24.02.2014 Literatura
semester IV
Restoration
Literature (1660-1700)
24 lutego 2014
08:50
The reign of Charles II, James II and William III of Orange (and Mary) [The Restoration drama also includes the reign of Queen Anne, to 1714]
Main historical events:
1660- monarchy restored after the Interregnum, which followed the Civil War (Charles I executed in 1649)
1663- foundation of the Royal Society of London for Improving Natural Knowledge
1665- the Bubonic Plague (15% of London's population died; Samuel Pepys (knows the events of Bubonic Plague & Great Fire) writes about it in his diary)
1666- the Great Fire of London (over 13000 houses were burnt)
Info about king Charles II (bound Christmas, reintoduced Theatre, allowed women to be employed in theatre, …)
Sir Christopher Wren designed 51 new churches; St. Paul's Cathedral completed in 1709 --> neo-classical style
1665-1667- Anglo-Dutch war for domination in world trade
1688 - The Glorious Revolution (showed the power of English Parliament) - James II overthrown by a group of Parliamentarans - Willam II of Orange placed on the English throne
1688-1702- the reign of William and Mary.
PHILOSOPHICAL BACKGROUND:
Rationalist philospohy - all knowledge can be gained by the power of our reason alone:
Rene Decartes (Kartezjusz) [1596-1650), founder of Modern philosophy ("cogito ergo sum")
Gottfried Leibniz (1646-1716) - optimistic philosophy: our universe is "the best of all possible worlds"
Empiricist philosophy - all kowledge hat to come through the senses, from experience:
Francis Bacon (1561-1626) - inductive methodologies of scientific inquiry; Thomas Hobbes (1588-1679) Leviathan modern political philosophy
John Locke, An Essay Concerning Human Inderstandina (1690)
David Hume, (1711-1176) - empiricism and scepticism
Issac Newton (1642-1726) classical mechanics: universal gravitation, optics, ect.
The Augustan Age:
Parallels between the restored monarchy and the peace restored by the Emperor Augustus after assassination of Caesar and civil war
[Augustus 31 BC= AD14 Virgi, Horace and Ovid]
Peace and order, admiration and imitation of the first Augustans [the 1680s to 1744]
RESTORATION:
Age of poetry and drama, but also a time of the development of prose through the tradition of the political and religious pamphlet; rebirth of journalism and the press,
A time in which the literature of wit thrives: satire and parody.
Writing motivated by a reaction against the Puritan control and censorship of literature and thaetre during the Interregnum. The royal court becomes a patron and promoter of the arts - re-opening of theatres in 1660
Restoration authors either celebrate or criticise the aristocratic and courtly attitude of life.
Classical and French inspirations in poetry, but also continuation of English literary traditions.
Samuel Pepys, naval administrator and member of Parliament
Kept a diary from 1660 until 1669 written in cipher - a system of shorthand (deciphered and published on 1825)
The panorama of London life - the account of The Plague, of The Great Fore, and the Dutch wars
Private
and public life - in detail, his own love affairs, rumours, ect.
03.03.2014
John Bunyan, soldier in the Parliametnary army, an unlicensed Baptist preacher
Pilgrims’s Progress ( 1678,1679 ) – a moral allegory of a journey made by Christian from thje “City of Destruction” to the “Celestial City” ( through the Slough of Despond and Vanity Fair )
MUSIC
HENRY Purcell ( 1659 – 1695 )
Dido and Aeneas 1689 ( liberetto by Nahum Tate )
John Dryden ( 1631 – 1700 )
Verse satires ( e.g. Absalom and Achitophel),
Occasional verse ( odes, epistles, songs, e.g. “Alexander’s Feast of the Power of Music” – an ode on St. Cecillia’s Day )
Dramas ( comedies e.g. “Marriage a la Mode’, tragedies, heroic plays – e.g. All for Love, a re writing of Shakespeare’s Antony and Cleopatra),
Translations of the classics ( The Aeneid ) and of older English poetry ( e.g. some of The Canterbury Tales),
Prose writings ( drama criticism, e.g. ”Essay of Dramatic Poesy”),
Introduction, on a larger scale, of the heroic couplet, into verse argument and satires.
He is the most important representative of the age of restoration ( for us to remember ), he was both a poet a critic a satirist a playwright.
THE
ENLIGHTMENT -The Augustan age/the Neoclassical Age/ the Age of
Reason
(Alexander
Pope, Jonathan Swift, Joseph Addison)
Satire – a literary mode which aims at teaching us and laugh.
Neoclassicism in poetry ) Alexander Pope
Satire ( Pope, Swift )
development of prose, rise of the novel ( Daniel Defoe, Robinson Crusoe)
Development of journalism: Joseph Addison and Richard Steele, The Tatler ( 1709-11) and The Spectator ( 1711-12 ) – education of the middle classes in literature and philosophy
ALEXANDER POPE (1688-1744)
he
was catholic – he could not study at the university as it was
prohibited
1.37 m ( 4 ft 6 in ) tall because of Pott’s disease
( tuberculosis of the spine )
A professional man of letters
ESSAY ON CRITICISM 1711
A didactic poem in the manner of Horace’s Ars Poetica and Nicolas Boileau’s L’Art Poetique - a conversational style
The key concepts of neoclassical criticism: wit, nature, rules genius
“first
follow nature, and your judgment frame
by her frame….
It is written in heroic couplet
NEOCLASSICISM
Nature
is defined as
a rational, and comprehensible moral order in the universe (
demonstrating the divine design),
human nature Society
more important than individual ; the emphasis on the
universal
Decorum
– the importance of the appropriate style in each literary
genre
Rules
and Order
Reason
Restrain
Following the Classics, particularly Homer:
Those
rules of old discovered, not devised.
are nature still, but
nature methodized
Cultivated, formal, social
Town or cultivated landscape
The heroic couplet
A rhyming sequence of rhyming pairs of iambic pentameter lines
NATURE
and Nature’s Laws lay hid in Night:
God said, “ Let Newton
be!” and all was light.
Pope’s translations of the Iliad 1715-1720(great success much better translation than Odyssey ) and the Odyssey(1726)
THE RAPE OF THE LOCK 1712; revised version 1714
2nd ed. The ‘machinery’ added
a mock epic [ heroicomical ] poem, satirical but full of fascination with aristocratic society
Arabella Fermor, Lord Petre
AN ESSAY ON MAN 1734
A philosophical poem “ to vindicate the ways of God to men”
The optimistic system of beliefs
And, spite of pride, in erring reason’s spite, one truth is clear : Whatever is, is RIGHT. L.l.293-4
JONATHAN SWIFT ( 1667-1745)
Satirist, essayist, pamphleteer, poet
Born in Ireland: studied at Trinity College; in 1688 left for England; worked as secretary to Sir William Temple ( diplomat and politician) ; in 1694, went back to Ireland – ordained as minister of the Established Church of Ireland; often travelled between Dublin and London; involved in the Tory politics of the time; later Dean of St. Patrick’s Cathedral in Dublin – became interested in the Irish cause (1729s)
Member
of the Scriblerus Club founded by leading intellectuals ( Alexander
Pope, John Arbuthnot, John Gay, William Congreve)
Members of
the club wrote the Memoirs
of Martin Scriblerus,
which parodied and ridiculed false tastes in learning and art;
Swift’s Gulliver’s
Travels
was inspired by the club
THE BATTLE OF THE BOOKS ( 1697 ) – a satire on the controversy about the merits of ancient vs modern literature – an echo of the French debate; Swift praises the ancient
A TALE OF A TUB ( 1696 ) – an allegorical satire on religiomn – a difressive tale of three brothers representing form of western Christianity : Peter ( Cantholicism) Jack ( Calvinism and other dissernters )and Martin ( Lutheran and Chirch of England )
Pamphlets
–
religious, political, on the situation of Ireland
The
Drapier Letters,
“A Modest Proposal for Preventing the
Children of Poor People in Ireland Being a Burden on Their Parents or
Country, and for Making Them Beneficial to the Public “
THIS IS OUTRAGEOUS !
GULIVER’S TRAVELS ( 1726 )
Part
1 – Lilliput
Part II – Brobdingnag
Part III –
Laputa
Part IV – Land of Houyhnhnms
4 aspects of humanity discussed : insignificance, grossness, wrong-headedness, viciousness
Political satire of the English party system
Direct and indirect satire – Gulliver is himself an object of satire as he changes from a proud Englishman into a character ashamed of his humanity
CWICZENIA 2
From
The Rape of the Lock
The
description of lady ( Belinda ). She is catholic as she wears the
cross.
From Line 19th
refers probably to the bible.
Later on her hair refers to the
labyrinth, she enslaves some hearts.
Slight lines of hair
surprise the finny prey ( finny prey – fish )
Ensnare –
catch to a snare
There are long comparisons
Phoebus (son)
– god of the art
Baron is another odysseys ( he is a fraud )
37th
French romances – the books
40th
there have been some other loves before
45th
suggestion that his wish will be partially fulfilled. He offers to
the gods before his campaign.
