866 O Sole Mio

background image

muz.E.di Capua

"O sole mio"

Flute

Clarinet in Eb

Clarinet I

Clarinet II

Clarinet III

Alto Sax I

Alto Sax II

Alto Sax III

Tenor Sax I

Tenor Sax II

Alt I

Alt II

Alt III

Alt IV

Tr I B

Tr II B

Kor I

Kor II

Tenor I

Tenor II

Baryton

Tuba

Bass Bb

Drums



p

Andantino



 

 



p

 



 

 

 

  

    



    

    

       

 

              



    

    

       

 

 





 

 



 







    

    

      

 

 

 

 

 

 

 

 

 

 

 

 



 

 



p

   

    



 

 



p

   

    



 

 

  

                  



    

    

      

p

   

    



p





p

  

    



 

 

  

     



      



 

 

 

 

              



 

 

 

 

   



    





 

 



p

   

    





 

 

 

  

    





 

 

 

    





 

 

 

  



    

    

       

    

    





 

 



p

   

    



    

    

      

p

  

    



p



 

 

 

 

           





 

 



 

           

background image

8

Fl.

Eb Cl.

Cl.

Cl.

Cl.

A. Sax.

A. Sax.

A. Sax.

T. Sax.

T. Sax.

1st Hn

2nd Hn

2nd Hn

2nd Hn

Tpt

Tpt

Flug.

Flug.

2nd Cor.

2nd Cor.

1st Bar.

B. Tba

Bass Bb

Dr.



   

       

  



 

   

                                

                   

             

 

 

 

 

 

 

 

 

 

 

               

    



 

  



 

   

    



 

  



 

   

                         

      

       

 



 

 

       

  



 

 

                                  

                                  

                                  

       

  



 

   

       

  



 

   

  

      

   

  

      

   

       

  



 

 

       

  



 

 

       

  



 

 

                   

   

                   

   

2

background image

14

Fl.

Eb Cl.

Cl.

Cl.

Cl.

A. Sax.

A. Sax.

A. Sax.

T. Sax.

T. Sax.

1st Hn

2nd Hn

2nd Hn

2nd Hn

Tpt

Tpt

Flug.

Flug.

2nd Cor.

2nd Cor.

1st Bar.

B. Tba

Bass Bb

Dr.

 

   

   

         

mf

  

     

   

         

mf

  



          

mf

  



          

mf

  

 

  

     

mf

  

    

   

         

mf

  

    

   

         

mf

  

          

mf

  

 

         

mf

   

 

  

mf

   

                      

  

       

mf

  

                      

  

       

mf

  

                      

  

       

mf

  

     

   

         

mf

  

     

   

         

mf

  

     

   

         

mf

dolce

  

     

   

         

mf

  

 

         

mf

   

 

  

mf

  

 

  

mf

   

             

  

    

mf

   

             

    

mf

   

3

background image

















































21

Fl.

Eb Cl.

Cl.

Cl.

Cl.

A. Sax.

A. Sax.

A. Sax.

T. Sax.

T. Sax.

1st Hn

2nd Hn

2nd Hn

2nd Hn

Tpt

Tpt

Flug.

Flug.

2nd Cor.

2nd Cor.

1st Bar.

B. Tba

Bass Bb

Dr.



   

   

   

   

   

   

 

   

   

   

 

    

   

   

 

   

   

   

    

   

   

   

   

   

   

   

   

   

 

   

       

      

     

       

                                         

                                         

                                         

 

   

   

   

 

   

   

   

 

   

   

   

 

   

   

   

      

     

       

      

     

       

      

     

       

                      
   

  

 

  

 

  

4

background image

27

Fl.

Eb Cl.

Cl.

Cl.

Cl.

A. Sax.

A. Sax.

A. Sax.

T. Sax.

T. Sax.

1st Hn

2nd Hn

2nd Hn

2nd Hn

Tpt

Tpt

Flug.

Flug.

2nd Cor.

2nd Cor.

1st Bar.

B. Tba

Bass Bb

Dr.



f

    

   

 

  

f

    

   

 

  

f

    

   

 

  

f

    

   

 

  

f

    

   

 

 

f

    

   

 

  

f

    

   

 

  

f

    

   



 

  

f

      

       

 

    

f

  

   

    

  

f

  

   

    

  

f

  

   

       

f

  

   

 

  

f

    

   

 

  

f

    

   

 

  

f

    

   

 

  

f

    

   

 

    

f

      

       

 

    

f

  

   

 

    

f

    

   

       

f

      

       

       

f

      

       

5

background image

33

1.

















































2.

Fl.

Eb Cl.

Cl.

Cl.

Cl.

A. Sax.

A. Sax.

A. Sax.

T. Sax.

T. Sax.

1st Hn

2nd Hn

2nd Hn

2nd Hn

Tpt

Tpt

Flug.

Flug.

2nd Cor.

2nd Cor.

1st Bar.

B. Tba

Bass Bb

Dr.



   

 

  

   

 

  

 

 

    

  

    

  

  

 

    

  

    

    

 

    

  

    

    

 

    

  

    

    

   

 

  

   



  

 

 

    

  

    

    

 

    

  

       

  

 

    

 

    

    

         

  

    

    

         

  

    

  

  

         

  

    

    

         

  

    

  

 

 

    

  

    

  

 

 

    

  

    

    

 

    

  

    

    

 

    

  

    

    

 

    

 

    

    

         

  

    

    

 

  

 

  

    

    

         

  

    

    

        

 

  

   

    

 

6

background image

muz.E.di Capua

"O sole mio"

Alt I Es

p

Andantino

    

  

                    

8

                                          

14

                      

  

       

mf

  



21

                                          

27

       

f

  

       

34

1.



