

sah [MAT].

Full listing.

Also: bur₆, ge₂, gub₅, gup₅, ke₄, ki₄, kiţ, kub₄, kup₄, muru₁₂, qi₅, qid, qit, sih₂, suh₄, ših₂, şah₂.

The story of the flood was not that of the precise flood on earth but the inundation of the sky. The great flood did not happen on earth. EN.KID or Noah was actually the planet of Jupiter that carried the constellations - the animals on his boat to the other side. In Semitic mythology the sky is a flooded place, full of water dripping from the sky. If water - rain pours from the sky, it means that the sky is flooded.

EN.KID god of the reed mat also meant that the boat was made of reeds, a river boat.

The name of EN.KI.DU₃

was initially E [house] + A [water] + Akk. banû "to create; build"

banû  [DÙ : 
 ]  (vb. i/i)

to build

Comparison with other Semitic languages :

Proto-Semitic : ^*banāy

Arabic : banā  بَنَى

Syriac : bnā  ܒ݁ܳܢܶܐ

Hebrew : bānā  בָנָה

Ugaritic : bny  

Eabani > EN.KI.DU₃ = EN.KID

The name of En-lil as the god who built a boat of reeds, a house of water is related to the idea that Jupiter saved the stars and animal constellations, he carried them to the other side. We understand that nobody could speak a language using several tablets and two unrelated languages as the means of word formation. One of the languages is fake, is tabu and that is Sumerian. Clearly the name Noah is a corruption of the name of god Jupiter in Sumerian. Naïve readers have always assumed that Semitic stories derived from Sumerian myths but we can see that Sumerian and Akkadian were written simultaneously.

The name of the people Hebrew actually derived from the noun ebēru [river, sea, sky, flood, crossing]

ebēru (1)   [BALA : 
 ]  (
 : epēru , 
 : ebāru ;)

G : 1) (river, sea, sky ...) : to cross over , to go over to the other side , to go through; 2) (by extension) : to stretch over , to lie acros ; Š : to make to cross , to get someone / something across , to bring ;

See also : ebāru, ebar, Eber nāri, ebertu, , eberta, ebertān, ebbiru, abartu, nēberu, mušēbiru, mušēbirtu, šutēburu

The god who spoke to Hebrews from the bush was the god who spoke from the other side, the mat of reeds, the god Jupiter who helped the constellations cross to the other side. Obviously, the creation myth was misinterpreted by newborn cultures. Evidently, Jewish scribes stopped using the Akkadian mud bricks as reference dictionaries and began using a simplified script that represented initial consonants of a given word. During that process the initial ruse of Akkadian scribes was lost. Myths were basically transliterated as linear stories. Dictionaries of the tabu language got lost and the purpose of the flood story as the mythological picture of the cosmos was corrupted. Instead of thousands of tablets the Hebrews decided to use a dozen. Without the dictionaries and mud brick libraries, the myths lost their initial value and became linear narratives, fairy tales told around a campfire. In Greek and then Aryan languages, the ancient Sumeru was corrupted as Homer and Sumerian stories also became Homeric stories. Another huge problem is that Akkadian scribes did not write words, they draw pictures of their thoughts. A thought can be represented by many words. We have got used to the idea that a written word represents a thought. Unfortunately initial written texts were ideograms. An ideogram can represent a myth, part of a myth, similar myths, opposite myths, contradictory myths, gods of a myth, head of a god, boat of a god, voice of a god, flood, rescue of a god and so on. Basically an ideogram is a reference to the history of the myth; it does not represent a single phonetic value, a single word or a single idea. An ideogram is a picture of the primitive humans brain and we know that the brain has several words for a single picture. An ideogram is a quantum state of thought not a real thought, not a real word. If we simplify the quantum state of the pictogram we are headed for total misunderstanding. The linear history of the word will lead to eternal conflict. The Sumerian idiom is not a language but a rebus system to communicate with the gods. Any Sumerian pictogram is not a word but a suggestion of words and thoughts.

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