Very elaborated devices. Does the
Pope criticize those people or he actually like them ? He probably
likes them. He has admiration for them. He is gentle satirist he
could be bitter but he’s not. Dean Swift is extremely violent in
his satire.
From
Gulliver’s Travels
Book
IV : A Voyage to the Country of the Houyhnhnms ( perfection of nature
)
Houyhnhnms
– perfection of nature ( these are the society of the horses )
The
Yahoos – savaged, brutal creatures who are humanlike.
He wants
to be a horse, but he resembles more yahoos. The Houyhnhnms are
afraid that he’ll contribute more with yahoos. He speaks of the
people as yahoos. The book IV is very disturbing part of Gulliver’s
Travels.
Some of the people talk about MISANTHROPY
– hatred of human beings. Misanthrope is a person who hate people.
Issue is whether society of horses is utopian society or
dystopian society ?
Chapter six – he’s captured by some of the horses - sprawdzic to
Chapter seven – observation of horses
Chapter eight – description of two groups of societies ( the Houyhnhnms and the yahoos )
Book IV – he is actually ashamed here. He’s aware of the humankind.
Chapter
six
Talks about poor and reach; how the reach oppress the poor.
The society of horses is aristocratic society ( there are some horses
who are masters and some are servants ). Plato,
the republic also
describes the societies.
He wants to learn how they live ( the
reach ). Many people have to travel far away to get stuff to eat for
their masters.
Later – there’s enough food to be provided
for the luxury class.
There are also people doing the vices to
live : begging, robbing, stealing, cheating etc…
He doesn’t
like the doctors.
Now, the political satire : he says that
prime minister that he doesn’t know the human feelings. He is only
after power and wealth. He never tells a truth. *The
houhnhnms don’t know the concept of LIE*
Swift
moves on to talk about the corruption – to become a politician
there are three ways : showing to be a very zealous, by becoming a
lovers with people from higher rank, by betraying or undermining his
predecessors, by a furious zeal.
In this satire, the King isn’t
the most important anymore, the parliament is.
Whole system is
corrupted.
His master thinks he’s one of the yahoos ( noble
birth ). PRODIGY – unusual, special, bright – prodigy child –
cudowne dziecko. Gulliver was born in a lower sort. In his opinion,
nobility means a laziness, fortune. When woman loses her fortune she
marries someone wealthy and rich.
Chapter
seven
Here he realizes how much he hate the humans, he’d
rather stay with horses. He likewise learn from his example. Swift
wants to teach us that we shouldn’t be like the yahoos. Gulliver
hates whole falsehood. Perhaps he’s undermining what Gulliver says.
Is he telling the truth or not? Swift is certainly not telling the
truth. We’ve got perfect horses and disgusting yahoos. If we think
about human feelings the horses lack them; Swift was a clergyman so
love to the neighbor is missing. The book is extremely controversial.
Gulliver becomes a misanthrope. There are things in humanity which
disgust him but there are also things which make them gods. * How
are the yahoos presented?? Przygotowac sie do tego *
THE
GREY’S ELEGY WRITTEN IN THE COUNTRY CHURCH
2014-03-10 Wykład
The Restoration Age ( 1660 – 1700 ) trhe Rewstoration of the Stuarts to the death of John Dryden
The Augustan Age ( 1700 – 1750 ) Alexander Pope ( died 1744 )
The Age of Johnson or the Age of Sensibility ( 1750 – 1798 ) (sensibility because of new trend in literature of feeling. Man was traditionally as a raccional creature and was criticized and satirized. People also paid more attention to feelings. )
THE AGE OF JOHNSON OR THE AGE OF SENSIBILITY ( 1740-1785 )
Samuel Johnson ( 1709 – 17 )
a poet, essayist, playwright, a moral writer, the author of the first dictionary of English, the most ?eminent essayist?, he was the author of the first dictionary of English ( and first European dictionary ). He wasn’t attracting in appearance. He Is one of the greatest figure in that period. He was a catlover.
1755 Dictionary of the English Language – standardized spelling, distinguished between meanings, ruled on usage; illustrated senses with quotations
TO’RY. N. One who adheres to the ancient constitution of the state, and the apostolical hierarchy of the church of Enggland, opposed to a whig. The knight is more a tory in the country than in the town, because it more advances his interest – Addison.
N stands for a noun. Tory( tories ) are conservatives in English parliament.
WIT.
1.
The powers of the mind; the mental faculties; the intellects. This
is the original signification.
2. Imagination; quickness of
fancy.
3. Sentiments produced by the quickness of fancy
4.
A man of fancy
5. A man of genius
6. Sense; judgment
7.
In the plural. Sound mind; intellect nor crazed
8. Contrivance
; stratagem; power of expedients
Wit
means imagination in that case
Johnson as a literary critic
Preface to Shakespeare
Lives of the Poets
Johnson also a poet, essayist, playwright, a moral writer ( he was extremely influential, most eminent man of the age )
Sensibility : the capacity to feel
Man sees as benevolent creature ( benevolent – meaning well, acting well – doing good to others. They wanted to think that a man was originally good)
Ethics of feeling vs. ethics of rationalism ( he believed on moral morality, empathy. Man is originally benovelent and is going to be willing to help others.
Sensibility – social ethics and public morality
‘shedding a tear’ ( Man expressing tears of sympathy for other people )
Instinct and feeling ( instinct and feeling were emphasized)
Interest in nature, landscape gardening ( * something * about country houses which were to imitate a natural landscape e.g. Blenheim Palace. Those who were rich could admire british landscape)
Literature of Sensibility
Shift from neoclassic ‘ correctness’ ( emphasis on judgment and restraint ) to emphasis on instinct and feeling )
The poep as a melancholy solitary modelled on Milton’s II Peneseroso
Interest
in primitivism
( folk literature ) and in the Middle Ages
‘Ossian’
– James Macpherson, Fragments
of Ancient Poetry 1760,
supposedly translation from the Gaelic ( the text became the
bestseller throughout the Europe. It was a glooming melancholic
poetry telling a deeds of ancient heroes.) – sprawdzic czy obydwa
byly best selerami ( tan na dole I u gory )
Thomas Percy,
Reliques
of Ancient English Poetry 1765
– the
ballad
There
was a great literary forgery.
The novel of sensibility
J.J Rousseau ( La nouvelle Heloise, 1761), Prevost, and St. Pierre
Samuel Richardson, Pamela, Clarissa
Laurence Sterne, Tristram Shandy, The Sentimental Journey
Goethe, The Sorrows of Young Werther (
THE SUBLIME ( wzniosłość, czasem ‘górność” )
The concept of the sublime – Edmund Burke, Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful 1750
Categories of aesthetic experience; the beautiful and the sublime ( the highest emotion of human experience )
The sublime evokes intense emotions and inspires awe at the sight of the immense, the obscure, the traumatic. ( the beautiful was a bit like a beautiful woman, the sublime – the emotions evoked in mind; it would be a feeling like we were in the mountains etc. a little bit of fear etc.
The Graveyard School of Poetry
Robert Blair’s The Grave ( 1743 ),
Edward Young’s nine-volume The Complaint, or Night Thoughts on Life, Death, and Immortallity ( 1742045 )
Thomas
Gray’s “Elegy
Written in a Country Churchyard” ( 1751
)
They all focused on death.
Robert Burns ( 1759 – 96 )
Sometimes view as a romantic but doesn’t belong to any of the periods. He is a national figure, poet.
The national poet of Schotland
POEMS, CHIEFLY IN SCOTTISH DIALECT 1786
The Scots Musical Museum - collection of all extant Scottish songs
‘The Simple Bard, unbroken by Rules of Art’
‘a
heaven-taught ploughman’
He is known as the author of some
of the poems e.g. Auld
Lang syne
( people are singing that song very often to welcome a new year )
ĆWICZENIA
The
features of Houyhnhnms and Yahoos
Yahoos
– human like but behave like monkeys. They’re very wild and
untamed. They’re
Houyhnhnms – shown as completely
gathered by a reason. They’re not clean. ( Swift reverses the
relationship between horse and a man )
When
I had answered all my questions…bottom
of the page 378. Its about gift of reason. We were given a reason but
we can’t use it. Their instinct serve them for corruption, it’s
used for evil purposes.
That
as to myself…page
379. The Houyhnhnms have equal reason with virtue.
That
our instuttion of government…page
379 A little reason that human beings has is used in evil purposes.
Gulivier is misanthropic. Name – Gullible means naïve.
Gull
means FOOL. Swift was a Christian, and horses lack charity.
Guliviers travels is fascinating books. The satire on humanity,
and british society – politics. It shows our vices by criticizing.
Thomas Grey ‘Elegy written in a Country Churchyard (1750) sprawdzic date tego oraz gulivers travels bo sa wazne
The
title doesn’t imply the person who died like most of them. The
elegy says about dead of the poor. It changes later to mourning on
speakers death( he imagines his death).
A little, humble mounds
of earth where the poor are buried. Nearby there’s a great
cathedral with splendid ornaments. That’s the contrast which the
authors wants to show.