2.

     

       

  

  

background image

muz.E.di Capua

"O sole mio"

Alt II Es

p

Andantino

    

 

                

8

   

     

         

 

   

            

14

    

     

                  

mf

  



21

                                   

26

              

f

  

   

33

1.



2.

         

       

    

background image

muz.E.di Capua

"O sole mio"

Alt III Es

p

Andantino

    

 

  

               

   

8

                              

14

                

  

      

mf

  



21

                                   

26

              

f

  

   

33

1.



2.

         

      

    

 

background image

muz.E.di Capua

"O sole mio"

Baryton



p

p

Andantino

    

    

      

p

   

6

                   

 

13

  

  

20



 

mf

         

     

        

27

1.

      

f

 

   

     

34



2.

    

 

       

    

background image

muz.E.di Capua

"O sole mio"

Bas B



p

p

Andantino

     

 

p

           

8

                       

14

             

    

mf

   



21

      

 

 

 

  

 

 

 

  

 

27

       

f

                

33

1.



2.

        

 

      

    

 

background image

muz.E.di Capua

"O sole mio"

Bas F



p

p

Andantino

      

 

p

           

8

                   

   

14

             

  

    

mf

   



21

             

 

 

 

  

 

27

       

f

                

33

1.



2.

         

          

  

background image

muz.E.di Capua

"O sole mio"

Fl



p

Andantino



 

 



p

 

    

14

 

                  

20



 

mf

         

     

   

27

1.



f

    

     

34



2.



   

 

      

 

  

 

background image

muz.E.di Capua

"O sole mio"

Klarnet I



p

Andantino

                 

           

7

                            

13



 

 

          

mf

    

22

     

     

    

  

f

   

31

1.





 



36

2.

 



 

    

background image

muz.E.di Capua

"O sole mio"

Klarnet II



p

Andantino

    

    

       

  

 





6

                        

  

11

          

 

  

19



      

 

mf

         

     

26

     

  

f

    

   

33

1.



2.

  

    

          

 

background image

muz.E.di Capua

"O sole mio"

Kl III



p

Andantino

    

    

      

 

 

 

 

6

 

 





 

 





 

 





 

 





 

 

  

11

 

 

 

 

   

18



   

     

mf

    

    

24

           

  

f

    

32

1.

 



 



36

2.

 

  

  

 

    

background image

muz.E.di Capua

"O sole mio"

Kornet 1



p

Andantino

    

 

  

p

 

 

 

8

  

 

       

        

15



                 

mf

dolce

    

22

     

     

    

  

f

30

1.

  

  

    

   

35



2.

 

       

    

background image

muz.E.di Capua

"O sole mio"

Kornet II



p

Andantino

    



p

       

8

  

 

  

      

        

15



                 

mf

    

22

     

     

    

  

f

30

1.

     

    

   

35



2.

 

       

    

background image

muz.E.di Capua

"O sole mio"

Sax alt Es I

p

Andantino



 

 



p

        

7

 

      

      

  

13

  

                  

20



 

mf

    

    

     

   

27

1.

 

 

f

    

     

34



2.

   

 

          

 

background image

muz.E.di Capua

"O sole mio"

Sax tenor 1



p

p

Andantino

    

    

      

p

    

6

             

    

 

 

13

 

          

mf

   



21

   

  

   

 

        

  

28

1.

   

f

                  

34



2.

   

 

 

    

    

background image

muz.E.di Capua

"O sole mio"

Sax tenor 2



p

p

Andantino

    



p

   

     

8

             

 

 

 

15



  

  

  

 

mf

        

22

 

     

              

f

29

1.

 

  

           

35



2.

 

  

    

    

background image

muz.E.di Capua

"O sole mio"

Tenor 1



p

p

Andantino

    

    

      

p

    

6

                   

 

13

  

 

 

 

         

20



 

mf

         

     

        

27

      

f

                

33

1.



2.

  

    

 

    

    

background image

muz.E.di Capua

"O sole mio"

Tenor 2



p

p

Andantino

    



p

          

8

               

 

 

15



 

  

 

mf

        

23

      

              

f

30

1.

   

   

   

   

35



2.

 

      

 

    

background image

muz.E.di Capua

"O sole mio"

Tr 1



p

Andantino



 

 



p

          

8

           

 

 

        

15



                 

mf

    

22

     

     

    

  

f

30

1.

  

  

    

   

35



2.

 

       

  

 

background image

muz.E.di Capua

"O sole mio"

Trąbka II



p

Andantino

    



p

         

8

             

        

15



                 

mf

    

22

     

     

    

  

f

30

1.

     

    

   

35



2.

 

       

    

background image

muz.E.di Capua

"O sole mio"

Tuba



p

p

Andantino





p

 

 

  

8

        

 

 

 

 

14

 

 

    

 

  

  

mf

 



21

   

   

               

27

     

f

    

 

       

33

1.



2.

         

  

 

 



  

 


Document Outline


Wyszukiwarka

Podobne podstrony:
O sole mio
o sole mio
O sole mio 2
O sole mio (cuarteto de cuerdas)
O Sole mio
O sole mio for guitar
O Sole Mio
O sole mio(1)
O sole mio
POEMA DE MIO CID, I semestr
S2 Sole, Kosmetologia - studia (Szczecin)
CHEMIA KOSMETYCZNA Chemia nieorganiczna (tlenki, kwasy, sole
pytania mio
Pytania Zerówka MiO [29 01]
MIO specyfikacja id 302606 Nieznany
Klucz Odpowiedzi Sole Grupa A i B
1u - sole, dydaktyka, konspekty
Ratunek po nieudanym flashu, Mio P-350, Reanimacja Mio

więcej podobnych podstron