P1010307

198 Agnieszka Setecka

Htttcheon, Linda. 1988. A Poetics of Postmodemism. Hi story, Theory, Fiction. New York •nd London: Routledge.

Hutcheon, Linda. 1989. The Potitta of Postmodemism. London and New York: Routledge.

Kenyon, Olga. 1988. Womert Norclists Today. Brighton: The Harvester Press.

Kettle, Arnold. 1951. Atr Introduction to tbe Etiglisb Noveł. Vol. I. London vHutchinson University Library

Michie, Elsie, B. 1993. Ontside tbe Me. Cultural Exc/nsion, Gender Differetice, and tbe Vktonan Woman Writcr. Ithaca and London: Comell Univcrsity Press.

Modleski, Tania. 1982. Loving witha Vengeance. Mass ProdttcedFantasiesfor Wotnen. Ham-den, Connecticut: Archon Books.

Nicholson, Linda (ed.). 1990. Feminism/Postmodemism. London, New York: Routledge.

Parker, Patricia, A. 1979. Ineseapable Romance. Sttidies in tbe Poetics of Modę. Princeton, New Jersey: Princeton University Press.

Pilcher, Rosamunde. 1975. The Day oftbe Storn. New York: Dell Publishing.

Poovey, Mary. 1988. Uneven Dmlopments. The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press.

Radfbrd, Jean. 1992. „A Certain Latitude: Romance as Genre" in: Irons, Glenwood (ed.) 1992. 3-19.

Radstone, Susannah (ed.). 1988. Sweet Dreams. Sexuality Gender and Popular Fiction. London: Lawrence and Wishart.

Radway, Janice. 1984. Reading tbe Romance. Womeri, Patriarchy, and Popular literaturę. New York, London: Verso.

Radway, Janice. 1984. „The Readers and Their Romances” in: Warhol, Robin and Heradl, Dianę Price (eds.) 1997. 574-573.

Rabine, Leslie. 1985. „Romance in the Age of Electronics: Harlequin Enterprises" in: Warhol, Robin and Herndl, Dianę Price (eds.) 1997. 976-991.

Skinner, John. 1992. The Fictions of Anita Brookner. lllusions of Romance. London: Mac-millan.

Strinati, Dominie. 1995. An Introduction to Theories of Popular Culturt. London, New York: Routledge.

Świerkocki, Maciej, Postmodernizm. Paradygmat nowej kultury. Łódź 1997.

Trecher, Amal. 1988. „What is Life Without My Love?: Desire and Romantic Fiction.” In: Radstone, Susannah (ed.) 1988. 73*90.

Warhol, Robyn, R. and Herndl, Dianę, Price (eds.). 1997. Femimsms. An Anthology of Literary Theory and Criticism. Houndmills, Basingstoke, Hampshire: Macmillan Press.

Waugh, Patricia. 1989. Feminine Fictions. Revisiting the Postmodem. London, New York: Routledge.

Weldon, Fay. 1983. Tbe Life and Loves of a She Devil. London: Sceptre.

Winterson, Jeanette. 1987. The Passion. London, New York, Ringwood, Toronto, Auckland: Penguin Books.

Woolf, Yirginia. 1929 [1994]. A Room of One’s Om. London: Flamingo.

WflMjtni - pracjaw zwycięstwi gy klęski kobiet? O romansie dawniej i dziś 199 PRZYPISY

Mowa tutaj raczej o fiw. romansie popularnym, i nie na przykład o romansie Średnio* wiecznym, który należy do „literatury wysokiej”.

A Kettle, An Introduction to tht Bntfhb Nowi. Vol. I, London 1950, f. 30*31 (przekl. mój).

M.    świerkoeki, Postmodernizm. Paradygmat nowej kultury, Łódź 199⁷, s. t09.

J. Radford, A Certain Latitnde: Romom ot Genre, w: Gender, Lanpiap and Mytft. Łitap on Popular Sarrathf, Toronto-Buffalo-London 1992,1.13 (przekl. mój).

N.    Fryc, Tht Sectdar Scriptnre. The Stoły of tht Strmtm tf Romance, London t97ó, i. 4l

(przekl. mój).

⁶ Ibidem, s 41.

N. Armstrong, Desire aruł Domtic Fiction. A Politicol History of tht Sovtl, New York 1987,1.108 (przel. mój).

⁸    N. Fryc, op. cit., s. 42 (przekl. mój).

⁹    J. Radford, op. cit., s. 7 (przekl. mój).

¹⁰    Zob. N. Armstrong, op. cit., s. 49.

11    V. Woolf, A Room ofOne"s Om, London 1994, s. 72 (przekl. mój).

¹²    N. Armstrong, op. cit., s. 30 (przekl. mój).

15 H. Hansson, Romance Revivtd. Poitmdern Romanca and tbe Tradition, Uppsala 1998, s. 167 (przekl. mój).

^w Zob. J. Radford, op. cit., s. 11.

15    L. Rabine, Romance in tbe Apof Electronics: Harlequin Enterprises, w: Ferr.inisms. An Antho-I logy ofliterary Theory and Criticism, Houndmills-Basingstoke-Hampshire 1997, s. 9*6 (przekl. mój).

¹⁶    Zob. M. Poovey, U nem Developments. The Ideological Work of Gender in Mid-Victorian England, Chicago 1988, s. 4.

¹⁷    T. Modleski, Loiini with a Venpance. Mass Produced Fantasies jor Wormn. Hamden, Connecticut 1982, s. 45 (przekl. mój).

¹⁸    A. Cranny-Francis, Feminist Fiction. Feminist \Jsap of Gemie Fiction, Cambridge 1990, s. 191 (przekl. mój).

¹⁹    J. Dixon, Tbe Romance Fiction of Mills and Boon 1909-1990*., London 1999.

²⁰    S. Gilbert i Susan Gubar, Tbe Madwoman in tbe Attic. Tbe Woman Wri:er and tbe Ninete-enth-Century Literary Imagination, New Haven-London 1984, s. 360 (przekl. mój).

²¹    Ch. Bronie, Dziwne losy Jane Eyre, przel. T. świderska, Warszawa 1996, s. 118.

L. Hutcheon, Tbe Politia of Postmodemism. London-New York 1989, s. 95 (przekl. mój).

J. Winterson, Tbe Passton, London-New York-Ringwood-Toronto-Auddand 1987, s. 54

(przekl. mój).

²⁴ Zob. A. Cranny-Francis, op. cit., s. 189.

F. Weldon, Tbe Life and Loves of a Sbe Dml, London 1983, s. 7 (przekl mój).

Zob. J. Skinner, Tbe Fictions of Anita BrooJmer. lllusions of Romance, London 1992, s. 7.

A. Brookner, Hotel du Lac, London 1984, s. 27 (przekl. mój).