Firstly, there’s an athmosphere of
melancholy. The speaker is very close to the poem( possibly, because
we feel that ). Then the melancholic mood which is very proper for
that age.
Line 1 – 4
The ringing of the bells in the end
of the day. Probably to shut the gates. Day is dying, day is parting
– the association with the end of the day with the end of a human
life. The speaker is alone in the dark. We have solitary, melancholy
man, figure.
Line 5-8
We have darkness falling. It’s so
quite so we can hear a beetle. There’re exceptions in the stanza
3
The hear the owl in the tower. We associate the owl with
wisdom and disturbia ( because of his sound ). Then,
Stanza
4
Mouldering heaps – graves – decaying graves
Forefathers
– ancestors
Rude – uneducated
Hamlet – the village
in there
Cell – small rooms in prison where monks sleep
He starts
thinking about dead buried in the ground. The graves are extremely
humble. It shows the transition of night falling. It’s important
because of what happens leter ( next three stanzas ). He starts about
thinking of the morning, and he’s going to talk in negative terms.
What are they going to miss? The breeze of morning. The swallow
twittering from the straw-built shed. The cock’s shrill claron or
the echoing horn ( probably echoing of hunters ). Morning is
personified ( is breathing, calling you to life ) Swallow –
jaskółka. That’s all what they won’t experience after their
death. Then, he imagines their further life ( stanza 6 ). He says
aobut the fireplace. No wife preparing the evening care. No children
able to speak when he returns.
Stanza 7
Now we have
something positive. He is talking about working at fields ( harvest )
which was quite enjoyable. It’s about chopping trees( line about
how bowed the woods..) They’re shown as controlling nature. It’s
shown as enjoyable – gives them satisfaction. The way he praises
the life.
Stanza 8
Uses personification ( let no ambition
mock their useful toil - work). It’s about people who are
ambitious. Desitny obscure ( are unknown here ). Here at the
disdainful smile and Short and simple annals of the poor ( annals –
kroniki ). Annals of the poor is a church register of the poor in
that case.
Stanza 9
He says something about the rich.
Memento mori – whether you rich or poor you’re going to die.
We’re all equal in the face of death. When he speaks about the poor
he has specific images. When he speaks of the reach he uses abstract
terms, the personification.
Stanza 11
Series of rhetorical
questions. We have a storied windows. They can’t return to life
17.03.2014
Romanticism
1798-1832
17 marca 2014
08:47
1798 - publication "Lyrical Balance"
1932-Passing the first reform
Historical Background:
the Industrial Revolution: the transition to new manufacturing processes in the period from about 1760 to sometime between 1820 and 1840.
1776 the American Revolution
1789-1815 the RevolutiONARY AND Napoleonic Period in France
1789 storming of the Bastille
1793 King Luis XVI executed
political unrest in Britain, harsh repressive measures againt radicals
Edmund Burke, Reflections on teh Revolution of France 1790
Tom Paine, Rights of Man 1791
Mary Wollestonecraft, A Vindication of the Rights of Woman 1792 (if women are responsible for education of their children, they should be educated as well to teach them in the proper way)
1793 Britain at war with France
The age of chilvarly is gone!
The Regency 1811-20
George, Prince of Wales acts as Regent for George III (he became to be mentally ill)
The Napoleonic wars
1815 Waterloo first modern industrial depression
1819 Peterloo, St. Peter's Fields, Manchester
1832 First Reform Bill (extended the right to vote for lower classess; it got rid of rotten boroughs [ constituencies- okręg wyborczy]; Britian was divided in constituencies; rotten boroughs - selling places in Parliament, corrupted)
Social and economic changes:
Industrialisation - the age of the machine
Social philospohy of laisses-faire 'let [them] alone' - no state intervention in economic matters (they believed that economy will regulate itself)
Urbanisation
+ very pour situation for working class; very young children employed as chimney cleaners?, children died very young, because of smoke - it was very profitible for emloyers - cheap taxes
Literature:
Lyrical poetru
Two generation of poets
First generation: WILLIAM WORDSWORTH, S.T. COLERIDGE - lake poets?
Second generation: BYRON, SHELLEY, KEATS,
WILLIAM BLAKE (he does not really belongs to any of these groups if so then to first)
Keats 'Great spirits now on earth are sojouring'
William Hazlitt - the new poetry 'had its origin in the French Revolution. It was a time of promise, of renewal of the world - and of letters'.
Wordworth, The Prelude
France standing on the top of golden hours,
And human nature seeming born again!; a new beginning
Bliss was it in that dawn(the beginning of the day = revolution in France) to be alive,
But to be young was very heaven…
The poet as a 'bard' or 'prophet'
Poetic spontaneity and freedom
Poetry - subjective; it expresses the poet's own feelings (lyric poetry)
Rebellion against the Neo-classical 'rules'
Keats: 'if poetry comes not as naturally as the leaves to a tree it had better not come at all' = poetry is a gift, it has to come naturally!
The importance of 'the heart' - instinct, intuition,
INDIVIDUALISM, NONCONFORMITY - The human mind - IMAGINATION
Turning to NATURE
THE INNTEREST IN THE
SUPERNATURAL, and DREAMS
1798
Wordsworth & Coleridge
LYRICAL BALLADS
CWICZENIA 17.03.2014
From
37-39 ?? line is
about church – it’s image.
41 line
Animated
because their looked like human beings. We cannot negotiate with
death.
All the time we follow the thoughts of artist.
45
– neglected spot is one of the graves. Perhaps someone is buried
there and that person was with a great passion ( celestial fire –
fire from the heaven ). He uses metonymy. Something which represents
the whole thing, associated with representing the whole thing.
Then
he uses synecdoche ( part of the whole or whole of the part ). “hand
that the rod of empire might have swayed..”. Hand might’ve been
of the king.
Lyre – lira. It’s about musician, but lyre is
an attribute of a poet.
next stanza
He couldn’t
have taken the knowledge that’s why he wasn’t a great poet or
king etc.
Penury – poverty. It’s like the poverty didn’t
let them develop his skills.
next stanza
‘some
village Hampden..” Hampdem was a great speaker In parliament for
the roundheads during the civil war who opposed the king. He imagines
somebody like that in the village. Then he moves on to Milton –
some mute inglorious Milton….Milton was also involved in political
life. He actually became blind, he dictaded his poems. If Milton was
mute he wouldn’t be able to create his poetry. Now Cromwell – a
politician and the soldier, lord protector. He was guilty for
bloodshed. He sees Cromwell as responsible for the bloodshed.
There
follow 3 stanzas now.
Lot – fortune. The fortune forbade
the things in previous stanza ( it’s inversion ).
They didn’t
become great political figures. Circumscribed – limit. It did not
only limit their virtues but it also limit their crimes.
line
69 – about lying.
Or heap the shrine….shrine is a temple of
Luxury and Pride. It’s about writing for money or to praise those
with power.
Next
stanza. FAR FROM THE MADDING…
the madding crowd is
nowadays RATRACE probably. Madding crowds of the cities.
next
two stanza YET EVEN
Frail - fragile
The contrast appears.
The opposites of tombs of the poor and rich. They still want to be
remembered ( the poor ). They had busts and the poor had shapeless
sculpture decked. It’s the age of sensitivity so the feeling is
important.
What does gray do in this poem? He affirms that the
poor wants to be remembered and poet itself tells the story of the
poor.
next stanza
Longing lingering look –
alliteration, almost onomatopoeia.
He retursn to the image
of life as a warmth of the day. Cheerful day. When night comes we
look back on that day. The importance of feeling is noticeable.
next stanza
We and our – he imagines himself
to be one of the dead. Even the dead want to be remembered. At this
point very strange thing happens in the poem
next
stanza FOR THEE WHO
Speaker seems to be addressing
himself. After all his the one who’s telling the story of the
people. If somebody will ask about your fate you hope you’re going
to have an answers.
( a kindred spirit – pokrewna dusza ) .
next stanzas HAPLY SOME
He imagines him dead
and buried ( to the end of the poem now ). Looking for seclusion.
Lonely figure wandering between the fields. The shepards doesn’t
understand this as he’s simple person.
THE
EPITAPH
Speaker says that actually he was educated ( FAIR
SCIENCE FROWNED NOT ON HIS HUMBLE BIRTH ) and of course he was a man
of melancholy.
He wanted to have a friend. That was all
he wanted.WYKLAD
2014-03-24
WILLIAM BLAKE 1757-1827
He was both a poet and an artist. Stayed apart from other romantics. Apprenticed to engraver [ rytownik ]James Basire. He studied to be an artist
1779 Royal Academy, conflict with Sir Joshua Reynolds. He challenges the teachings of main authorities of very eminent 18th century painter Joshua Reynolds.
1780 engraver for publisher Joseph Johnson. He worked for commercial purposes. He provided illustrations for books.
