carvingúce#
The Expressive Face
-â– g. 43 Fig. 44
Carvings, unless they are portraits, are not in--'ded to look like individual people — they are rations, and the carver's job is to put what he wants ohiscreation. Therefore whenthe live model does • fulfil your requirements, you make up the short-mings. A model can not be expected to show real .rprise, joy, pain, etc, so amendments and exag-"ations must be madę. Usually it is not difficult to entheeyesa littlewiderby cuttingbackthe lids, to : a laughter linę or raise an eyebrow. These smali - ails will raise your carving above the average by .“ing your personal touch into it.
Fig. 45
Wyszukiwarka
Podobne podstrony:
carving?ce! The Expressive Face 21 Fig. 39 Fig. 38 In Fig. 38, the nose has been developed, the -ostcarving?ce 22 The Expressive Face In Fig. 41 the forehead corrugations are formed using a knife tocarving?ce CONTENTS 1 Introduction 7 2 The Basic Face 9 3 The Expressive Face 18 4 Thecarving?ce 20 The Expressive Face Taking up the carving from a situation where the basie form of th00258 ?e59ae38ddf4d993b605efb46266481 260 Yander Wiel dropping the subscript on U and the superscri00424 ?4589320c2ec691373ff85747154741 428 Pignatiello & Ramberg the process is in-control or isimg028 The letter Q is left as a design challengeThe Letters O & Q Thesc letters are tatted in fRegarding the bending moments, it can be seen from the equi-iibrium of the element that they are not3 Transport laktozy Figurę 20-29 E. coli. H+ binds first to E-2 outside the celi, followed by lactowięcej podobnych podstron