1783 Poetical Sketches – first collection of poetry
A visionary and a mystic, influenced by the Bible, and Emanuel Swedenborg. He was also fascinated by the teaching of a Emanuel Swedenborg. He came from some radical protestant background. Religious descendants believe that we should not follow the teaching of any authoritarian church but we should study our bible on our own.
He recorded some of his visions in his poetry. He saw paling conditions in London. He supported the American revolution.
Revolutionary sympathies, believed in racial and sexual equality. Late 18th century was the time of the great activity against slavery in Britain.
Questioning of traditional religion, creates a mythology of his own. He creates mythology of his own.
BLAKE AS POET AND ARTIST
ILLUMINATED BOOKS – created in the technique of relief etching – poems and drawings written on copper-plates in acid-resistant medium; the plates then etched in acid, and then the pages printed and hand-coloured.
He prepared plates for his own books which combined both the text and the picture. Essentially, he didn’t manage to produce many of those books. They were about 50-60 sometimes 20 copies. They were realized commercialy. The circulation was then small. He had a group of followers and was recognized posthumously. Now he’s regared as one fo the most important romantic poets
Songs
of Innocence 1789
Songs of Innocence and Experience 1794
Both of the books combined in one were showing the two contrary states of the human soul.
Innocence
is from birth etc till the fall
Experience is after the fall
In order to understand the poems we have to realized that the voice ( podmiot liryczny ) in the songs of innocence is of a completely innocent child. The experience voice is of the fallen …..
The marriage of heaven and hell . It suggests the reconciliation of the contraries of these both things. For some reason Blake believes that contraries should be united.
The Marriage of Heaven and Hell
Without
contraries is no progression.
Attraction
and Repulsion, Reason and Energy, Love and Hate, are necessary to
Human existence
From these contraries spring what the religious call Good & Eviil. Good is the passive that obeys Reason. Evil is the active springing form Energy
Good
is Heaven. Evil is Hell.
He actually says that categories
of good and evil are taught by human. They need to be challenged,
questioned. We cannot become a better person if we don’t combine
both ( Attraction and Repulsion, Love and Hate etc. ). They’re
unique to move to the higher state of experience. It’s the kind of
teaching we can find in Christian teachings.
Introduction [to the Songs of Innocence]
He reaches to the popular poetry designated for children. This is a song for a child.
In the song he asks the song to pipes again. He weeps. And then there’s a movement from music to song ‘sing it’. It’s a bit like a ballad. Eventually, ‘write it’. So there’s movement from music to song, from song to poem. The speaker of the poem takes the pen and writes the songs. It should be the song that every child should joy to hear.
One disturbing thing, perhaps two in the poem : ‘and I Stain’d the water clear’ it suggests that perhaps is something of experience. Something disturbing. Literally, the idea of stained the water clear clings to the fact that ink was made from sadza mieszana z woda. He literally, talks about preparing the ink. There’s also cry of child, kind of oxymoron. There may be some pain, even in the state of innocence. The voice here is of the innocence.
Introduction [ to the Songs of Experience ]
It is a mature voice, the voice of experience.
The Sick Rose
Blake is one of the poets who developed the symbols. Rose traditionally is associated with beauty. Blake writes about a sick rose. On the cover, rose is corrupted with worm. Rose stands for love as well. The worm is destructive. There’re many interpretations. It shows how Blake uses symbols.
The Prophetic Books
America, a Prophecy
The Book of Urizen
Milton ( 1804-10 )
Complex, allegorical myths of political and sexual liberation.
‘And Did Those Feet’( verses form Milton ca. 1808 ) known as ‘Jerusalem’
Unofficial anthem of England.
CWICZENIA
The Lamb
The structure of the poem. The speaker is the same. The speaker seems to be asking ( it’s a child ) very simple. There’s the use of repetition. It was very common to use the question and answer pattern in teaching young children. Blake clearly draws on that. What’s the nature of the question? The question is about the origins. The answer is the Lamb ( it’s about the Jesus ). Blake doesn’t like the god of the old testament. God of anger. He believes that god is more like a lamb. He is meek and mild ( alliteration ). He became a little child. It seems to be perfect idyllic state that child is talking about. It’s happy poem for a child, and yet in some of the songs of the innocence we can find some undertone, disturbing things. Lamb is a symbol of innocence but child doesn’t realize that this innocence is something is bound to be destroyed due to becoming a king.
The Tyger
It’s contrary to The Lamb. It’s more disturbing. We find strong energy in that poem. The pronunciation of the word ‘burning’ bursts from the mouth. Here, we’ve got only questions. Who created the Tyger? What kind of god is it that created both lamb and tiger. It’s still similar structure with the lamb. The opening stanza and the last stanza are repeated. The change is with world ‘could’ ( first stanza ) and ‘dare’ ( last stanza ) . Who dared to create the Tyger ? HE imagines the creator as a kind of human-like shape. What immortal hand or eye could frame that fearful symmetry? Symmetry stands for the perfection and stripes of the tiger. The creator is showns as a blacksmith ( kowal ) . He was made in furnace ( piec uzwany przez kowala, teraz hutniczy ). He keeps using synecdoche. The fith stanza was really hard to interpret. Some of the interpreters consider it to be related to the Paradise lost. It refers to the Fall ( the first sin and the satan ). The tiger, in opposite to the Lamb, is dangerous and powerful.
The Chimney Sweeper ( the Songs of Innocence )
The
Chimney sweeper is a child. He tells the story of another Chimney
sweeper called Tom.
He introduces himself first. His father
died early and his father sold him. He cries ‘weep, weep,weep’.
Little boy is not actually crying, but he’s sweeping ( jak na
burku, oferuje chimney ). It’ appalling accusation of the
government and the church who does not question the appalling
practice.
Now Tom is like a lamb – sacrificed. Tom had a
dream. That dream is shown is plate illustrated by Blake( naked boys
getting out, emerging from open coffin, but that opened coffin looks
like chimney ). The angel sets them free to be the children they
should really be. They are leaping, they run down the green plain.
They wash in the river and shine in the Sun. Angel told Tom if he’d
be a good boy, he’d have god for his father. Last stanza says that
if we do our duty we’ll be always happy. It’s some kind of
conciliation.
The Chimney Sweeper ( the Songs of Experience )
There’s and open accusation who’s responsible for the misery of life. Blake attacks the religion – the church. First is his parents, the child should be happy. Children in the nature are happy. Even if they’ve got horrible life, they still play etc. The contrast ‘who make up the heaven of our misery’– God, Priest and King – they’re responsible.
And Did Those Feet
It’s about building the Jerusalem. The new Jerusalem stands for and the idea of perfect world. In kind of apocalyptic terms it’s some kind of heaven on earth. The feet of Jesus. Blake refers to old legend where Jesus visits the England. This implies that it was a happy country ( or Blake just wanted to believe in it ). Nowadays, people think that Satanic Mills are all the industrial factories build among the England. But for Blake, Mill was a symbol of mechanization of England. Chariot of fire – Elijah. It’s about building the perfect society for which he will fight. But it’s Mental Fight. Blake believes that man enslaves himself. The man is responsible for his own enslavering. The mental fight Is the fight first of all in your mind, and then it spread to people to change their mind. The sword for Blake is a pen. It seems to be simple poem but has strong power of appeal.
WILLIAM WORTHSWORTH The preface to Lyrical ballads – przeczytac 449-451 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
And The Daffodils and We are Seven as well !!!!!!!!!!
WYKLADY
2014-03-31
ROMANTICISM 1798-1832
1798
Wordsworth & Coleridge
Lyrical ballads
William Wordsworth
1770 born at Cockermouth – he originally said he was fostered by nature. Born in Lake District
Educated at Cambridge
1791-2 France – Annette Vallon – in 1793 the war between England and France began so he came back. He was also disappointed with French revolution.
1795, reunited with his sister Dorothy meets S.T. Coleridge
1797 moves with his sister Dorothy to Alfoxden to be close to Coleridge, who lives at Nether Stowey ( Somerset ).
The role of friendship with Coleridge
1798/1799 Goslar, Germany
1799 settles with Dorothy in the Lake District, first at Grasmere
1802 marries Mary Hutchinson
1813 appointed stamp distributor for Westmoreland – becomes patriotic, conservative public man, abandoning radical politics and idealism.
1843 Poet Laureate
LYRICAL BALLADS 1798
Coleridge on composition of Lyrical Ballads in Ch. XIV of Biographia Literaria
During the first year that Mr. Wordsworth and I were neighbours, our conversation turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination. The sudden charm, which accidents of light and shade, which moon-light or sun-set diffused over a known and familiar landscape appeared to represent the practicability of combining both. These are the poetry of nature.
The thought suggested itself ( to which of us I do not recollect ) that a series of poems might be composed of two sorts. In the one, the incidents and agents were to be, in part at least, supernatural; an the, excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions as would naturally accompanied………
For the second class, subjects were to be chosen from ordinary life; the characters and incidents were to be such, as will be found in every village and it’s….
In
this idea originated the plan of the ‘Lyrical Ballad’; in which
it was agreed, that my
endeavours should be directed to persons and characters
supernatural, or at least romantic, yet so as to transfer form our
inward nature a human interest and a semblance of truth sufficient
to procure for these shadows of imagination that willing suspension
of disbelief for the moment, which constitutes poetic faith.
When
we e.g. watch some fantasy film, and we are totally into the film,
we experience it.
Mr. Wordsworth on the other hand was to propose to himself as his object, to give the charm of novelty to things of everyday, and to excite a feeling analogous to the supernatural, but awakening the mind’s attention form the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not, ears that hear nor, and hearts that neither feel nor understand.
WORDSWORTH’S ADVERTISMENT TO LYRICAL BALLADS 1798
The majority of the following poems are to be considered experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure.
WORDSWORTH, PREFACE TO LYRICAL BALLADS 1800, 1802
The principal object, then, proposed in these Poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as was possible in a selection of language really used my men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be resented to the mind in an unusual aspect; and, further, and above all, to make these incidents and situations interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.
Humble and rustic life was generally chosen, because, in that condition, the essential passions of the heart find a better soil in which they can attain the maturity, are less under restraint, and speak a plainer and more phatic language;[…] and, lastly, because in that condition the passions of men are incorporated with the beautiful and permanent forms of nature. The language, too, of these men has been adopted ( purified indeed from what appear to be its real defects, from all lasting and rational causes of dislike or disgust ) because such men, hourly communicate with the best objects form which the best rank in society and the sameness, and narrow circle of their intercourse, being less under the influence of social vanity, they convey their feelings and notions in simple and unelaborated expressions.
…..for all the good poetry is the spontaneous overflow of powerful feelings; and though this be true, Poems to which any value can be attached where never produced on any variety of subjects but by a man who, being possessed of more than usual organic sensibility, had also thought long and deeply.
..I have said that Poetry is the spontaneous overflow of powerful feelings : It takes its origin form emotion recollected in tranquility : the emotion is contemplated till by a species of reaction the, tranquility gradually disappears, and an emotion, kindred to that which was before the subjects of contemplation, is gradually produced, and does itself actually exist in the mind. In this mood successful composition generally begins, and in a mood similar to this it is carried on; but the emotion, of whatever kind and in whatever degree, from various causes in qualified various pleasures, so that in describing any passion…………TO PRZEZ CIEBIE NATALIA
The Man of science seeks truth as a remote and unknown benefactor; the cherishes and loves it in his solitude: the Poet, singing a song in which all human beings join with him, rejoices in the presence of truth as our visible friend and hourly companion. Poetry is the breath and…………..
….why they’re called LYRICAL BALALDS? … I should mention one other circumstance which distinguishes these Poems from the popular Poetry of the day; it is this, that the feeling therein developed gives importance to the action and situation, and not the action and situation to the feelings.
e.g.
of works : ‘WE
ARE SEVEN’
a speaker is a grown man and he meets a little
child in the churchyard.
ĆWICZENIA 2014-03-31
We Are Seven – was published in 1798, The Daffodils is not a ballad, it’s later poem. There’s a beautiful recording on the youtube – Jeremy Irons – he reads the poem. The poem is suitable for today. The place of Daffodils is the Lake District. He walks through the mountains and sees the field of daffodils. Speaker is solitary. The record is of seeing daffodils of some high place looking down on them. The poem can be divided into two parts, three first stanzas are description of the daffodils – how they look, what he feels about them, and the last stanza is about how he feels now. So 3 first are past and 4th is present simple. The daffodils are described as golden, fluttering and dancing. In the last stanza his heart dances with them. Daffodils – żonkile. He feels of them dancing, then he describes them as tossing their heads in sprightly dance. Another thing which is important is ‘to see’ ‘to look’ ‘to glance’ – Line three ‘I SAW’,. Then I at a glance, and 17th I gazed – and gazed. First it’s just seeing without thinking. He didn’t realize what wealth they bring. This sight gave him later some kind of wealth. The wealth they provide happiness and it’s not only when we see them, as it’s unconscious, but they’re personified ( dancing etc. ). He has inward eye – the imagination. The daffodils come to him, he remembers them and he sees them which is the bliss of solitude. At this point he had himself lonely ( it’s different than solitude because it can be neutral or negative ). When he remembers the daffodils his positive emotions are coming to him as well. Wordsworth believed that nature can heal.
Tintern
Abbey - The
poem was published in Lyrical
Ballads
but it’s not the ballad. Lines composed a few miles above Tintern
Abbey, on Revisiting the Banks of the Wye During a Tour, July 13,
1798.
The point about the poem is that it deals with nature,
human relationship with it, deals with the role of memory which is
connected to the imagination; it’s about losing something in the
ways of experiencing nature and also about gaining something –
about loss and recovery. Eventually, it’s about human relationship.
He is not alone in the poem, once we get to the end of poem we
realize that his not alone, his with his sister. Way valley was a
very popular place on going on tours. He had been there erlier in
1793 after his return from France. The poem is very personal. He’s
going to talk about his own experience, it’s not like Grey in
Elegy. Here it’s very concrete experience.
He sees the same
landscape ‘once again do I behold’. What is it to see the same
place again ? Five years have passed. They were very long and
difficult. He looks at the cliffs and we have the kind of landscape,
beautiful and quite. He’s looking at the valley, he doesn’t see
the abbey he only sees the smoke which is from some houses or maybe
they’re some homeless people in the woods. He thinks of the hermit
which actually doesn’t belong to that landscape. He probably is
imagining the hermit. In the beginning he pretends to be alone. He’s
contemplating the beauty of the landscape. The poem has the constant
movement from the now and past. First paragraph is about now. It’s
unrhymed and it’s iambic pentameter so it’s blank verse.
These
beauteous forms – the form of nature. He uses a negative statement
when he says that these beauteous forms have not been to him as is
the landscape of a blind man’s eye. He means that blind man doesn’t
see but he was not blind – the image stated in his mind. It’s
about memories. Again, remembering about those beauteous forms made
him happy. He is less happy in here than in the times when he wrote
the daffodils. He speaks about the loneliness. It’s connected with
mechanization and industrialization – the dim in the cities. These
memories brought back good feeling. He’s going to have the whole
lecture about those good feelings later. He claims that these
memories not only made him feel better but also possibly helped him
to become a better man. This little, nameless and unremembered acts
are about the idea connected with Christianity. I line 40 he is
talking about some mystical experience into completely different
sphere ( living the body ). Intelligible – impossible to
understand. This burden is lightened, we live in the body and even
the motion of the human blood….It seems to be a moment of
revelation, we seem to understand – we understand the nature of
feelings. He starts with this difficult words ‘intelligible’. The
words are only one syllable words, very simple. We see into the life
of things. First, he feels better, then moral sense occurs, and
eventually some kind of transcended experience. Some mystical
understanding of nature. Wordsworth realizes what he wants to believe
but it may not be truth. From line 50 he apostrophizes the river.
Even if it’s all wrong, how often he turned to the nature, the
river ? The river is the wanderer through the woods. HE spoke about
the past and now says about NOW. ‘Now with gleams’….he is very
careful about recording the emotions. He sees the landscape again. He
says about perplexity – a fear that he is a little confused. The
picture of the mind revises again. He sees what he only imagines in
his mind.line 60 ( around ) But then he gets more affirmative. He has
hope for future – this moment is gonna be a source of strength in
the future. He remembers himself he came to the hills five year
earlier and was completely led by nature. He was running away from
something and he didn’t realize he was seeking nature. Bu thten the
nature was everything for him. ‘I cannot paint what then I was’ .
Five years ago he had direct contact with nature, he just felt it
didn’t have to think about it. He lost it – five years have
passed. He says he lost that sense to be directly influenced by
nature but he got something in return. ‘for I have learnt to look
at nature……’ Now he link nature to humanity and he hears in it
a new note of human suffering and his experience of nature is
enriched through that. It is in line 85 somewhere there. PANTHEISM .
Now 102 – ‘Therefore am I still…’ this is very Wordsworthy –
what is the nature to me, how do I view the nature. 107 The nature is
essentially the guide and guardian of my heart, and soul of all of my
moral being. This is something he both perceives and is influenced
by.
Wyklady 2014-04-07
SAMUEL TAYLOR COLERIDGE 1772-1834
Poet,
Critic, Philosopher.
He says : thou,
my friend! Wert reared In the great city, ‘mid far other scenes; (
Wordsworth to Coleridge in THE PRELUDE ).
He died quite early
Born Ottery St. Mary, Devon
School – Christ’s Hospital, London
Cambridge University
The Light Dragoons
1794 Pantisocracy [equal rule by all] scheme together with Rober Southey
Friendship with Wordsworth
1798 Lyrical Ballads – The Ancient Mariner
The first poem in the first collection was The Ancient Mariner. Then we had balance e.g. We are seven but whole collection ends with Wordsworth’s.
A Unitarian – rejected the belief in the Holy Trinity; Jesus was a superior human being
Believed in the inner spirit of life which ran through the whole of Nature ( so essentially the presence of god was to be found in nature)
‘the One Life within us and abroad’
Later
in life he returned to the Church of England ( he was fascinated
with German philosophy, with John Lock’s philosophy)
When
the mariner kills **** he gets the punishment for it. The redemption
only stops when he sees the beauty of nature. Coleridge and
Wordsworth believe in social change, later turned into traditional
Christianity. Coleridge’s life was in many ways destroyed (
seriously damaged ) because of his addiction to opium. At this time
it was very easy to be addicted as It was commonly used as a
painkiller. Even babies were addicted to it.
18000 onwards
Addiction to opium ( Laudanum )
He earn his living by giving 1808 – 1816 Public lectures – a critic of Shakespeare
Biographia literaria 1817 – ‘my literary life and opinions’ contains an exposition of literary theory. He writes there about lyrical ballads, and also about wordsworth’s poetic theory.
This
is a man who constantly wants as a Unitarian unity. The problem is
that he can never ever achieve it.
Coleridge’s theory of Imagination
Primary Imagination – the ability through which we perceive the world; each act of perception is a creative act
Secondary imagination – the special capability of the artist. Problem of the poet, the artist. He creates new things on the basis of nature.
Fancy – mechanical.
Two types of poetry :
I. Supernatural - The Rime of the Ancient Mariner, Kubla Khan, Christabel – dreams and complex symbols
II.
Meditative Poetry – ‘Conversation’
Poems; ‘ Frost at
Midnight’, ‘Dejection: An Ode’
Kubla Khan
A fragment
A vision
Fascination with the Orient
Working of the poetic imagination
A poet as a prophet ?
Ćwiczenia
Tintern Abbey – w.Wordsworth
445
page – he says memorabely ( 103 ) we perceive through the sense but
we’re partly active of the act of creation. Nature is for him a
kind of substitute of mother. Is perceived through the senses. It
educated us in moral sense as well ( that’s what he claims ). It’s
the guide and guardian of the moral being. And finally I nthe last
pharagraph he turns to Dorothy. He essentially sees his younger self.
She perceives the nature as he did earlier directly I n the
passionate way. INFORM – SHAPE. He tries to create the religion of
nature. Nature forms us, leads us through the experiences like that.
It shapes the mind. It protects you.
Line 131
Now you walk close to nature, now you enjoy it
directly but later it will live in your mind ) that’s what he says
). He tries also to remember himself. 147 line
he starts as a solitary but he turns to his sister. He creates the
moment for them both to remember, to give them strength. This is
Wordsworth essentially thinking about man thinking of nature which
forms, shapes the human mind. He also believie it can do In the moral
sense, possibly in transcendence.
SAMUEL COLERIDGE – THE RIME OF THE ANCIENT MARINER ( 7 PARTS )
It had more archaic spelling and didn’t have the notes on margins before.
To start with ‘argument’ - they’re travelling to the South Pole. It is written in traditional meter. Sometimes it has combination of tetrameter and trimester. The opening is dramatic.
Part
I - the use of conversation – there is a question and answer. The
ballad has narrative, dramatic, lyrical and dialog elements. He goes
to the wedding feast. First he uses his hands but later the eyes. He
hypnotizes the guests to listen to his story. They listen like ‘three
years’ child’. They do listen with great attention and tend to
believe what he’s saying. He tells the story of the journey ( one
of the crucial things ). It’s the story of the journey to the
unknown, from the familiar ( village, wedding feast ) into the
unknown and then he returns. The point is that the mariner returns a
changed man. At the end the part of his penance is to tell the story.
This is the story of the mariner in his own words, and how the
wedding guest react to the story. It’s also about the power of
stories; power of literature and poetry. Someone later compared
Coleridge to the Mariner.
It opens with a happy note, with
excitement. Then they sail southwest, the sun came up etc. The sun,
the moon are some kind of symbol. The Mariner talks about the storm
which is very brilliant, storm is personified. They go past the
equator and goes to the region near to the south Pole. Storm drives
them there. Now there came both mist and snow. Drifts-cliffs. No
shapes of man no nor beasts we ken we can the ice is all between.
There’s nothing, no animals, no human, nothing. Now the albatross.
The ship managed to move the cracked ice. It’s very dramatic, there
isn’t the explanation. We learn how terrifying event it was. The
albatros clearly reacts to the expersison of the mariners face. He
shoots the albatross. We don’t know why he killed the albatross. It
was a birds that they befriended, they fed it, it was compared to the
Christian serf.
Part II
They
were able to move back to the equator. Line 90.
The reaction of
his fellow sailors. First they condemn him but later they praise him
for killing the albatross. They’re also guilty of his crime. They
keep changing their mind depending on the wind. If there;s no wind
they think is bad, when wind appears they think is alright. If the
deed of evil is evil then it is. Next lines shows how the verse can
show the movement. 103.
First there’s a free movement of the
ship through the wind. Then there’s a silent sea ( alliteration and
long vowels ). ‘The furrow followed free’. Then the stop. There’s
no wind. The ship is now stuck again ( first in the ice, now
somewhere in the equator ). There’s complete stillness. It is so
dry so the boat shrinks. There’s the paradox of the situation. The
horror around. They’re disgusted with everything around them. At
this point the other sailors blame him for his fate. Cross of
albatross – cross is the sign of the redemption. The albatross is
meant to be the sign of his guilt, how he’s going to be redemend if
his going.
They see the ship approaching. On the ship
there’re woman and death. They’re symbolic.
Gdzies w czesniej jest part III w srodku
PART
IV
The listener says he’s afraid that the mariner might
be a ghost. The Mariner says thath he’s not a ghost, he’s living.
He’s going to talk about the soul. 232. It’s utter loneliness,
complete isolation from the outside world. Literally it’s the
voyage south and back but metaphorically it is a voyage inside the
human mind which is completely alienated from the society. He suffers
both in his body and even more in his mind. How simple the vocabulary
is – it’s very effective too. 248. It’s mental agony and the
whole world is a burden on him. Then something strange happens – he
wants to die he craves deat but (263)’ the moving moon up the sky…’
the moon seems to have some kind of gentle influence. There’s the
blessing on him and at that moment he’s able to pray though he’s
still guilty.
PART V
There’s the idea of one life. In
the sense of what happens he feels that he’s got one life. He sees
the beauty of the world. He can start the recovery and redemption. He
recognizes the beauty of the world. It’s something completely
different ( similar to the Wordsworth ) – being close to nature can
change you. The first thing – he can sleep ( he could earlier on ).
The rain is connected with redemption – he was so thirsty. The wind
and all the supernatural – some spirits entered the bodies of the
cruises. There’s a conversation of the spirits what they disgust in
the ancient mariner. When the ship arrives to the harbor it sinks
there, and the only one who can be rescued is the Mariner. It’s the
horror of people who witness that – the pilot and his boy. The
pilot goes mad after seeing it. His penance for his evil deeds is to
tell the story again and again. 610 – ‘Farewell farewell’ -
there’s the image of the unity creation. The man, bird and beast
means to be loved. The effect of the story on the wedding guest ? (
last stanza ) – he’s shocked, and then he’s changed as wiser
man. The story transforms his life.
One of the very very important poems of English literature. It work on every levels. We tend to read is as a moral parable but it wasn’t the aim of the author. He said it’s not really what he wanted. It’s deeply symbolic poem about the mental journey, journey of the mariner. Mariner undergoes the alienation and gradually becomes capable of returing to the society. It’s very important to be a human.
The Prelude 1799,1805,1850
7 kwietnia 2014
08:30
Plan to write a great philosophical poem The Recluse or views of Nature, Man, and Society, encourages by S.T.C.
'a poem to Coleridge' (=solitary)
'a poem on the growth of [the poet's] mind'
The main hero THE IMAGINATION
[the poem has 14 books; the poem was not known in the Romantic period; autobiography poem, ot tells the dtory of the poet's growth; growth of the poet's mind; the main idea is evaluation of poet's imagination;]
[he thought of him self a poet of human's mind]
SAMUEL TAYLOR COLERIDGE 1772-1834
Thou, my Friend! Wert reared
In the great city, 'mid far other scenes;
(Wordsworth to Coleridge in The Prelude)
Born in Ottery St. Mary, Devon
School - Christ;s Hospital, London
Cambridge University (nnot very good, got many debts, thought to go to army, but his father saved him from it)
The Light Dragoons
1794 Pantisocracy [equal rule by all] scheme together with Robert Southey
FRIENDSHIP WITH WORDSWORTH
1798 Lyrical Ballads - The Ancient Mariner
Philosophical aproach:
A Unitarian - rejected the belief in the Holy Tronity; Jesus was a superior human being
Believed in the inner spirit of life which ran through the whole of Nature
'the One Life within us and abroad'
Later in life he returned to the Church of England
He stareted his philosphy of Lock - Empirists; later on he returned to the Church;
1800 onwards
Addiction to opium (Laudanum) = ended up as invalid
1808-1816 Public lectures - a critic of Shakespeare
Biographia Literaria 1817 ("My literary life") - 'my ;iterary life and opinions', contains an exposition of literary theory
Coleridge's theory of Imagination:
Primary Imagination - tha ability through which we perceive the world; each act of perception is a ceartive act
Secondary Imagination - the special capability of the artist
Fancy - mechanical
Two groups of poetry:
Supernatural - The Rime of the Ancient Mariner, Kubla Khan, Christabel -dreams and complex symbols
Meditative poetry - 'Conversation' poems: "Frost at Midnight', 'Dejection: An Ode'
Kubla Khan, or A Vision in a Dream, 1797-8, published 1816
In the summer of the year 1797, the Author, then in ill health, had retired to a lonely farm house between Porlock ond Linton, on the Ecmoor confines of Somerset Devonshire. In consequence of a slight indisposition, an anodyne had been prescribed, from the effects of which he fell asleep in his chair at the moment that he was reading the following sentence, or words of the same substance, in 'Purchas's Pilgimage" ...
He claims that he made the poet unconsciously; dreams, opium, vision
Remember about the poem :
A fragment
A vision
Fascination with the Orient
Working of the poetic imagination
A poet as a prophet?
Rise of the Novel (18th century)
14 kwietnia 2014
08:44
RISE OF THE NOVEL 18TH CENTURY
Growth of the
influence of the middle classes resulting in:
a) Growth of
individualism
b) Need for moral education associated with
middle class values
c) Large readership
d) New notion of
history – no longer only of the rich and famous but history as
historical progression
‘novel’ – a new and original form
The realistic depiction of middle class life, values and experience, showing the development of individual (and individuated) characters, over time [even thieves]
Romantic poets
Daniel Defoe: Robinson Crusoe (1719; a story of a castaway /rozbitek/, Providence), Moll Flanders (1722) – realism, episodic technique
Samuel Richardson: Pamela (1740; story of a young servant, who is trying to be sadused by her master - Mr. B, she manages to stay clear, he marries her), Clarissa (1747-8; very depressing, middle class girl, various men want to saduse her, she is kiddnapped, raped, later dies), epistolary novels (written in the form of letters), novels of sentiment - moral and psychological concerns [manuals how to behave, how to write letters]
Henry Fieldins: Joseph Andrews (1742; podobieństwo do Pamela; wersja z chlopakiem i Panią B), Tom Jones (1749)
Use of the pictaresque tradition (raleting to an episodic style of fiction dealing with the adventures of a rough and dishonest but appealing hero)
Attempt to achieve the status of the epic, [using omniscient narrator (all-knowing)]
Intrusive narrator - short essays and digression
Comedy strangthened by irony and caricature
Lawrence Sterne: Tristan Shandy (1760-1767; has some blank pages = experiment), A Sentimental Journey (1767), ‘anti novel’- the interest in the individual; essay writing, philosophical wrting, he experiments
Henry Mackenzie: The Man of Feeling (1771)
Jane Austen (1775-1817)
The Gothic Novel:
Reaction against realism of the novel
Interest in the Middle Ages
Aesthetics of the sublime - the importance of terror (wanted to frighten the reader)
The supernatural events
Sublime 'elevated, lofty'
Edmund Burke, A Philosophical Inquiry into the Origin of our Ideas of the Sublime and the Beautiful 1757
Aesthetic category associated with the infinite, solitude, emptiness, darkness and terror
Powerful emotions, spiritual and religious awe, vastness, immensity
Horace Walpole, The Castle of Otranto (1764) 'a gothic story' - set in the Middle Ages, first gothic novel; ‘It was an attempt to blend the two kinds of romance: the ancient and the modern.’tales of mystery and horror, containing a strong element of the supernatural, set against medieval setting and wild and desolate landscape
Ann Radcliffe, The Mysteries of Udolpho (1794), The Italian (1797) - the Female Gothic: the explained supernatural
Matthew Gregory Lewis, The Monk (1797): horror (author later aquised of pornography because the novel)
Features of novel:
An atmosphere of mystery and horror
The supernatural
Pseudo - medieval settings - castles, dungeons, subterranean passages, etc.
The novel before Austen was for lower classes, it was Austen in early 19 century brought up novel into higher classes.
Major Romantic Novelists
28 kwietnia 2014
08:41
Sir Walter Scott 1771-1832
Minstrelsy of the Scottish Border, 3 vol. (1802-03) - a collection of Border ballads,
Poetic romances (verse tales) A Lay of the Last Minstrel (very widely read)
Scott as the 'inventor' and practitioner of the historical novel
Waverley (1814) a historical novel on the Jacobite rebellion of 1745
The "Waverley" novels - a cycle of novels on Scottish history (Rob Roy)
Novels on English and European history (Ivanhoe - 12th century England)
Jane Austen on Walter Scott
Waler Scott has no business to write novels, especially good ones. -It is not fair. - He has Fame & Profit enough as a Poet …
Walter Scott on Austen
Read again, and for the third time at least, Miss
Jane Austen:
1775 born in Steventon, Hampshire
1790s 'Elinor ….
…
1811 Sense ans Sensibility published.
Extensive revision of "First Impressions" as Pride and Pridjudice
…
1815 Emma begun. Emma completed and published (1816) shown on title page).
1817 Northanger Abbey and Persuasion published together posthumously with "Biographical Notice" by Henry Austen (1818 shown on title page)
Only after her death her brother said that she wrote the novels
Austen follows the tradition of the novel which goes back to Samuel Richardson's Pamela and Clarissa
Epistolary novels in the form of letters
Novels of manners
Fanny Burney, Evelina of The History of a YoungLady's Entrance into the World (1778)
Camilla or a Picture of Youth 1796
Comedies of manners:
-- acuracy of social behaviour and dialogue
-- moral idealism (emphasis on moral values)
-- elegance of style and irony (wit)
-- ingenuity of the plot
-- psychological insight
Anti-Romantic?
Realism
Satire
Discipline
Moral education of the heroine
BUT: focus on the self
"You are collecting your people delightfully, getting them exactly into such a spot as is the delight of my life. (...)
The little bit (two inches wide) of ivory (kość słoniowa) on which I work with so fine a brush, as produces little effect after much labour [16 Dec. 1816]
Austen doesn't talk about current situation (French Revolution; Napoleonic Wars) - she wrote about what she knew best!
Free Indirect Discourse/Style
A manner of presenting the thoughts or utterances of a fictional character as if from that character's point of view by combining grammatical and other features of the character's 'direct speech' with features of the narrator's 'indirect' report
Direct discourse: She thought , 'I will stay here tomorrow',
Indirect discourse: She thought that she would stau there the next day.
Free indirect style, however, combines the person and tense of indirect discourse ('she would stay') with the indications of time and place appropriate to direct discourse ('here tomorrow'), to form a different kind of senstence: She would stay here tomorrow.
This form of statement allows a third person narrative to exploit a first person point of view, often…
Percy Bysshe Shelley (1792-1822) = Percy B. Shelley
5 maja 2014
08:46
A visionary and a revolutionary
Educated at Eton and Oxford
1811 Sent down from Oxford for publication of the pamphlet The Necessity of Atheism
Marries Harriet Westbrook
1812 meets William Godwin, a radical philosopher, author of Political Justice (REASON) [the person that Shelley admired, Shelley was strongly influenced by him]
1813 Queen Mab: A Philosophical Poem - perfectibility of man by moral means [the vision of perfect society]
[Died very young, aristocratic education, Eaton- famous public school near Windsor????, interested in Gothic novels, he was expelled from university]
1814 elopes with Mary Wollstonecraft Godwin, daughter of William Godwin, a ratical thinker and author of Political Justice, and Mary Wollstonecraft, a feminist writer, author of A Vindication of the Roght of Women [passionate love, later called Mary Shelley!!!!; her mother highly educated]
1816 Mary, Shelley, Byron spent the summer in Geneva, where Mary conceives the idea of Frankenstein
[Mary Wollstonecraft (mother) died soonly after giving birth to her doughter!; so Mary was half-orphan]
[Shelley and Mary eloped??]
1819 Prometheus Unbound 'a lyrical drama' mythopoetic vision of liberation of mankind
Greek mythology (hellenism)
The importance of Prometheus for the Romantics (Goethe, Byron, Shelley, Mickiewicz)
[connection with Blake - man can inslave?? Himself
1821 'Adonais' elegy inspired by the death of John Keats,
8 July 1822 Shelley drowns in the Bay of Lerici (North eastern Italian coast) [Shelley was burnt, Greek funeral, the legend that his heart did not burn!]
Great lyric poet - quickly moving imagery - clouds, wind, stars,
Favourite themes of change and mutability
Facination with ancient Greece - hellenism ["we are all Greeks"]
Solitary persona [reflecting, meditating
J.M.W. Turner - imprssionism
Revolutionary poetry:
The Maks of Anarchy,
Sonnet 'England 1819' - massacre
Song 'To the Men of England'
Adefence of Poetry 1821, published 1840 [IMPORTANT: HE'S THINKING ABOUT POETRY]
A man, to be greatly good, must imagine intensely and comprehevsively; he must put himself in the place of another and of many others; the pains and pleasure of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause. Poetry enlarges the circumference of the imagination by replenishing it with thoughts of ever new delight, which have…
Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspirel the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world. [one of the great manifest; poerty as developind human imagination, Blake "And did Those Feet", Coleridge -poet = phophet]
The Gothic Novel
12 maja 2014
08:56
Reaction against realism of the novel
Interenst in the Middle Ages (the past)
Aesthetic of the sublime - the importance of terror
The supernatural & the Macabre
Sublime 'elevated, lofty'
Edmund Burke, A Philosophical Inquiry into the Origin of our Ideas …
Portrets:
Devil's Bridge --> darkness,
The Castle of Otranto 1764
Henry Fuseli "Nightmare" 1790
From Walpole's Preference to the 2nd edition of The Castle of Otranto:
'It was an attempt to blend the two kinds of romance: the ancient and the modern.'
Talesof mystery and horror, containing a strong element of the supernatural, set against medieval setting and wild and desolate landscape
Ann Radcliffe, The Mysteries of Udolpho (1794), The Italian (1797)
'the female Gothic'
-M.G. "Monk" Lewis, The Monk; horror
Mary Wollestenecraft Shelley (-)
Parents:
-Mary Wollstonecraft 1759-1797 - A Vindiction of the Rights of Woman 1792
--William Godwin 1756-1837 - An Enquiry concerning…
The say that thou wert lovely from thy birth,
Of glorious parents thou aspiring Chils!
I wonder not--for One then left this earth
…
Shelley, The Revolt of Islam
'modern science' - the influence on Mary Shelley
Galvanism - experiments of Luigi Galvani - 'magnietism', 'animal electricity' -- electrical basis of nerve impulses.
Galvani's nephew, extended experimenrs to cows and human cadavers (two volumes of Galvanism, 1803, 1819
+ Shelleys refers to these experiments
+ a scientific romance -
+ in her book she criticises Romantism
Critic of science - the dangers of science
George Gordon, Lord Byron 1788-1824
19 maja 2014
08:47
Celebrity; poet-soldier
1798 inherits a baronial tiltle
1809-1811 the Grand Tour: Travels to Portugal, Spain, Greece, Albania and Turkey
1812-1816 years of fame in England
1816 leaves England after the scandalous break-up of his marriage (relationship with his halfsiester??, homosexual tendencies); leaves England for good
1816 Switzerland
1816-1823 Italy
1823-24 joins the Greek struggle for independence
19 April 1824 dies at Messolonghi (wanted to die on the battle field, but he did not)
1812 Cantos I and II of Childe Harol's Pilgrimage (written in Spencerian stanzas; book of travels in contenporary Europe)
1816 Canto III of Childe Harold (and later on Canto IV)
The Turkish tales: The Giaur, The Corsair, Lara (poetic tales set in The Orient - very famous; melancholic character who suffers for some mistirious crimes; it creates its own moral code)
Manfred, Cain - 'metaphisical' dramas
Historical tragedies - Marino Faliero
Don Juan 1819-24 - satirical mock-epic poem
THE BYRONIC HERO:
Contemptuous or rebelling against conventional morality, defying fate
'a man prous, moody, cynical, with defiance on his brow, and misery in his revenge, yet capable of deep and strong affection'
HELLENISM:
Childe Harold, Canto II (fascination with Greece; it is a land of history, on the other hand it is the land of ruins)
Don Juan (The Isles of Greece)
Child Harold's Pilgrimage Canto I (a young live the life of preasure and immorality)
Whilome in Albion's isle there dwelt…
Canto IV (he gets tired of life of anticipation, he is disgousted with his homeland
V (always loves one woman - it's often unfulfilled)
VI (tired of his life of anticipation, he becomes melancholic)
Manfred, a dramatic poem 1817
The mind which is immortal makes itself
Reguital for its good or evil thoughts,
…
Don Juan 1818-1824
A 'satire on abuses of the present state of society'
Attack on cant - hypocrisy in all aspects of life
A poem of digression (poemat dygresyjny) - comment of the narrator
The use of ottava rima (8 lines, rhymes) - stanza from composed of eight lines, rhyming abababcc.
I want a Hero: an uncommom Want,
When every Year and Month sends rorth a new one,
Till, after cloying the Gazettes with Cant,
The Age discovers he is not the true one;
Of such as these I shouls not care to vaunt
i'll therefore take our ancient friend Don Juan;
We all have seen him in the Pantomime,
Sent to the Devil, somewhat ere his time.
(Byron was very provocative; he was attacking The British Establishment; he acuses 'the other heroes' to be hypocritical; metatextual/ metapoetic--> it comments on itself
Most epic poets plunge "in Medias res"
(Horace makes this the Heroic turnpike road)
That is the usual method, but not mine -
My way is to begin with the beginning; 50
Self-reflexive poetry; the text comments on itself
In Seville was he born, a pleasant city,
Famous for oranges and women; he
JOHN KEATS 1795-1821
Test 8:30 2 czerwca
26 maja 2014
08:46
Very tragic life, he was very conscious of his talent, he died before he was 26 in Rome (tuberculosis?)
First generation of Romantics:
Second -||- :
Great achivement vs. What he could do if he did not die
-'A thing of beuty is a joy forever.' Endymion
Son of an ostler (livery stables manager)
Lower middle class - 'Cockney'
Educated at Enfield School (a Dissenting Academy)
1804 his father dies in an accident (he owned stables; on a horse he died)
1810 his mother dies of tuberculosis
Problems with inheritance (solved only after Keat's death)
Apprenticed to an apothecary/surgeon at 15 (Guy's Hospital) [he had medical training]
Blackwood's Magazine: the Cockney School of Poetry
It is better and wiser thing to be a starved apothecary than a starved poet; so back to the shop Mr John, back to "plaster, pills, and ointment boxes" [nickname of a COCKNEY POET]
Poetic carreer:
1817 Poems
1818 Endymion
1819 meets Fanny Brawne
Keat's annus mirabilis when he writes his greatest poems
1820 publishes the voulme Lamia, Isabella, The Wve of St. Agnes, and Other Poems
1820 develops tuberculosis, leaves for Italy (his friends collected money for him to leave)
1821 dies in Rome
Tomb sign: "Here lies One Whose name was written in Water"
On first looking into Champan's Homer 1816 [Shakespearen sonnet]
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been (…)
^ metaphor for travel, experience of visiting new countries, kingdoms of gold are kingdoms of literature? Apollo - god of poetry, he was told abput Illiad & Oddysey; his reation on seeing Pacific - silent,
The importance of art. In human life
Fascination with ancient Greek culture - 'hellenism': 'Ode on a Grecian Urn', Endymion
Interest in the Middle Ages (Reneissance) - ballad 'La Belle Dame Sans Merci'; 'The Eve of St Agnes'
The influence of Spenser, Shakespeare and Milton
La Belle Dame Sans Merci (ballad)
O WHAT can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has wither'd from the lake
And no bird sing (…)
Femme fatale - a women suncunctive?; she seduces the man; …
Preoccupation with dichotomies inherent in human existance:
Life vs. Art.
Mortal vs immortal
Dream or vision (imagination) vs reality
Joy vs melancholy
The ideal vs the real
Pain vs pleasure
Beauty vs pain
Life vs death
Keats's imagery:
The 'poet of sensations'
The importance of physical sensations
Synaesthesia - blendins together if imagery belonging to different senses, eg., 'But here there is no light,
Save what heaven is with the breezes blown'
I am certain of nothing but of the holiness of the Heart's affections and the truth of Imagination - What the imagination seizes as Beauty must be truth - wheather it existed before or not - for I have the same idea of all our passions as of love: theu are all, in their sublime, creative of essential beauty. To Benjamin Bailey, 22 Oct.1817
Romantic meditative ode
Ode - a long poem, serious in subject matter, elevated bothin its diction and style, origins: Greece - Pindar (complex stanzaic form), and Rome - Horace (uniform stanzas, more personal)
Typical structure of the Romantic meditative ode:
The description of a particular outer scene
Extended meditation stimulated by the scene
An insigh or vision, which signals a return to the scene originally describes, but with a new perspective created by the intervening meditation
The Romantic longer lyrical poems:
The Townley Vase, Roman, 2nd century AD
Keats's drawing of the Sosibios vase
The Elgin (Parthenon) Marbles [they were brought to England, now seen in the British Museus]
'Ode on a Grecian Urn' 1819
Based on a series of paradoxes and opposites
The discrepancy between the urn with its frozen images and the dynamic life portrayed on the urn
The human and changealbe versus the immortal and permanent
Participation versus observation
Life versus art
2014-05-12
FRANKENSTEIN
There is a frame narrative and there are 3 narrators. Richard Walton sends letters to his sister Mary. Later on Frankenstein tells the story to Walton. After this, the monster tells story to Frankenstein. In the beginning we think that the monster is pure evil but we find out that he wasn’t that way in the very beggininng. He has been changed by the cruelty of people. He was battered and left in absolute solitude.